Wonders of Creation

Wonders of Creation

Author: Stuart Burgess

Publisher: Master Books

Published: 2019-02-11

Total Pages: 0

ISBN-13: 9781683441663

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Enjoy the panorama of a Creation so beautifully detailed, ordered and complex that it would be unbelievable if it was not there in front of us. As you look at the world around you, it is impossible not to experience the incredible awe and wonder of its design. Is this the result of an unlimited number of immeasurable odds or a more satisfying and reasonable explanation of a Creator? What is the purpose of it all?


The Bible's Many Voices

The Bible's Many Voices

Author: Michael Carasik

Publisher: U of Nebraska Press

Published: 2014-04-01

Total Pages: 382

ISBN-13: 0827609353

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The most common English translations of the Bible often sound like a single, somewhat archaic voice. In fact, the Bible is made up of many separate books composed by multiple writers in a wide range of styles and perspectives. It is, as Michael Carasik demonstrates, not a remote text reserved for churches and synagogues but rather a human document full of history, poetry, politics, theology, and spirituality. Using historic, linguistic, anthropological, and theological sources, Carasik helps us distinguish between the Jewish Bible’s voices—the mythic, the historical, the prophetic, the theological, and the legal. By articulating the differences among these voices, he shows us not just their messages and meanings but also what mattered to the authors. In these contrasts we encounter the Bible anew as a living work whose many voices tell us about the world out of which the Bible grew—and the world that it created. Listen to the author's podcast.


Illusions in Motion

Illusions in Motion

Author: Erkki Huhtamo

Publisher: MIT Press

Published: 2023-08-22

Total Pages: 461

ISBN-13: 0262547546

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Tracing the cultural, material, and discursive history of an early manifestation of media culture in the making. Beginning in the late eighteenth century, huge circular panoramas presented their audiences with resplendent representations that ranged from historic battles to exotic locations. Such panoramas were immersive but static. There were other panoramas that moved—hundreds, and probably thousands of them. Their history has been largely forgotten. In Illusions in Motion, Erkki Huhtamo excavates this neglected early manifestation of media culture in the making. The moving panorama was a long painting that unscrolled behind a “window” by means of a mechanical cranking system, accompanied by a lecture, music, and sometimes sound and light effects. Showmen exhibited such panoramas in venues that ranged from opera houses to church halls, creating a market for mediated realities in both city and country. In the first history of this phenomenon, Huhtamo analyzes the moving panorama in all its complexity, investigating its relationship to other media and its role in the culture of its time. In his telling, the panorama becomes a window for observing media in operation. Huhtamo explores such topics as cultural forms that anticipated the moving panorama; theatrical panoramas; the diorama; the "panoramania" of the 1850s and the career of Albert Smith, the most successful showman of that era; competition with magic lantern shows; the final flowering of the panorama in the late nineteenth century; and the panorama's afterlife as a topos, traced through its evocation in literature, journalism, science, philosophy, and propaganda.