In 1927 Owen Wister called The Pinto Horse “the best western story about a horse that I have ever read.” The pinto roamed the Montana range in the late 1880s, surviving wolves and blizzards and earning the respect of the herd but never blending in, always standing out in vulnerable perfection. After years of trusting to human kindness, he falls into the hands of fools. The Phantom Bull, first published in 1932, is also marked by authenticity and controlled beauty of style. Old Man Ennis, who ranched on the upper Madison in Montana, grudgingly admired the slate-colored Zebu cow, whose wild cunning was passed on to her calf. The calf grows into a monster bull, not personified but endowed with the suggestion of a definite point of view. A phantom glimpsed against the horizon—that is the image he leaves.
From a renowned horsewoman and gifted storyteller comes this groundbreaking new book that explores a powerful relationship like no other: the magical kinship between women and horses. Drawing from myth and literature, the author’s own experiences, and interviews with countless women, we learn, through women’s deeply personal stories, how horses enrich our lives and connect us to nature–making us readers of rhythm and invisible signs, helping us harness our youthful sexuality, sharing the “horsepower” we need to reach our dreams. And here we see how, for thousands of years, the deep kinship between women and horses has connected us to our most intimate feelings of delight, helped us learn to solve problems, and set our creativity free. From the poetry of Geoffrey Chaucer to the fiction of Jane Austen to folktales from around the world, She Flies Without Wings uses great literature and myth to encompass a wide spectrum of beliefs and perspectives–and creates a true celebration of speed, air, and the spectacular animal that connects us with both. Filled with the moving lessons–-about sensuality, commitment, power, nurturance, and spirituality–women riders have known for centuries, written with a loving hand by an expert equestrian, She Flies Without Wings is an eloquent paean to a pairing that enlivened history, inspired literature, and continues to enchant us all.
This guide book is a bibliography of books about the American West by various authors, compiled by the literary critic J. Franck Dobie. The list is subdivided along themes associated with the different aspects of life in the West such as Native American culture, Spanish influences, French influences, Texas Rangers, Missionaries, Women pioneers and Mountain men culture, among others. Each aspect is preceded by a brief discussion of the topic before the list of books themed on the subject.
Published for devotees of the cowboy and the West, American Cowboy covers all aspects of the Western lifestyle, delivering the best in entertainment, personalities, travel, rodeo action, human interest, art, poetry, fashion, food, horsemanship, history, and every other facet of Western culture. With stunning photography and you-are-there reportage, American Cowboy immerses readers in the cowboy life and the magic that is the great American West.
Iowa has been blessed with citizens of strong character who have made invaluable contributions to the state and to the nation. In the 1930s alone, such towering figures as John L. Lewis, Henry A. Wallace, and Herbert Hoover hugely influenced the nation’s affairs. Iowa’s Native Americans, early explorers, inventors, farmers, scholars, baseball players, musicians, artists, writers, politicians, scientists, conservationists, preachers, educators, and activists continue to enrich our lives and inspire our imaginations. Written by an impressive team of more than 150 scholars and writers, the readable narratives include each subject’s name, birth and death dates, place of birth, education, and career and contributions. Many of the names will be instantly recognizable to most Iowans; others are largely forgotten but deserve to be remembered. Beyond the distinctive lives and times captured in the individual biographies, readers of the dictionary will gain an appreciation for how the character of the state has been shaped by the character of the individuals who have inhabited it. From Dudley Warren Adams, fruit grower and Grange leader, to the Younker brothers, founders of one of Iowa’s most successful department stores, The Biographical Dictionary of Iowa is peopled with the rewarding lives of more than four hundred notable citizens of the Hawkeye State. The histories contained in this essential reference work should be eagerly read by anyone who cares about Iowa and its citizens. Entries include Cap Anson, Bix Beiderbecke, Black