The Oxford Dictionary of Dance

The Oxford Dictionary of Dance

Author: Debra Craine

Publisher: Oxford University Press, USA

Published: 2010-08-19

Total Pages: 512

ISBN-13: 0199563446

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This comprehensive and up-to-date dictionary provides all the information necessary for dance fans to navigate the diverse dance scene of the 21st century. It includes entries ranging from classical ballet to the cutting edge of modern dance.


Oxford Dictionary of Ballet

Oxford Dictionary of Ballet

Author: Horst Koegler

Publisher:

Published: 2001

Total Pages: 484

ISBN-13:

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Ben ci dian shou lu guo qu 400 nian zhong guan yu ba lei wu ge ge fang mian de 5000 yu tiao mu, bao gua ba lei wu yan yuan, bian wu zhe, zuo qu jia, wu dao she ji zhe deng.


The Oxford Handbook of Contemporary Ballet

The Oxford Handbook of Contemporary Ballet

Author: Kathrina Farrugia-Kriel

Publisher: Oxford University Press

Published: 2021

Total Pages: 1013

ISBN-13: 0190871490

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"Nearly four hundred and fifty years in, ballet still resonates-though the stages have become international, and the dancers, athletes far removed from noble amateurs. While vibrations from the form's beginnings clearly resound, much has transformed. Nowadays ballet dancers aspire to work across disciplines with choreographers who value a myriad of abilities. Dance theorists and historians make known possibilities and polemics in lieu of notating dances verbatim, and critics do the daily work of recording performance histories and interviewing artists. Ideas circulate, questions arise, and discussions about how to resist ballet's outmoded traditions take precedence. In the dance community, calls for innovation have defined palpable shifts in ballet's direction and resultantly we have arrived at a new moment in its history that is unquestionably recognized as a genre onto its own: Contemporary Ballet. An aspect of this recent discipline is that its dancemakers, more often than not, seek to reorient the viewer by celebrating what could be deemed vulnerabilities, re-construing ideals of perfection, problematizing the marginalized/mainstream dichotomy, bringing audiences closer in to observe, and letting the art become an experience rather than a distant object preciously guarded out of reach. Hence, the practice of ballet is moving to become a less-mediated and more active process in many circumstances. Performers and audiences alike are challenged, and while convention is still omnipresent, choices are being made. For some, this approach has been drawn on for decades, and for others it signifies a changing of the guard, yet however we arrive there, the conclusion is the same: Contemporary Ballet is not a style. That is to say, it is not a trend, phase, or fashionable term that will fade, rather it is a clear period in ballet's time deserved of investigation. And it is into this moment that we enter"--


The Oxford Handbook of Jewishness and Dance

The Oxford Handbook of Jewishness and Dance

Author: Naomi M. Jackson

Publisher: Oxford University Press

Published: 2021-11-30

Total Pages: 761

ISBN-13: 0197519512

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Responding to recent evolutions in the fields of dance and religious and secular studies, The Oxford Handbook of Jewishness and Dance documents and celebrates the significant impact of Jewish identity on a variety of communities and the dance world writ large. Focusing on North America, Europe, and Israel in the twentieth and twenty-first centuries, this Handbook highlights the sometimes surprising, often hidden and overlooked Jewish resonances within a range of styles from modern and postmodern dance to folk dance and flamenco. Privileging the historically marginalized voices of scholars, performers, and instructors the Handbook considers the powerful role of dance in addressing difference, such as between American and Israeli Jewish communities. In the process, contributors advocate values of social justice, like Tikkun Olam (repair of the world), debate, and humor, exploring the fascinating and potentially uncomfortable contradictions and ambiguities that characterize this robust area of research.


International Dictionary of Modern Dance

International Dictionary of Modern Dance

Author: Taryn Benbow-Pfalzgraf (editor)

Publisher: Saint James Press

Published: 1998

Total Pages: 930

ISBN-13:

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Offering an up-to-date and comprehensive examination of modern dance, this reference offers alphabetically arranged essays, selected, written and reviewed by expert contributors.


Dancing Revelations

Dancing Revelations

Author: Thomas DeFrantz

Publisher: Oxford University Press, USA

Published: 2006

Total Pages: 324

ISBN-13: 9780195301717

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He also addresses concerns about how dance performance is documented, including issues around spectatorship and the display of sexuality, the relationship of Ailey's dances to civil rights activism, and the establishment and maintenance of a successful, large-scale Black Arts institution."--Jacket.


Dance as Text

Dance as Text

Author: Mark Franko

Publisher: Oxford University Press, USA

Published: 2015

Total Pages: 272

ISBN-13: 0199794014

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Dance as Text: Ideologies of the Baroque Body is a historical and theoretical examination of French court ballet of the late Renaissance and early baroque. Franko's analysis blends archival research with critical and cultural theory in order to resituate the burlesque tradition in its politically volatile context. He reveals the ideological tensions underlying experiments with autonomous dance in the early modern.


The Oxford Handbook of Dance and Reenactment

The Oxford Handbook of Dance and Reenactment

Author: Mark Franko

Publisher: Oxford University Press

Published: 2017

Total Pages: 681

ISBN-13: 0199314209

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The Oxford Handbook of Dance and Reenactment investigates new forms of choreographic dramaturgy and interpretation inherent. Joining junior and senior scholars as well as practitioners in the field, the handbook shows how the recovery of past dances has come to constitute a new branch of contemporary choreographic activity.