The Play-pictorial; Volume 10

The Play-pictorial; Volume 10

Author: Anonymous

Publisher: Legare Street Press

Published: 2023-07-18

Total Pages: 0

ISBN-13: 9781020409707

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In this collection of theatrical productions, readers can experience the magic of the stage from the comfort of their own homes. From Shakespeare to Shaw, each play is presented in vivid detail with information on the cast, set design, and costumes. This book is a must-have for any student of theater or lover of the performing arts. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


New Theatre Quarterly 37: Volume 10, Part 1

New Theatre Quarterly 37: Volume 10, Part 1

Author: Clive Barker

Publisher: Cambridge University Press

Published: 1994-05-26

Total Pages: 108

ISBN-13: 9780521466561

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One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.


The Bookseller

The Bookseller

Author:

Publisher:

Published: 1907

Total Pages: 1102

ISBN-13:

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Official organ of the book trade of the United Kingdom.


A Social History of British Performance Cultures 1900-1939

A Social History of British Performance Cultures 1900-1939

Author: Maggie B. Gale

Publisher: Routledge

Published: 2019-11-26

Total Pages: 388

ISBN-13: 1351397192

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This book provides a new social history of British performance cultures in the early decades of the twentieth century, where performance across stage and screen was generated by dynamic and transformational industries. Exploring an era book-ended by wars and troubled by social unrest and political uncertainty, A Social History of British Performance Cultures 1900–1939 makes use of the popular material cultures produced by and for the industries – autobiographies, fan magazines and trade journals, as well as archival holdings, popular sketches, plays and performances. Maggie B. Gale looks at how the performance industries operated, circulated their products and self-regulated their professional activities, in a period where enfranchisement, democratization, technological development and legislation shaped the experience of citizenship. Through close examination of material evidence and a theoretical underpinning, this book shows how performance industries reflected and challenged this experience, and explored the ways in which we construct our ‘performance’ as participants in the public realm. Suited not only to scholars and students of British theatre and theatre history, but to general readers as well, A Social History of British Performance Cultures 1900–1939 offers an original intervention into the construction of British theatre and performance histories, offering new readings of the relationship between the material cultures of performance, the social, professional and civic contexts from which they arise, and on which they reflect.