Ethiopian architect and businessman Ras Selassie has enough wealth and power to need no-one. He enjoys the solitude of his Colorado Rockies mountain retreat and has carefully kept himself free of romantic entanglements. His only passion is to build communities for the children of his war-torn homeland. But when he meets Cassandra Terrell, his control begins to slip. Cassandra doesn't understand Ras' controlling attitude - until she travels with him to Ethiopia. But by then it may be too late, for secrets and danger lie in the path of true love...
"Few living persons have served the Metropolitan Museum of Art-indeed, the entire world of art and art museums-longer, or with more distinction, than Roy Neuberger. A man of taste, passion, persistence, and generosity, he has shared much of his great private collection with the public, and for generations has supported activities that bring people to museums, and motivate them to return again and again. Now, this giant of a man has recorded eighty years of his life-and the result is entertaining, illuminating, and, like the tireless gentleman himself, inspiring." -Philippe de Montebello, Director, The Metropolitan Museum of Art Equal to his passion for investing is Roy Neuberger's love for art-which he has collected and encouraged for eight decades. In The Passionate Collector: Eighty Years in the World of Art, you'll follow this fascinating financial figure and great patron of the arts from the streets of 1920s Paris to the museums of New York as he develops the eye of a connoisseur and begins to collect great contemporary art. Vivid detail puts you in the center of the action as Neuberger collects the brilliant artists of his time-Milton Avery, Jackson Pollock, Ben Shahn, Edward Hopper; works with legendary art dealers Paul Rosenberg, Betty Parsons, Sidney Janis, and Leo Castelli; and befriends avid collectors, including the incomparable Duncan Phillips. You'll follow Neuberger as he strives to further the cause of contemporary American artists by exhibiting, lending, and donating from his growing collection, and becoming an activist for the Metropolitan Museum of Art, the Museum of Modern Art, and the Whitney. You'll also see how the Neuberger Museum of Art was created at the urging of Governor Nelson Rockefeller, and how it continues to fascinate art enthusiasts today. Part personal memoir, part history of art, The Passionate Collector offers a unique view of twentieth-century American art from a man who has lived it.
Have you ever wondered why he behaved the way he had? Why he seemed on one day cold and distant, and the other totally in love with you? Why he makes you feel special one moment and crap the next? Why the man that you love is the same man that can make you feel as if you're on top of the world and buried under it the next? But most of all, have you ever really really wondered, why until today you haven't found the right man? Why you go on one experience after the other, in trial mode and you still have not struck it right? We all know that experiences help shape who we are, but when is 'enough' really 'enough'? Set as film in progress, enter the author's mind and journey to explore all the mishaps, delusions, ecstasy, lust, love and tenderness as it lends a hand to help us discover a part of ourselves that we have long forgotten. After all, Passion is the only thread that ties us altogether.
Presents a complete collection of the modern Greek poet's work, including his unfinished poems, which explores themes of longing and loneliness, fate and loss, memory and identity, throughout the history of Greek civilization.
Détente or Destruction, 1955-57 continues publication of Routledge's multi-volume critical edition of Bertrand Russell's shorter writings. Between September 1955 and November 1957 Russell published some sixty-one articles, reviews, statements, contributions to books and letters to editors, over fifty of which are contained in this volume. The texts, several of them hitherto unpublished, reveal the deepening of Russell's commitment to the anti-nuclear struggle, upon which he embarked in the previous volume of Collected Papers (Man's Peril, 1954-55). Continuing with the theme of nuclear peril, this volume contains discussion of nuclear weapons, world peace, prospects for disarmament and British-Soviet friendship against the backdrop of the Cold War. One of the key papers in this volume is Russell's message to the inaugural conference of the Pugwash movement, which Russell was instrumental in launching and which became an influential, independent forum of East-West scientific cooperation and counsel on issues as an internationally agreed nuclear test-ban. In addition to the issues of war and peace, Russell, now in his eighties, continued to take an interest in a wide variety of themes. Russell not only addresses older controversies over nationalism and empire, religious belief and American civil liberties, he also confronts head-on the new and pressing matters of armed intervention in Hungary and Suez, and of the manufacture and testing of the British hydrogen bomb. This volume includes seven interviews ranging from East-West Relations after the Geneva conference to a Meeting with Russell.
