Stacy is trapped in the past after being pulled through the mirror in their dorm room while her twin, Tracy, must pretend to be both sisters while trying to get Stacy back.
Rebecca James unveils a chilling modern gothic novel of a family consumed by the shadows and secrets of its past in The Woman in the Mirror. For more than two centuries, Winterbourne Hall has stood atop a bluff overseeing the English countryside of Cornwall and the sea beyond. Enshrouded by fog and enveloped by howling winds, the imposing edifice casts a darkness over the town. In 1947, Londoner Alice Miller accepts a post as governess at Winterbourne, looking after twin children Constance and Edmund for their widower father, Captain Jonathan de Grey. Falling under the de Greys’ spell, Alice believes the family will heal her own past sorrows. But then the twins’ adoration becomes deceitful and taunting. Their father, ever distant, turns spiteful and cruel. The manor itself seems to lash out. Alice finds her surroundings subtly altered, her air slightly chilled. Something malicious resents her presence, something clouding her senses and threatening her very sanity. In present day New York, art gallery curator Rachel Wright has learned she is a descendant of the de Greys and heir to Winterbourne. Adopted as an infant, she never knew her birth parents or her lineage. At long last, Rachel will find answers to questions about her identity that have haunted her entire life. But what she finds in Cornwall is a devastating tragic legacy that has afflicted generations of de Greys. A legacy borne from greed and deceit, twisted by madness, and suffused with unrequited love and unequivocal rage. There is only one true mistress of Winterbourne. She will not tolerate any woman who dares to cross its threshold and call it home. Those who do will only find a reflection of their own wicked sins and an inherited vengeance.
An action-packed, high concept, time-travelling adventure. Full of animal magic and with an epic wolf character. Linked to a website with ‘Meet the Character’ profiles, book excerpt and background stories
Isaac is the new kid in town. His mother, Vera, is in the hospital with a mysterious illness, and the only person left to care for Isaac is his distant grandfather. Friendless and often alone, Isaac loses himself in his collection of optical illusions, including a strange mirror box that he finds in his new house, left behind by the previous tenants. Designed for amputees, it creates the illusion of a second limb. Lonely Isaac wishes someone would reach out to him, and then someone does—a phantom limb within the mirror box! It signs to Isaac about a growing danger: someone who has murdered before and is out to get Vera next. The only way Isaac can solve the mystery and save his mother is with the help of the mirror box. But can he trust the phantom limb?
“There is much to enjoy in this sumptuous novel.”—Sunday Mirror “My name is Mary Seymour and I am the daughter of one queen and the niece of another.” Browsing an antiques shop in Wiltshire, Alison Bannister stumbles across a delicate old portrait—identified as the doomed Tudor queen, Anne Boleyn. Except Alison knows better. The subject is Mary Seymour, the daughter of Katherine Parr, who was taken to Wolf Hall in 1557 and presumed dead after going missing as a child. And Alison knows this because she, too, lived at Wolf Hall and knew Mary...more than four hundred years ago. The painting of Mary is more than just a beautiful object for Alison—it holds the key to her past life, the unlocking of the mystery surrounding Mary’s disappearance and how Alison can get back to her own time. To when she and Mary were childhood enemies yet shared a pact that now, finally, must be fulfilled, no matter the cost. Bestselling author of House of Shadows Nicola Cornick offers a provocative alternate history of rivals, secrets and danger, set in a time when a woman’s destiny was determined by the politics of men and luck of birth. A spellbinding tale for fans of Kate Morton, Philippa Gregory and Barbara Erskine.
The brain remains a mystery to us. How can a three-pound mass of jelly that can fit in our palm imagine angels, contemplate the meaning of infinity, and even question its own place in the cosmos? Renowned neuroscientist Prof. V.S. Ramachandran takes us on a fascinating journey into the human brain by studying patients who exhibit bizarre symptoms and using them to understand the functions of a normal brain. Along the way he asks big questions: How did abstract thinking evolve? What is art? Why do we laugh? How are these hardwired into the neural mechanisms of the human brain, and why did they evolve? Brilliant, lucid, and utterly compelling, The Tell-Tale Brain is a path-breaking book from one of the leading neuroscientists.
The Phantom of the Opera is a chilling tale interlaced with darkness, despair, love, and redemption. Originally penned by Gaston Leroux, the book is classic literature. Leroux weaves the tale of a deformed man living in isolation underneath the Paris Opera House, who desperately loves a beautiful girl named Christine Daae. The masked man has many names-Phantom of the Opera, Opera Ghost, Angel of Music, and Erik. He is a broken soul who yearns for beauty, but lives in hell. His desperate search for love takes him down a road of obsession and violence, and the cry of his despair echoes in our hearts. "All I wanted was to be loved for myself." Lessons from The Phantom of the Opera steps behind the scenes and examines the symbolism hidden in the characters, emotions, sets, and events. The book leads its readers on an emotional journey studying the motivations of the characters and the numerous symbols hidden throughout the Opera House. It examines not only Leroux's original work, but also analyzes the play and movie. As a result, lessons and life applications emerge from a timeless masterpiece for everyone to enjoy.
How the classic mirror test served as a portal for scientists to explore questions of self-awareness Since the late eighteenth century, scientists have placed subjects—humans, infants, animals, and robots—in front of mirrors in order to look for signs of self-recognition. Mirrors served as the possible means for answering the question: What makes us human? In The Mirror and the Mind, Katja Guenther traces the history of the mirror self-recognition test, exploring how researchers from a range of disciplines—psychoanalysis, psychiatry, developmental and animal psychology, cybernetics, anthropology, and neuroscience—came to read the peculiar behaviors elicited by mirrors. Investigating the ways mirrors could lead to both identification and misidentification, Guenther looks at how such experiments ultimately failed to determine human specificity. The mirror test was thrust into the limelight when Charles Darwin challenged the idea that language sets humans apart. Thereafter the mirror, previously a recurrent if marginal scientific tool, became dominant in attempts to demarcate humans from other animals. But because researchers could not rely on language to determine what their nonspeaking subjects were experiencing, they had to come up with significant innovations, including notation strategies, testing protocols, and the linking of scientific theories across disciplines. From the robotic tortoises of Grey Walter and the mark test of Beulah Amsterdam and Gordon Gallup, to anorexia research and mirror neurons, the mirror test offers a window into the emergence of such fields as biology, psychology, psychiatry, animal studies, cognitive science, and neuroscience. The Mirror and the Mind offers an intriguing history of experiments in self-awareness and the advancements of the human sciences across more than a century.