The Mississippi River town of Muscatine produced billions of pearl buttons. By 1905, Muscatine made 37 percent of the world's buttons and earned the title of "Pearl Button Capital of the World." The rise and fall of the pearl button occurred over a period of 75 years. John Frederick Boepple, a German immigrant button maker, launched the industry in 1891. The button and clamming industries started small but quickly overwhelmed the town. Clamming became the Mississippi River's gold rush while large automated factories and shell-cutting shops employed nearly half the local workforce. Entire families--men, women, and children--contributed to the industry, giving weight to the popular local saying "No Muscatine resident can enter Heaven without evidence of previous servitude in the button industry." Although the industry peaked in 1916, several decades passed before the American-made pearl button buckled under the pressure of foreign competition, changing fashion, limited availability of shell, and the development and refinement of plastic buttons.
In this informed and lyrical collection of interwoven essays, Lisa Knopp explores the physical and cultural geography of the Mississippi, Missouri, and Platte, rivers she has come to understand and cherish. At the same time, she contemplates how people experience landscape, identifying three primary roles of environmental perception: the insider, the outsider, and the outsider seeking to become an insider. Viewing the waterways through these approaches, she searches for knowledge and meaning. Because Knopp was born and raised just a few blocks away, she considers the Mississippi from the perspective of a native resident, a “dweller in the land.” She revisits places she has long known: Nauvoo, Illinois, the site of two nineteenth-century utopias, one Mormon, one Icarian; Muscatine, Iowa, once the world’s largest manufacturer of pearl (mussel shell) buttons; and the mysterious prehistoric bird- and bear-shaped effigy mounds of northeastern Iowa. On a downriver trip between the Twin Cities and St. Louis, she meditates on what can be found in Mississippi river water—state lines, dissolved oxygen, smallmouth bass, corpses, family history, wrecked steamboats, mayfly nymphs, toxic perfluorinated chemicals, philosophies. Knopp first encountered the Missouri as a tourist and became acquainted with it through literary and historical documents, as well as stories told by longtime residents. Her journey includes stops at Fort Bellefontaine, where Lewis and Clark first slept on their sojourn to the Pacific; Little Dixie, Missouri’s slaveholding, hemp-growing region, as revealed through the life of Jesse James’s mother; Fort Randall Dam and Lake Francis Case, the construction of which destroyed White Swan on the Yankton Sioux Reservation; and places that produced unique musical responses to the river, including Native American courting flutes, indie rock, Missouri River valley fiddling, Prohibition-era jazz jam sessions, and German folk music. Knopp’s relationship with the Platte is marked by intentionality: she settled nearby and chose to develop deep and lasting connections over twenty years’ residence. On this adventure, she ponders the half-million sandhill cranes that pass through Nebraska each spring, the ancient varieties of Pawnee corn growing at the Great Platte River Road Archway Monument, a never-broken tract of tallgrass prairie, the sugar beet industry, and the changes in the river brought about by the demands of irrigation. In the final essay, Knopp undertakes the science of river meanders, consecutive loops of water moving in opposite directions, which form around obstacles but also develop in the absence of them. What initiates the turning that results in a meander remains a mystery. Such is the subtle and interior process of knowing and loving a place. What the River Carries asks readers to consider their own relationships with landscape and how one can most meaningfully and responsibly dwell on the earth’s surface. Winner of the 2013 Nebraska Book Award for Nonfiction Honorable Mention for the Association for Literature and the Environment's 2013 Environmental Creative Nonfiction Award
Tired of the same old tourist traps? Whether you’re a visitor or a local looking for something different, let Iowa Off the Beaten Path show you the Hawkeye State you never knew existed. Sample the history—and delectable dishes—of Dubuque with the Victorian House Tour and Progressive Dinner. Visit the World’s Smallest Church, a stone chapel built on a country road near Festina in 1885 and containing four tiny pews. Or enjoy the rebirth of the Iowa wine industry with a trip along the Iowa Wine Trail. So if you’ve “been there, done that” one too many times, get off the main road and venture Off the Beaten Path.
Take a mysterious and fascinating tour through Iowa's underground treasures. This guide will reveal the state's subterranean attractions including show and wild caves, springs, mining sites and other geological and man-made sites. If you are a sport caver, a scientist, or curious tourist, this guide will give you all you need to know to begin exploring Iowa's underground world. IN THIS BOOK YOU'LL FIND - Detailed directions with helpful tips and precautions. - Descriptions of various lead- and coal-mining museums. - Fun stories and legends, including cave fairies, trolls, and ghost towns. - Additional information about Iowa's coal-mining past. - Facts about underground biological life. "A uniquely written perspective on the underground wonders of Iowa, by a premier Midwest cave historian." --Gary K. Soule, Speleo Historian and Trustee, American Spelean History Association
