The Phonographic Teacher. An Essay on the Best Method of Teaching [I.] Pitman's Phonography. Written [phonographically] in Accordance with the 9th Edition by Συνεργος..
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Published: 1853
Total Pages: 88
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Published: 1853
Total Pages: 88
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Published: 1882
Total Pages: 684
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Published: 1883
Total Pages: 398
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DOWNLOAD EBOOKAuthor: New York Public Library. Research Libraries
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Published: 1979
Total Pages: 556
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DOWNLOAD EBOOKAuthor: British Library
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Published: 1946
Total Pages: 1000
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DOWNLOAD EBOOKAuthor: British museum. Dept. of printed books
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Published: 1931
Total Pages: 540
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Published: 1968
Total Pages: 712
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DOWNLOAD EBOOKAuthor: Avero Publications Limited
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Published: 1994
Total Pages: 614
ISBN-13: 9780907977575
DOWNLOAD EBOOKAuthor: British Museum. Dept. of Printed Books
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Published: 1967
Total Pages: 1266
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DOWNLOAD EBOOKAuthor: Shane Butler
Publisher: MIT Press
Published: 2015-09-04
Total Pages: 281
ISBN-13: 1935408720
DOWNLOAD EBOOKA search for traces of the voice before the phonograph, reconstructing a series of ancient soundscapes from Aristotle to Augustine. Long before the invention of musical notation, and long before that of the phonograph, the written word was unrivaled as a medium of the human voice. In The Ancient Phonograph, Shane Butler searches for traces of voices before Edison, reconstructing a series of ancient soundscapes from Aristotle to Augustine. Here the real voices of tragic actors, ambitious orators, and singing emperors blend with the imagined voices of lovesick nymphs, tormented heroes, and angry gods. The resonant world we encounter in ancient sources is at first unfamiliar, populated by texts that speak and sing, often with no clear difference between the two. But Butler discovers a commonality that invites a deeper understanding of why voices mattered then and why they have mattered since. With later examples that range from Mozart to Jimi Hendrix, Butler offers an ambitious attempt to rethink the voice—as an anatomical presence, a conceptual category, and a source of pleasure and wonder. He carefully and critically assesses the strengths and limits of recent theoretical approaches to the voice by Adriana Cavarero and Mladen Dolar and makes a rich and provocative range of ancient material available for the first time. The Ancient Phonograph will appeal not only to classicists and to voice theorists but to anyone with an interest in the verbal arts—literature, oratory, song—and the nature of aesthetic experience.