He who pays the piper calls the tune. When Peter and his little sister, Daisy, are evacuated from London to the countryside, they find themselves on an isolated farm in the middle of a treacherous marshland. As Daisy gets drawn deeper into the secrets of their new home, Peter starts to realise that something very sinister is going on. What is that music they can hear at night? And who are the children dancing to it?
New from Best-Selling Author John Piper From Genesis to Revelation, the providence of God directs the entire course of redemptive history. Providence is "God's purposeful sovereignty." Its extent reaches down to the flight of electrons, up to the movements of galaxies, and into the heart of man. Its nature is wise and just and good. And its goal is the Christ-exalting glorification of God through the gladness of a redeemed people in a new world. Drawing on a lifetime of theological reflection, biblical study, and practical ministry, pastor and author John Piper leads us on a stunning tour of the sightings of God's providence—from Genesis to Revelation—to discover the allencompassing reality of God's purposeful sovereignty over all of creation and all of history. Piper invites us to experience the profound effects of knowing the God of all-pervasive providence: the intensifying of true worship, the solidifying of wavering conviction, the strengthening of embattled faith, the toughening of joyful courage, and the advance of God's mission in this world.
#1 international bestselling author of Thirteen Reasons Why Jay Asher and co-author Jessica Freeburg brilliantly reimagine the classic Pied Piper legend as a powerful graphic novel about loneliness, love, and vengeance. Fans of Through the Woods by Emily Carroll will devour this eerie, atmospheric retelling. “A moving graphic novel about isolation, love, and retribution, this dark version of a familiar tale will remain with readers long after the last page is turned.”—School Library Journal Long ago, in a small village in the middle of a deep, dark forest, there lived a lonely, deaf girl named Maggie. Shunned by her village because of her disability, her only comfort comes from her vivid imagination. Maggie has a gift for inventing stories and dreams of one day finding her fairy-tale love. When Maggie meets the mysterious Piper, it seems that all her wishes are coming true. Spellbound, Maggie falls hard for him and plunges headfirst into his magical world. But as she grows closer to the Piper, Maggie discovers that he has a dark side. The boy of Maggie’s dreams might just turn out to be her worst nightmare… With striking illustrations from Eisner-nominated artist Jeff Stokely, mixed with Jessica Freeburg's work on historic and legendary horrors, Piper is an exciting new departure for Jay Asher that deftly touches on the same themes of truth, guilt, and redemption that made Thirteen Reasons Why a beloved bestseller.
An addictive fantasy romance from TikTok sensation Piper CJ, now newly revised and edited. Two orphans grow into powerful young women as they face countless threats to find their way back to each other. Farleigh is just an orphanage. At least, that's what the church would have the people believe, but beautiful orphans Nox and fae-touched Amaris know better. They are commodities for sale, available for purchase by the highest bidder. So when the madame of a notorious brothel in a far-off city offers a king's ransom to purchase Amaris, Nox ends up taking her place — while Amaris is drawn away to the mountains, home of mysterious assassins. Even as they take up new lives and identities, Nox and Amaris never forget one thing: they will stop at nothing to reunite. But the threat of war looms overhead, and the two are inevitably swept into a conflict between human and fae, magic and mundane. With strange new alliances, untested powers, and a bond that neither time nor distance could possibly break, the fate of the realms lies in the hands of two orphans — and the love they hold for each other.
When Callie interviews the band, Brass Rat, for her school newspaper, her feelings are ambivalent, but when all the children of Northampton begin to disappear on Halloween, she knows where the dangerous search must begin.
During the Cold War, freedom of expression was vaunted as liberal democracy’s most cherished possession—but such freedom was put in service of a hidden agenda. In The Cultural Cold War, Frances Stonor Saunders reveals the extraordinary efforts of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West were working for or subsidized by the CIA—whether they knew it or not. Called "the most comprehensive account yet of the [CIA’s] activities between 1947 and 1967" by the New York Times, the book presents shocking evidence of the CIA’s undercover program of cultural interventions in Western Europe and at home, drawing together declassified documents and exclusive interviews to expose the CIA’s astonishing campaign to deploy the likes of Hannah Arendt, Isaiah Berlin, Leonard Bernstein, Robert Lowell, George Orwell, and Jackson Pollock as weapons in the Cold War. Translated into ten languages, this classic work—now with a new preface by the author—is "a real contribution to popular understanding of the postwar period" (The Wall Street Journal), and its story of covert cultural efforts to win hearts and minds continues to be relevant today.
