Highly illustrated with colour images and specially commissioned maps throughout, this is a unique exploration of the pirate world. Often romanticised in print and on the silver screen, real-life pirates were a brutal menace that plagued the high seas. In this book, Angus Konstam separates myth from reality, tracing the history of piracy through the centuries, from the pirates who plagued the Ancient Egyptians to the Viking raids and on to the era of privateers. He discusses the so-called 'Golden Age of Piracy' and colourful characters such as Blackbeard and Captain Kidd, before examining the West's initial encounters with Eastern pirates off the Chinese coast and the phenomenon of the modern pirate.
The image of the pirate is at once spectral and ubiquitous. It haunts the imagination of international legal scholars, diplomats and statesmen involved in the war on terror. It returns in the headlines of international newspapers as an untimely ‘security threat’. It materializes on the most provincial cinematic screen and the most acclaimed works of fiction. It casts its shadow over the liquid spatiality of the Net, where cyber-activists, file-sharers and a large part of the global youth are condemned as pirates, often embracing that definition with pride rather than resentment. Today, the pirate remains a powerful political icon, embodying at once the persistent nightmare of an anomic wilderness at the fringe of civilization, and the fantasy of a possible anarchic freedom beyond the rigid norms of the state and of the market. And yet, what are the origins of this persistent ‘pirate myth’ in the Western political imagination? Can we trace the historical trajectory that has charged this ambiguous figure with the emotional, political and imaginary tensions that continue to characterize it? What can we learn from the history of piracy and the ways in which it intertwines with the history of imperialism and international trade? Drawing on international law, political theory, and popular literature, The Pirate Myth offers an authoritative genealogy of this immortal political and cultural icon, showing that the history of piracy – the different ways in which pirates have been used, outlawed and suppressed by the major global powers, but also fantasized, imagined and romanticised by popular culture – can shed unexpected light on the different forms of violence that remain at the basis of our contemporary global order.
Exploring the life and times of author Robert Louis Stevenson, The Proper Pirate takes readers on a psychological journey from the writer's religious and constricted upbringing to a life of imagination and wonder culminating in the South Seas island of Samoa. Drawing on contemporary theories of identity development, Jefferson A. Singer traces how Stevenson overcame Victorian dualities of piety versus passion in both his personal life and artistic works, gradually edging toward a more Modernist and complicated moral vision. This first full-length psychobiographical study of Stevenson follows the trajectory of his life, all while highlighting how key memories and conflicts within his personality shaped the narrative structure and themes of some of his most celebrated works, including: Treasure Island, Strange Case of Dr. Jekyll and Mr. Hyde, A Child's Garden of Verses, and Kidnapped. Stevenson's relationships to his parents, his wife Fanny, and circle of intimate friends also play a prominent role in this investigation of his emerging identity and artistic body of work.
The Pirate Wars charts 250 years of piracy, from the Carolinas to the Caribbean, from the sixteenth century to the hanging of the last pirate captain in Boston in 1835.
The thrilling conclusion to the A Hundred Names for Magic trilogy is not your average fairytale. An unforgettable alternative history fairy-tale series from the author of The Bone Witch about found family, modern day magic, and finding the place you belong. It's been three months since the Snow Queen and OzCorp infiltrated Maidenkeep and nearly seized the Nine Maidens. Ryker is still unconscious and the rest of the group is feeling the effects of the prolonged war. Not to mention that Abigail Fey's curse has far-reaching consequences, and many in the Royal States have been using it to stir unrest and hostilities against Avalon. When the Adarna, a firebird-like creature appears in Avalon, the gang discovers it is one of seven magical artifacts that the Snow Queen has been searching for, in her bid to open a portal to Buyan-a place that could grant her tremendous power. Determined to find the artifacts first the Bandersnatchers find information about the other five: The Singing Bone, The Hamelin Flute, The Tamatebako, The Lotus Lanternm The Raskovnik, and The Wonderland Tree. But the Snow Queen will stop at nothing to get to the relics first. And as the final battle approaches, both sides will lose the ones they love as the fight to save or destroy Avalon finally comes to be.
Will a virgin captive surrender to this pirate’s sinful touch? Nathaniel Bainbridge is used to hiding, whether it’s concealing his struggles with reading or his forbidden desire for men. Under the thumb of his controlling father, the governor of Primrose Isle, he’s sailing to the fledging colony, where he’ll surrender to a respectable marriage for his family’s financial gain. Then pirates strike and he’s kidnapped for ransom by the Sea Hawk, a legendary villain of the New World. Bitter and jaded, Hawk harbors futile dreams of leaving the sea for a quiet life, but men like him don’t deserve peace. He has a score to settle with Nathaniel’s father—the very man whose treachery forced him into piracy—and he’s sure Nathaniel is just as contemptible. Yet as days pass in close quarters, Nathaniel’s feisty spirit and alluring innocence beguile and bewitch. Although Hawk knows he must keep his distance, the desire to teach Nathaniel the pleasure men can share grows uncontrollable. It’s not as though Hawk would ever feel anything for him besides lust… Nathaniel realizes the fearsome Sea Hawk’s reputation is largely invented, and he sees the lonely man beneath the myth, willingly surrendering to his captor body and soul. As a pirate’s prisoner, he is finally free to be his true self. The crew has been promised the ransom Nathaniel will bring, yet as danger mounts and the time nears to give him up, Hawk’s biggest battle could be with his own heart. This May-December gay romance from Keira Andrews features classic tropes including: a tough alpha pirate too afraid to love, a plucky virgin captive half his age, enemies to lovers, first-time sexual discovery, and of course a happy ending.
This adult historical fiction is a seafaring adventure meant to entertain both the sailor and the landlubber. Having lost hearth and heart to the Stuart Uprising, CATE MACKENZIE, a fugitive war criminal, purchases passage on a ship bound for the West Indies. En route she is kidnapped-a case of mistaken identity-by CAPTAIN NATHANAEL BLACKTHORNE, the pirate captain. Accustomed to blood, musket and cannon, life aboard the pirate ship isn't the hell Cate expects. She is instantly drawn into Nathan's bloody rivalry against LORD BREASTON CRESWICKE-the man who forced Nathan into piracy-and COMMODORE ROGER HARTE, Creswicke's puppet. They are an "unholy alliance" of ambition and power, Nathan a rat terrier on their heels. The impending arrival of Creswicke's fiance is too much temptation. This is a story of two scarred people, blinded by their defenses. It's the story of trust, or rather, the lack of. It's the story of a loss of faith and disbelief that Providence might ever smile again.