Hawk, Amelia Jenks Bloomer, William Carpenter, Philip Greeley Clapp, Gardner Cowles Sr., Samuel Ryan Curtis, Jay Norwood Darling, Grenville Dodge, Julien Dubuque, August S. Duesenberg, Paul Engle, Phyllis L. Propp Fowle, George Gallup, Hamlin Garland, Susan Glaspell, Josiah Grinnell, Charles Hearst, Josephine Herbst, Herbert Hoover, Inkpaduta, Louis Jolliet, MacKinlay Kantor, Keokuk, Aldo Leopold, John L. Lewis, Marquette, Elmer Maytag, Christian Metz, Bertha Shambaugh, Ruth Suckow, Billy Sunday, Henry Wallace, and Grant Wood. Excerpt from the entry on: Gallup, George Horace (November 19, 1901–July 26, 1984)—founder of the American Institute of Public Opinion, better known as the Gallup Poll, whose name was synonymous with public opinion polling around the world—was born in Jefferson, Iowa. . . . . A New Yorker article would later speculate that it was Gallup’s background in “utterly normal Iowa” that enabled him to find “nothing odd in the idea that one man might represent, statistically, ten thousand or more of his own kind.” . . . In 1935 Gallup partnered with Harry Anderson to found the American Institute of Public Opinion, based in Princeton, New Jersey, an opinion polling firm that included a syndicated newspaper column called “America Speaks.” The reputation of the organization was made when Gallup publicly challenged the polling techniques of The Literary Digest, the best-known political straw poll of the day. Calculating that the Digest would wrongly predict that Kansas Republican Alf Landon would win the presidential election, Gallup offered newspapers a money-back guarantee if his prediction that Franklin Delano Roosevelt would win wasn’t more accurate. Gallup believed that public opinion polls served an important function in a democracy: “If govern¬ment is supposed to be based on the will of the people, somebody ought to go and find what that will is,” Gallup explained.
"Chasing the Sun" is a guide to Western fiction with more than 1,350 entries, including 59 reviews of the author's personal favorites, organized around theme.
Parnassus on the Mississippi is a history of the short-lived yet remarkable productive epoch when, in the words of C. Vann Woodward, “the center of the avant-garde of American literary criticism shifted temporarily to the banks of the Mississippi at Baton Rouge.” Beginning with the establishment of the Southern Review at Louisiana State University in 1935, Baton Rouge became the home not only to a brand of criticism that would reshape the teaching of literature in America but also to a community of scholars and artists that included Cleanth Brooks, Robert Penn Warren, Katherine Anne Porter, Robert Lowell, Jean Stafford, and Peter Taylor. Thomas Cutrer chronicles how the Southern Review, created in the midst of the Depression by the largess of Louisiana governor Huey P. Long, quickly rose to the position of the finest American literary journal of its day. Under the joint editorship of Cleanth Brooks and Robert Penn Warren, the journal published criticism, poetry, and short fiction by writers as eminent as R.P. Blackmur, Kenneth Burke, T.S. Elliot, and Wallace Stevens. The editors also encouraged and published works by such young talented, and at the time unknown writers as Nelson Algren, Randall Jarrell, Mary McCarthy, and Eudora Welty. During these same years, Brooks and Warren collaborated on three textbooks—An Approach to Literature, Understanding Poetry, and Understanding Fiction—which would revolutionize college English by emphasizing the study of a literary work itself, in concrete and precise terms, over the study of the biographical, historical, and moral issues surrounding it. Brooks also wrote his influential critical works Modern Poetry and Tradition and The Well Wrought Urn, while Warren wrote two novels and some of his finest poems and stories, and absorbed material from the political tumult around him for the work that would later become All the King’s Men. The stature of the Southern Review and the vitality of the literary community that it spawned were both, to a great extent, born of the dedication and creativity of Books and Warren, but in other very tangible ways, they were also by-products of the ambition of Huey Long; ironically, it was the actions of one of the assassinated governor’s loyalists that brought an end to Baton Rouge’s time as a Parnassus. After a financial scandal rocked the university, a reform administration was appointed which, in its zeal to curb a runaway budget, stopped the funding for the review. Soon after, Brooks and Warren both left the faculty. The Southern Review itself would lie dormant until its revival two decades later.