Born into a family of successful playwrights and producers, Agnes de Mille was determined to be an actress. Then one day she witnessed the Russian ballet dancer Anna Pavlova, and her life was altered forever. Hypnotized by Pavlova’s beauty, in that moment de Mille dedicated herself to dance. Her memoir records with lighthearted humor and wisdom not only the difficulties she faced—the resistance of her parents, the sacrifices of her training—but also the frontier atmosphere of early Hollywood and New York and London during the Depression. “This is the story of an American dancer,” writes de Mille, “a spoiled egocentric wealthy girl, who learned with difficulty to become a worker, to set and meet standards, to brace a Victorian sensibility to contemporary roughhousing, and who, with happy good fortune, participated by the side of great colleagues in a renaissance of the most ancient and magical of all the arts.”
The fire was visible from seventy miles away and the heat generated was so intense that a helicopter could only circle the rig at a perimeter of one mile. On the surface of the sea, a converted fishing trawler inched as close as possible, but the paint on the vessel’s hull blistered and burnt. In the water surrounding the inferno, men’s heads could be seen bobbing like apples as their yellow hard hats melted with the heat. On 6 July 1988 a series of explosions ripped through the Piper Alpha oil platform, 110 miles north-east of Aberdeen in the North Sea. Ablaze with 226 men on board, the searing temperatures caused the platform to collapse in just two hours. Only sixty-one would survive by leaping over 100 feet into the water below. Newly updated for the thirtieth year since the tragedy, Fire in the Night by journalist Stephen McGinty tells in gripping detail the devastating story of that summer evening. Combining interviews with survivors, witness statements and transcripts from the official inquiry into the disaster, this is the moving and vivid tale of what remains the worst offshore oil-rig disaster to date.
Andrew Piper grew up liking books and loving computers. While occasionally burying his nose in books, he was going to computer camp, programming his Radio Shack TRS-80, and playing Pong. His eventual love of reading made him a historian of the book and a connoisseur of print, but as a card-carrying member of the first digital generation—and the father of two digital natives—he understands that we live in electronic times. Book Was There is Piper’s surprising and always entertaining essay on reading in an e-reader world. Much ink has been spilled lamenting or championing the decline of printed books, but Piper shows that the rich history of reading itself offers unexpected clues to what lies in store for books, print or digital. From medieval manuscript books to today’s playable media and interactive urban fictions, Piper explores the manifold ways that physical media have shaped how we read, while also observing his own children as they face the struggles and triumphs of learning to read. In doing so, he uncovers the intimate connections we develop with our reading materials—how we hold them, look at them, share them, play with them, and even where we read them—and shows how reading is interwoven with our experiences in life. Piper reveals that reading’s many identities, past and present, on page and on screen, are the key to helping us understand the kind of reading we care about and how new technologies will—and will not—change old habits. Contending that our experience of reading belies naive generalizations about the future of books, Book Was There is an elegantly argued and thoroughly up-to-date tribute to the endurance of books in our ever-evolving digital world.
Scotland Yard inspector Ian Rutledge returns shell shocked from the trenches of World War I, tormented by the memory of Hamish MacLeod, the young Scots soldier he executed on the battlefield. Now, Charles Todd features Hamish himself in this compelling, stand-alone short story. Before the Great War, Hamish farms in the Highlands, living in a small croft on the hillside and caring for a flock of sheep he inherited from his grandmother. When at the height of a spring gale, he hears a faint cry echoing across the glen, Hamish sets out into the stormy night to find the source. Near the edge of the loch he spots a young boy lying wounded, a piper’s bag beside him. Hamish brings the piper to his home to stay the night and tends to his head wound, but by the time Hamish wakes the boy has vanished. Worried, he goes in pursuit of the injured piper and finds him again collapsed in the heather--dead. Who was the mysterious piper, and who was seeking his death? As Hamish scours the countryside for answers, he finds that few of his neighbors are as honest as he, and that until he uncovers a motive, everyone, including Hamish, is a suspect.
