The Oxford Illustrated History of Theatre

The Oxford Illustrated History of Theatre

Author: John Russell Brown

Publisher: Oxford Illustrated History

Published: 2001

Total Pages: 598

ISBN-13: 9780192854421

DOWNLOAD EBOOK

A scholarly look at 4,500 years of theater, beginning with its Greek origins and concluding with a study of theater since 1970.


The Oxford Companion to Theatre and Performance

The Oxford Companion to Theatre and Performance

Author: Dennis Kennedy

Publisher: Oxford University Press, USA

Published: 2010-08-26

Total Pages: 705

ISBN-13: 0199574197

DOWNLOAD EBOOK

An authoritative reference covering primarily actors, playwrights, directors, styles and movements, companies and organizations.


American Musical Theatre

American Musical Theatre

Author: Gerald Martin Bordman

Publisher: Oxford University Press, USA

Published: 1992

Total Pages: 840

ISBN-13:

DOWNLOAD EBOOK

Gerald Bordman's American Musical Theatre has become a landmark book since its publication in 1978. It chronicles American musicals, show by show and season by season, and offers a running commentary and assessment as well as providing the basic facts about each production. This updated edition includes the new shows that have opened on Broadway since the original publication. Also included are over a hundred musicals that were turn-of-the-century, cheap-priced touring shows which never played Broadway, but were the training ground for many theatre greats.


The Oxford Book of Theatrical Anecdotes

The Oxford Book of Theatrical Anecdotes

Author: Gyles Brandreth

Publisher: Oxford University Press

Published: 2020-10-08

Total Pages: 511

ISBN-13: 0191066524

DOWNLOAD EBOOK

This is the ultimate anthology of theatrical anecdotes, edited by lifelong theatre-lover Gyles Brandreth in the Oxford tradition, and covering every kind of theatrical story and experience from the age of Shakespeare and Marlowe to the age of Stoppard and Mamet, from Richard Burbage to Richard Briers, from Nell Gwynn to Daniel Day-Lewis, from Sarah Bernhardt to Judi Dench. Players, playwrights, prompters, producers—they all feature. The Oxford Book of Theatrical Anecdotes provides a comprehensive, revealing, and hugely entertaining portrait of the world of theatre across four hundred years. Many of the anecdotes are humorous: all have something pertinent and illuminating to say about an aspect of theatrical life—whether it is the art of playwriting, the craft of covering up missed cues, the drama of the First Night, the nightmare of touring, or the secret ingredients of star quality. Edmund Kean, Henry Irving, John Gielgud, Laurence Olivier, Ellen Terry, Edith Evans, Maggie Smith, Helen Mirren—the great 'names' are all here, of course, but there are tales of the unexpected, too—and the unknown. This is a book—presented in five acts, with a suitably anecdotal and personal prologue from Gyles Brandreth—where, once in a while, the understudy takes centre-stage and Gyles Brandreth treats triumph and disaster just the same, including stories from the tattiest touring companies as well as from Broadway, the West End and theatres, large and small, in Australia, India, and across Europe.


Theatre: A Very Short Introduction

Theatre: A Very Short Introduction

Author: Marvin Carlson

Publisher: OUP Oxford

Published: 2014-10-23

Total Pages: 153

ISBN-13: 0191648612

DOWNLOAD EBOOK

From before history was recorded to the present day, theatre has been a major artistic form around the world. From puppetry to mimes and street theatre, this complex art has utilized all other art forms such as dance, literature, music, painting, sculpture, and architecture. Every aspect of human activity and human culture can be, and has been, incorporated into the creation of theatre. In this Very Short Introduction Marvin Carlson takes us through Ancient Greece and Rome, to Medieval Japan and Europe, to America and beyond, and looks at how the various forms of theatre have been interpreted and enjoyed. Exploring the role that theatre artists play — from the actor and director to the designer and puppet-master, as well as the audience — this is an engaging exploration of what theatre has meant, and still means, to people of all ages at all times. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.


