Edward Burne-Jones, Victorian Artist-dreamer

Edward Burne-Jones, Victorian Artist-dreamer

Author: Stephen Wildman

Publisher: Metropolitan Museum of Art

Published: 1998

Total Pages: 375

ISBN-13: 0870998587

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This publication is issued in conjunction with the 1998 exhibition of the same name held at The Metropolitan Museum of Art in New York and scheduled for venues in England and France. Burnes-Jones (1833-1898) created a style that had widespread influence on both British and European art--a narrative style derived from medieval legend and fused with the influence of Italian Renaissance masters, a style that ceded popularity to a growing taste for abstraction at the end of the 19th century. Now Burne-Jones's star has risen again, and this catalogue contains full discussion of his life and work and representation of his prodigious output of drawings and paintings. 9.5x12.5"Annotation copyrighted by Book News, Inc., Portland, OR


Edward Burne-Jones on Nature

Edward Burne-Jones on Nature

Author: Liana De Girolami Cheney

Publisher: Cambridge Scholars Publishing

Published: 2021-05-21

Total Pages: 420

ISBN-13: 152757010X

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This volume studies some of Edward Burne-Jones’s paintings, focusing specifically on his approach to nature, both through his observations about the real, physical world and through his symbolic interpretations of earthly and celestial realms. Burne-Jones’s appreciation for natural formations grew from his interests in astronomy and geography, and was expanded by his aesthetic sensibility for physical and metaphysical beauty. His drawings and watercolors carefully recorded the physical world he saw around him. These studies provided the background for a collection of paintings about landscapes with flora and fauna, and ignited an artistic furor that inspired the imagery he used in his allegorical, fantasy, and dream cycles about forests, winding paths, and sweet briar roses. This study focuses on two main ideas: Burne-Jones’s concept of ideal and artificial or magical nature expressed and represented in his drawings and paintings, and the way in which he fused his scientific knowledge about nature with some of the symbolism in his paintings.


British Paintings in the Metropolitan Museum of Art, 1575-1875

British Paintings in the Metropolitan Museum of Art, 1575-1875

Author: Metropolitan Museum of Art (New York, N.Y.)

Publisher: Metropolitan Museum of Art

Published: 2009

Total Pages: 322

ISBN-13: 1588393488

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Covering the period between the late 16th century through to the third quarter of the 19th century, this book features paintings by English, Scottish, Welsh and Irish artists which are part of the collection of the Metropolitan Museum of Art.


Writing the Pre-Raphaelites

Writing the Pre-Raphaelites

Author: Tim Barringer

Publisher: Routledge

Published: 2017-07-05

Total Pages: 277

ISBN-13: 1351536265

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This vibrant collection of essays claims that a complex network of texts by critics, biographers and diarists established the credibility and influence of the Pre-Raphaelite movement. Throughout the twentieth century, Modernist taste failed to acknowledge the achievement of oppositional groupings such as the Pre-Raphaelites. The essays collected here, however, reveal that the British group anticipated later avant-gardes by using the written word to configure for itself a radical artistic identity. Public and critics alike were scandalized by the radicalism of Pre-Raphaelite painting, its unflinching portrayal of historical figures and of contemporary life, and its irreverent attitude to artistic convention. Pre-Raphaelitism's innovations were not confined to style: new forms of artistic identity and behaviour were explored. As the contributors interrogate the texts through which Pre-Raphaelitism was constructed, they demonstrate that the movement's wide influence as a cultural phenomenon derived from the interplay between exhibited works and critical discourse. Applying a range of sophisticated methodologies from the fields of literary studies, art history, and cultural studies, these interdisciplinary essays uncover the neglected role of texts in the success of the Pre-Raphaelite rebellion and argue in favor of a new centrality for this movement in the history of nineteenth-century European culture.


Art Books

Art Books

Author: Wolfgang M. Freitag

Publisher: Routledge

Published: 2013-10-28

Total Pages: 572

ISBN-13: 1134830416

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First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.


The Quest for the Grail

The Quest for the Grail

Author: Christine Poulson

Publisher: Manchester University Press

Published: 1999

Total Pages: 306

ISBN-13: 9780719055379

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This comprehensive account of Arthurian in British art in the 19th century offers fresh insights into the significance of the legends.


Victorian and Edwardian Responses to the Italian Renaissance

Victorian and Edwardian Responses to the Italian Renaissance

Author: John E. Law

Publisher: Routledge

Published: 2017-03-02

Total Pages: 509

ISBN-13: 1351875981

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The historiography of the Italian Renaissance has been much studied, but generally in the context of a few key figures. Much less appreciated is the extent of the enthusiasm for the subject in the 19th and early 20th centuries, when the subject was 'discovered' by travellers and men and women of letters, historians, artists, architects and photographers, and by collectors on both sides of the Atlantic. The essays in Victorian and Edwardian Responses to the Italian Renaissance explore the breadth of the responses stimulated by the encounter between the British, the Americans and the Italians of the Renaissance. The volume approaches the subject from an interdisciplinary perspective. While recognising the abiding importance of the familiar 'great names', it seeks to draw attention to a wider cast of people, many of whom led colourful, energetic lives, knew Italy well, and wrote eloquently about the country and its Renaissance. Several essays show that 'Renaissance studies' became a field in which female historians could explore areas of relevance to the 'New Woman'. Other chapters examine the aims and politics of collecting and the place of the collector in literature and in the rediscovery of Renaissance artists. The contribution of teachers and other less formal champions of the Italian Renaissance is explored, as is the role of photographers who re-framed and re-viewed Florence - the Renaissance city - for Victorian and later eyes.


All Great Art is Praise

All Great Art is Praise

Author: Aidan Nichols

Publisher: CUA Press

Published: 2016-09-30

Total Pages: 632

ISBN-13: 0813228921

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13. The Political Economy of Art and Other Critical Matters -- 14. University with a Difference: The Oxford Lectures -- 15. From Tuscany to the Somme -- 16. Back to England Again -- Conclusion: Final Public Letters, Last Look at a Life -- Selected Bibliography -- Index of Names