This book is a detailed study of how Plato constructs his seminal philosophical dialogue, the Phaedo, as a unique tragedy, a poetic masterpiece whose structure is organic and symmetrical. Plato's mental Odyssey leads to the internal drama of the Phaedo plot. The analysis examines how Plato's literary art overcomes the philosophical problem of the separation of Ideas from sensible things. And it traces literary and philosophical offspring of the mental Odyssey, including Joyce and Proust.
In this interpretation of the Odyssey, Seth Benardete suggests that Homer may have been the first to philosophize in a Platonic sense. He argues that the Odyssey concerns precisely the relation between philosophy and poetry and, more broadly, the rational and the irrational in human beings.
This study focuses on the apocryphal "Acts of Andrew" (200 AD), which purport to tell the story of the travels, miracles and martyrdom of the apostle Andrew. Breaking with tradition that concludes the Acts came from scripture, the author investigates classical literature to find the sources.
Offering a new, Plato-inspired reading of the Iliad and the Odyssey, this book traces the divergent consequences of love of honor and love of one's own private life for human excellence, justice, and politics. Analyzing Homer's intricate character portraits, Michelle M. Kundmueller concludes that the poet shows that the excellence or virtue to which humans incline depends on what they love most. Ajax's character demonstrates that human beings who seek honor strive, perhaps above all, to display their courage in battle, while Agamemnon's shows that the love of honor ultimately undermines the potential for moderation, destabilizing political order. In contrast to these portraits, the excellence that Homer links to the love of one's own, such as by Odysseus and his wife, Penelope, fosters moderation and employs speech to resolve conflict. It is Odysseus, rather than Achilles, who is the pinnacle of heroic excellence. Homer's portrait of humanity reveals the value of love of one's own as the better, albeit still incomplete, precursor to a just political order. Kundmueller brings her reading of Homer to bear on contemporary tensions between private life and the pursuit of public honor, arguing that individual desires continue to shape human excellence and our prospects for justice.
This book is a detailed study of how Plato constructs his seminal philosophical dialogue, the Phaedo, as a unique tragedy, a poetic masterpiece whose structure is organic and symmetrical. Plato's mental Odyssey leads to the internal drama of the Phaedo plot. The analysis examines how Plato's literary art overcomes the philosophical problem of the separation of Ideas from sensible things. And it traces literary and philosophical offspring of the mental Odyssey, including Joyce and Proust.
In the Republic, Plato addresses the deepest questions about the human soul and human community, the proper objects of worship and reverence, the nature of philosophy, and the relationship between the philosopher and the political community. As presented in the Republic, Socratic philosophizing is eternally unfinished, paradoxical, and ambiguous. According to Jacob Howland, this openness allows for ever-fresh approaches to the questions Plato raises. "Clear, accessible, and very informative . . . a successful and inviting text." --Review of Metaphysics "If only there were more books like this one! Jacob Howland's The Republic: The Odyssey of Philosophy opens up the wealth of the experience of reading Plato's Republic by carefully demonstrating how the dialogue cuts across the boundaries of philosophy and literature." --Peter Warnek, University of Oregon "Jacob Howland's book is an engaging, readable, and extremely suggestive addition to the literature on Plato's magnum opus." --Ancient Philosophy "In this concise, stimulating and provocative book Howland is in effect dealing with the central and persistent problem about the interpretation of the Republic : what is its purpose, and how do we establish what that is?" --Polis "I know of no other book devoted to the Republic that so straightforwardly furnishes a healthy orientation of Plato's philosophical intentions. It will be of unqualified interest both to first-time students of the Republic and to their teachers. Yet it will also intrigue those looking for further, responsible light on apparently well-worn paths. A most inviting, helpful reading." --St. John's Review Jacob Howland is McFarlin Professor of Philosophy at the University of Tulsa, where he teaches courses in ancient Greek and in the Honors Program as well as in philosophy. He has written and lectured on the work of Plato, Aristotle, Xenophon, Hegel, Richard Wright, and Claude Lanzmann, among others, and his articles have appeared in journals such as the Review of Metaphysics, Phoenix, the American Political Science Review, the Review of Politics, and Interpretation . He is the author of The Paradox of Political Philosophy: Socrates' Philosophic Trial (Rowman & Littlefield, 1998), and he has just completed a book entitled Kierkegaard and Socrates: A Study of Philosophy and Faith.
Disguise and Recognition in the Odyssey reveals the significance of the Odyssey's plot, in particular the many scenes of recognition that make up the hero's homecoming and dramatize the cardinal values of Homeric society, an aristocratic culture organized around recognition in the broader senses of honor, privilege, status, and fame. Odysseus' identity is seen to be rooted in his family relations, geographical origins, control of property, participation in the social institutions of hospitality and marriage, past actions, and ongoing reputation. At the same time, Odysseus' dependence on the acknowledgement of others ensures attention to multiple viewpoints, which makes the Odyssey more than a simple celebration of one man's preeminence and accounts in part for the poem's vigorous afterlife. The theme of disguise, which relies on plausible lies, highlights the nature of belief and the power of falsehood and creates the mixture of realism and fantasy that gives the Odyssey its distinctive texture. The book contains a pioneering analysis of the role of Penelope and the questions of female agency and human limitation raised by the critical debate about when exactly she recognizes that Odysseus has come home.
This path-breaking and eloquent analysis of The Odyssey, and the way it has been interpreted by political philosophers throughout the centuries, has dramatic implications for the current state of political thought. This important book offers readers original insights into The Odyssey and it provides a new understanding of the classic works of Plato, Rousseau, Vico, Horkheimer, and Adorno. Through his analysis Patrick J. Deneen requires readers to rethink the issues that are truly at the heart of our contemporary 'Culture Wars,' and he encourages us to reassess our assumptions about the Western canon's virtues or viciousness. Deneen's penetrating exploration of Odysseus's and our own enduring battles between the dual temptations of homecoming and exploration, patriotism and cosmopolitanism, and relativism and universality provides an original perspective on contentious debates at the center of modern political theory and philosophy.