Do you dream of wicked rakes, gorgeous Highlanders and muscled Viking warriors? Harlequin® Historical brings you three new full-length titles in one collection! THE PASSIONS OF LORD TREVETHOW The Cornish Dukes by Bronwyn Scott (Regency) Cassian, Lord Trevethow, has a dilemma: conveniently wed reclusive Lady Penrose Prideaux or pursue the enchanting stranger he can’t forget. Then he discovers a shocking secret about his bride-to-be… THE BROODING EARL’S PROPOSITION by Laura Martin (Regency) After governess Selina arrives in Lord Westcroft’s home, his kisses make her hope for a proposal. Instead she receives a proposition so scandalous, a lady could never accept! MARRYING FOR LOVE OR MONEY? The Yelverton Marriages by Elizabeth Beacon (Regency) Darius Yelverton must marry an heiress to protect his family. After he meets spirited governess Felicity, he must make a choice—duty or love? Look for Harlequin® Historical’s March 2020 Box Set 2 of 2, filled with even more timeless love stories!
If you’ve got a love and passion for photography, and a feel for your camera gear and settings, yet your images still fall short–The Passionate Photographer will help you close that disappointing and frustrating gap between the images you thought you took and the images you actually got. This book will help you determine what you want to say with your photography, then translate those thoughts and feelings into strong images. It is both a source of inspiration and a practical guide, as photographer Steve Simon distills 30 years of photographic obsession into the ten crucial steps every photographer needs to take in order to become great at their passion. Simon’s practical tips and advice are immediately actionable–designed to accelerate your progress toward becoming the photographer you know you can be. Core concepts include: - The power of working on personal projects to fuel your passion and vision - Shooting a large and targeted volume of work, which leads to a technical competence that lets your creativity soar - Learning to focus your concentration as you shoot, and move outside your comfort zone, past your fears toward the next great image - Strategies for approaching strangers to create successful portraits - How to edit your own work and seek second opinions to identify strengths and weaknesses, offering opportunities for growth and improvement with a goal of sharing your work with the world - The critical need to follow, see, and capture the light around you Along the way, Simon offers inspiration with “Lessons Learned” culled from his own extensive experience and archive of photojournalism and personal projects, as well as images and stories from acclaimed photographers. If you’re ready to be inspired and challenge yourself to take your photography to the next level, The Passionate Photographer provides ideas and creative solutions to transform that passion into images that convey your unique personal vision.
When culture makes itself at home in motion, where does an anthropologist stand? In a follow-up to The Predicament of Culture, one of the defining books for anthropology in the last decade, James Clifford takes the proper measure: a moving picture of a world that doesn't stand still, that reveals itself en route, in the airport lounge and the parking lot as much as in the marketplace and the museum. In this collage of essays, meditations, poems, and travel reports, Clifford takes travel and its difficult companion, translation, as openings into a complex modernity. He contemplates a world ever more connected yet not homogeneous, a global history proceeding from the fraught legacies of exploration, colonization, capitalist expansion, immigration, labor mobility, and tourism. Ranging from Highland New Guinea to northern California, from Vancouver to London, he probes current approaches to the interpretation and display of non-Western arts and cultures. Wherever people and things cross paths and where institutional forces work to discipline unruly encounters, Clifford's concern is with struggles to displace stereotypes, to recognize divergent histories, to sustain "postcolonial" and "tribal" identities in contexts of domination and globalization. Travel, diaspora, border crossing, self-location, the making of homes away from home: these are transcultural predicaments for the late twentieth century. The map that might account for them, the history of an entangled modernity, emerges here as an unfinished series of paths and negotiations, leading in many directions while returning again and again to the struggles and arts of cultural encounter, the impossible, inescapable tasks of translation.
This topical and conceptually innovative book proposes new perspectives on the theme of materiality which, since the 1980s, has animated work across and within disciplines in the Humanities and Social Sciences. The particular focus of the chapters in this volume is the materiality of knowledge produced through embodied encounters between people, places, and things in the Pacific Islands, New Guinea, Australia, and Myanmar. The authors consider how materiality mediates the ways in which knowledge is generated or acquired in encounters and becomes expressed through things and material forms of inscription – charts and maps; journals, letters, and reports; drawings; objects; human remains; legends, cartouches, captions, labels, marginalia, and notes; and published works of all kinds. The essays further address processes whereby materialized knowledge is archived, conserved, distributed, restricted, or dispersed – through serendipity, excess, loss, silence, absence, and suppression. This book will be of great interest to upper-level students, researchers, and academics in History, Anthropology and Oceania Studies. The chapters in this book were originally published as a special issue of History and Anthropology.