The Oxford Companion to Indian Theatre

The Oxford Companion to Indian Theatre

Author: Ananda Lal

Publisher: Oxford University Press, USA

Published: 2004

Total Pages: 592

ISBN-13:

DOWNLOAD EBOOK

This Encyclopedic Volume Is The First Of Its Kind In Any Language Covering All Of Indian Theatre. Lavishly Illustrated, With Some Rare Photographs From Archival Collections.


The Oxford Handbook of Dance and Theater

The Oxford Handbook of Dance and Theater

Author: Nadine George-Graves

Publisher: Oxford University Press

Published: 2015-07-13

Total Pages: 1057

ISBN-13: 0190273275

DOWNLOAD EBOOK

The Oxford Handbook of Dance and Theater collects a critical mass of border-crossing scholarship on the intersections of dance and theatre. Taking corporeality as an idea that unites the work of dance and theater scholars and artists, and embodiment as a negotiation of power dynamics with important stakes, these essays focus on the politics and poetics of the moving body in performance both on and off stage. Contemporary stage performances have sparked global interest in new experiments between dance and theater, and this volume situates this interest in its historical context by extensively investigating other such moments: from pagan mimes of late antiquity to early modern archives to Bolshevik Russia to post-Sandinista Nicaragua to Chinese opera on the international stage, to contemporary flash mobs and television dance contests. Ideologically, the essays investigate critical race theory, affect theory, cognitive science, historiography, dance dramaturgy, spatiality, gender, somatics, ritual, and biopolitics among other modes of inquiry. In terms of aesthetics, they examine many genres such as musical theater, contemporary dance, improvisation, experimental theater, television, African total theater, modern dance, new Indian dance theater aesthetics, philanthroproductions, Butoh, carnival, equestrian performance, tanztheater, Korean Talchum, Nazi Movement Choirs, Lindy Hop, Bomba, Caroline Masques, political demonstrations, and Hip Hop. The volume includes innovative essays from both young and seasoned scholars and scholar/practitioners who are working at the cutting edges of their fields. The handbook brings together essays that offer new insight into well-studied areas, challenge current knowledge, attend to neglected practices or moments in time, and that identify emergent themes. The overall result is a better understanding of the roles of dance and theater in the performative production of meaning.


The Oxford Handbook of Early Modern Theatre

The Oxford Handbook of Early Modern Theatre

Author: Richard Dutton

Publisher: OUP Oxford

Published: 2011-10-13

Total Pages: 0

ISBN-13: 9780199697861

DOWNLOAD EBOOK

An international team of scholars examines the theatrical world in which Shakespeare worked, tracing the social, political, and patronage pressures under which actors operated. They also explore the practicalities of playing: acquiring scripts, theatres, rehearsing, lighting, music, props, boy actors, and the role of women in an 'all-male' world.


The Sheldonian Theatre

The Sheldonian Theatre

Author: Anthony Geraghty

Publisher: Paul Mellon Centre

Published: 2013

Total Pages: 0

ISBN-13: 9780300195040

DOWNLOAD EBOOK

A jewel of the University of Oxford, the Sheldonian Theatre stands out among the groundbreaking designs by the great British architect Sir Christopher Wren. Published to coincide with the 350th anniversary of the building's construction, this meticulously researched book takes a fresh look at the historical influences that shaped the Sheldonian's development, including the Restoration of the English monarchy and the university's commitment to episcopal religion. The book explains just how novel Wren's design was in its day, in part because the academic theater was a building type without precedent in England, and in part because the Sheldonian's classical style stood apart in its university context. The author also points to a shift in the guiding motivation behind the architecture at Oxford: from a tradition that largely perpetuated medieval forms to one that conceived classical architecture in relation to late Renaissance learning. Newly commissioned photographs showcase the theater's recently restored interior. Published for the Paul Mellon Centre for Studies in British Art