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Author: Henry Tompkins Kirby-Smith
Publisher: University of Michigan Press
Published: 1998
Total Pages: 324
ISBN-13: 9780472085651
DOWNLOAD EBOOKArgues that free verse has deep historical roots, and traces them, from Milton to contemporary poetry
Author: Walter Sutton
Publisher:
Published: 1973
Total Pages: 248
ISBN-13:
DOWNLOAD EBOOKThis book concentrates on the origins and growth of the modern free verse movement.
Author: Chris Beyers
Publisher: University of Arkansas Press
Published: 2001-01-01
Total Pages: 296
ISBN-13: 1557287023
DOWNLOAD EBOOKThis book examines the most salient and misunderstood aspect of twentieth-century poetry, free verse. Although the form is generally approached as if it were one indissoluble lump, it is actually a group of differing poetic genres proceeding from much different assumptions. Separate chapters on T.S. Eliot, Wallace Stevens, H.D., and William Carlos Williams elucidate many of these assumptions and procedures, while other chapters address more general theoretical questions and trace the continuity of Modern poetics in contemporary poetry. Taking a historical and aesthetic approach, this study demonstrates that many of the forms considered to have been invented in the Modern period actually extend underappreciated traditions. Not only does this book examine the classical influence on Modern poetry, it also features discussions of the poetics of John Milton, Abraham Cowley, Matthew Arnold, and a host of lesser-known poets. Throughout it is an investigation of the prosodic issues that free verse foregrounds, particularly those focusing on the reader's part in interpreting poetic rhythm.
Author: Katrin M. Kohl
Publisher: Walter de Gruyter GmbH & Co KG
Published: 2018-02-19
Total Pages: 340
ISBN-13: 3110873133
DOWNLOAD EBOOKAuthor: Chris Beyers
Publisher: University of Arkansas Press
Published: 2001-01-01
Total Pages: 300
ISBN-13: 9781557287021
DOWNLOAD EBOOKThis book examines the most salient and misunderstood aspect of twentieth-century poetry, free verse. Although the form is generally approached as if it were one indissoluble lump, it is actually a group of differing poetic genres proceeding from much different assumptions. Separate chapters on T.S. Eliot, Wallace Stevens, H.D., and William Carlos Williams elucidate many of these assumptions and procedures, while other chapters address more general theoretical questions and trace the continuity of Modern poetics in contemporary poetry. Taking a historical and aesthetic approach, this study demonstrates that many of the forms considered to have been invented in the Modern period actually extend underappreciated traditions. Not only does this book examine the classical influence on Modern poetry, it also features discussions of the poetics of John Milton, Abraham Cowley, Matthew Arnold, and a host of lesser-known poets. Throughout it is an investigation of the prosodic issues that free verse foregrounds, particularly those focusing on the reader's part in interpreting poetic rhythm.
Author: Katrin Maria Kohl
Publisher: de Gruyter
Published: 1990
Total Pages: 346
ISBN-13: 9783110119992
DOWNLOAD EBOOKKohl's revised doctoral thesis (U. of London, 1988) analyzes Klopstock's poems and shows their rhetorical structure and the biblical foundations of language, imagery and free-verse form. Includes appendices containing the text of poems in free verse (in German), biblical material in five early hymns, and a collation of selected editions of Klopstock's works. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Jules Laforgue
Publisher:
Published: 1965
Total Pages: 128
ISBN-13:
DOWNLOAD EBOOKAuthor: Edward Hirsch
Publisher: HarperCollins
Published: 2014-04-08
Total Pages: 683
ISBN-13: 0547737467
DOWNLOAD EBOOKA major addition to the literature of poetry, Edward Hirsch’s sparkling new work is a compilation of forms, devices, groups, movements, isms, aesthetics, rhetorical terms, and folklore—a book that all readers, writers, teachers, and students of poetry will return to over and over. Hirsch has delved deeply into the poetic traditions of the world, returning with an inclusive, international compendium. Moving gracefully from the bards of ancient Greece to the revolutionaries of Latin America, from small formal elements to large mysteries, he provides thoughtful definitions for the most important poetic vocabulary, imbuing his work with a lifetime of scholarship and the warmth of a man devoted to his art. Knowing how a poem works is essential to unlocking its meaning. Hirsch’s entries will deepen readers’ relationships with their favorite poems and open greater levels of understanding in each new poem they encounter. Shot through with the enthusiasm, authority, and sheer delight that made How to Read a Poem so beloved, A Poet’s Glossary is a new classic.
Author: Charles O. Hartman
Publisher: Northwestern University Press
Published: 1996
Total Pages: 220
ISBN-13: 9780810113169
DOWNLOAD EBOOKTo make sense of "free verse" in theory or in practice, the study of prosody - the function of rhythm in poetry - must be revised and rethought. In Free Verse: An Essay on Prosody, Charles Hartman develops a theory of prosody that includes the most characteristic forms of twentieth-century poetry. Hartman examines nonmetrical verse, discusses the conventions that have emerged in the absence of meter, and shows how these conventions can work prosodically. By analyzing the work of Williams and Eliot - the prosodic masters among the early modernists - Hartman traces their influence on more contemporary poets. In his exploration of the means by which a poet controls the reader's temporal experience of poetry. Hartman presents an invaluable treatment of the concept of verse.
