The Partial Figure in Modern Sculpture
Author: Albert E. Elsen
Publisher:
Published: 1969
Total Pages: 124
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Albert E. Elsen
Publisher:
Published: 1969
Total Pages: 124
ISBN-13:
DOWNLOAD EBOOKAuthor: Albert E. Elsen
Publisher:
Published: 1970
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Albert Edward Elsen
Publisher:
Published: 1969
Total Pages: 114
ISBN-13: 9780912298047
DOWNLOAD EBOOKAuthor: Albert E. Elsen
Publisher:
Published: 1969
Total Pages: 132
ISBN-13:
DOWNLOAD EBOOKAuthor: Albert E. Elsen
Publisher:
Published: 1969
Total Pages: 114
ISBN-13:
DOWNLOAD EBOOKAuthor: Joan Vita Miller
Publisher: Metropolitan Museum of Art
Published: 1986
Total Pages: 194
ISBN-13: 0870994433
DOWNLOAD EBOOKAuthor: David Carrier
Publisher: Bloomsbury Publishing USA
Published: 2002-10-30
Total Pages: 140
ISBN-13: 0313076421
DOWNLOAD EBOOKRosalind Krauss is, without visible rival, the most influential American art writer since Clement Greenberg. Together with her colleagues at ^IOctober^R, the journal she co-founded, she has played a key role in the introduction of French theory into the American art world. In the 1960s, though first a follower of Greenberg, she was inspired by her readings of French structuralist and post-structuralist materials, revolted against her mentor's formalism, and developed a succession of radically original styles of art history writing. Offering a complete survey of her career and work, ^IRosalind Krauss and American Philosophical Art Criticism: From Formalism to Beyond Postmodernism^R comprises the first book-length study of its subject. Written in the lucid style of analytic philosophy, this accessible commentary offers a consideration of her arguments as well as discussions of alternative positions. Tracing Krauss's development in this way provides the best method of understanding the changing styles of American art criticism from the 1960s through the present, and thus provides an invaluable source of historical and aesthetic knowledge for artists and art scholars alike.
Author: Antoinette Le Normand-Romain
Publisher: Lund Humphries Publishers Limited
Published: 2007
Total Pages: 448
ISBN-13:
DOWNLOAD EBOOKThis is a catalogue raisonné of Rodin's bronzes. There are 455 entries with over a thousand pictures in 2 volumes. Each work lists the inventory number, the technique and a bibliography. Information about provenance and historical context along with comparison to other works is also included. The research is meticulous and the cross-references invaluable.
Author: Linda Nochlin
Publisher: Thames & Hudson
Published: 2024-05-28
Total Pages: 68
ISBN-13: 0500779643
DOWNLOAD EBOOKRenowned art historian and pioneering feminist Linda Nochlin explores how, from the late eighteenth century, fragmented, mutilated, and fetishized representations of the human body came to constitute a distinctively modern view of the world. Surprising, questioning, challenging, enriching: the Pocket Perspectives series presents timeless works by writers and thinkers who have shaped the conversation across the arts, visual culture, and history. Celebrating the undiminished vitality of their ideas today, these covetable and collectable little books embody the best of Thames & Hudson.
Author: Robert Slifkin
Publisher: Princeton University Press
Published: 2019-11-05
Total Pages: 249
ISBN-13: 0691194262
DOWNLOAD EBOOKHow leading American artists reflected on the fate of humanity in the nuclear era through monumental sculpture In the wake of the atomic bombings of Japan in 1945, artists in the United States began to question what it meant to create a work of art in a world where humanity could be rendered extinct by its own hand. The New Monuments and the End of Man examines how some of the most important artists of postwar America revived the neglected tradition of the sculptural monument as a way to grapple with the cultural and existential anxieties surrounding the threat of nuclear annihilation. Robert Slifkin looks at such iconic works as the industrially evocative welded steel sculptures of David Smith, the austere structures of Donald Judd, and the desolate yet picturesque earthworks of Robert Smithson. Transforming how we understand this crucial moment in American art, he traces the intersections of postwar sculptural practice with cybernetic theory, science-fiction cinema and literature, and the political debates surrounding nuclear warfare. Slifkin identifies previously unrecognized affinities of the sculpture of the 1940s and 1950s with the minimalism and land art of the 1960s and 1970s, and acknowledges the important contributions of postwar artists who have been marginalized until now, such as Raoul Hague, Peter Grippe, and Robert Mallary. Strikingly illustrated throughout, The New Monuments and the End of Man spans the decades from Hiroshima to the Fall of Saigon, when the atomic bomb cast its shadow over American art.