The Overtone Effect
The Overtone Effect

Author: Jan Carley

Publisher: FriesenPress

Published: 2016-11

Total Pages: 195

ISBN-13: 1460296257

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"A simple system to find your 'overtone' and create something greater than you ever thought possible. This guide will lead you through a step-by-step process to open up success and leverage transformative possibilities for your life, team or organization."--

Wavenumber Calibration Tables from Heterodynes Frequency Measurements
Wavenumber Calibration Tables from Heterodynes Frequency Measurements

Author: Arthur G. Maki

Publisher: DIANE Publishing

Published: 1997

Total Pages: 661

ISBN-13: 0788137840

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This new calibration atlas is based on frequency rather than wavelength calibration techniques for absolute ref's. Add'l. data from alternate methodology are used for different frequency measurements within each band investigated by freq'y. measurement techniques. Data from these complementary techniques incl. the best Fourier transform measurements available. Includes a description of the heterodyne freq'y. measurement techniques, and calculation proceed. Bib'y. of 350 entries. Several hundred spectral-maps for the various calibration molecules.

Piezoelectricity: Volume One
Piezoelectricity: Volume One

Author: Walter Guyton Cady

Publisher: Courier Dover Publications

Published: 2018-10-17

Total Pages: 451

ISBN-13: 048683512X

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After World War II, piezoelectric phenomena became extremely important in communications media and were the subject of extensive scientific investigation. This two-volume treatise, written by a major contributor to the field, offers a complete, systematic survey of the physical properties and the practical applications of piezoelectric crystals. Volume One begins with a seven-chapter examination of the fundamental properties of crystals, including elastic and dielectric characteristics, with modes of vibration and with numerical data. Succeeding chapters lead from thermodynamic principles to various formulations of piezoelectric theory, methods of measurement, and data on a large number of crystals. Volume One concludes with a discussion of the piezoelectric resonator, a topic that is further explored in Volume Two, along with properties and techniques of quartz, Rochelle salt, ferroelectric crystals, various applications of piezoelectricity, pyroelectricity, optical properties of crystals, and the atomic theory of piezoelectricicty.

The Music Sound
The Music Sound

Author: Nicolae Sfetcu

Publisher: Nicolae Sfetcu

Published: 2014-05-07

Total Pages: 6042

ISBN-13:

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A guide for music: compositions, events, forms, genres, groups, history, industry, instruments, language, live music, musicians, songs, musicology, techniques, terminology , theory, music video. Music is a human activity which involves structured and audible sounds, which is used for artistic or aesthetic, entertainment, or ceremonial purposes. The traditional or classical European aspects of music often listed are those elements given primacy in European-influenced classical music: melody, harmony, rhythm, tone color/timbre, and form. A more comprehensive list is given by stating the aspects of sound: pitch, timbre, loudness, and duration. Common terms used to discuss particular pieces include melody, which is a succession of notes heard as some sort of unit; chord, which is a simultaneity of notes heard as some sort of unit; chord progression, which is a succession of chords (simultaneity succession); harmony, which is the relationship between two or more pitches; counterpoint, which is the simultaneity and organization of different melodies; and rhythm, which is the organization of the durational aspects of music.

Schubert's Late Music
Schubert's Late Music

Author: Lorraine Byrne Bodley

Publisher: Cambridge University Press

Published: 2016-04-07

Total Pages: 489

ISBN-13: 1316453758

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Schubert's late music has proved pivotal for the development of diverse fields of musical scholarship, from biography and music history to the theory of harmony. This collection addresses current issues in Schubert studies including compositional technique, the topical issue of 'late' style, tonal strategy and form in the composer's instrumental music, and musical readings of the 'postmodern' Schubert. Offering fresh approaches to Schubert's instrumental and vocal works and their reception, this book argues that the music that the composer produced from 1822–8 is central to a paradigm shift in the history of music during the nineteenth century. The contributors provide a timely reassessment of Schubert's legacy, assembling a portrait of the composer that is very different from the sentimental Schubert permeating nineteenth-century culture and the postmodern Schubert of more recent literature.