The Genuine Works Of William Hogarth: Illustrated With Biographical Anecdotes, A Chronological Catalogue, And Commentary; Volume 3

The Genuine Works Of William Hogarth: Illustrated With Biographical Anecdotes, A Chronological Catalogue, And Commentary; Volume 3

Author: John Nichols

Publisher: Legare Street Press

Published: 2022-10-27

Total Pages: 0

ISBN-13: 9781019286562

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Engravings by Hogarth

Engravings by Hogarth

Author: William Hogarth

Publisher: Courier Corporation

Published: 1973-06-01

Total Pages: 238

ISBN-13: 0486224791

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A Harlot's Progress, A Rake's Progress, Before and After, and Marriage a la Mode are among the prints presented with descriptive notes and an introductory discussion of Hogarth's style


The Origins of Comics

The Origins of Comics

Author: Thierry Smolderen

Publisher: Univ. Press of Mississippi

Published: 2014-03-25

Total Pages: 175

ISBN-13: 1617039098

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In The Origins of Comics: From William Hogarth to Winsor McCay, Thierry Smolderen presents a cultural landscape whose narrative differs in many ways from those presented by other historians of the comic strip. Rather than beginning his inquiry with the popularly accepted "sequential art" definition of the comic strip, Smolderen instead wishes to engage with the historical dimensions that inform that definition. His goal is to understand the processes that led to the twentieth-century comic strip, the highly recognizable species of picture stories that he sees crystallizing around 1900 in the United States. Featuring close readings of the picture stories, caricatures, and humoristic illustrations of William Hogarth, Rodolphe Töpffer, Gustave Doré, and their many contemporaries, Smolderen establishes how these artists were immersed in a very old visual culture in which images—satirical images in particular—were deciphered in a way that was often described as hieroglyphical. Across eight chapters, he acutely points out how the effect of the printing press and the mass advent of audiovisual technologies (photography, audio recording, and cinema) at the end of the nineteenth century led to a new twentieth-century visual culture. In tracing this evolution, Smolderen distinguishes himself from other comics historians by following a methodology that explains the present state of the form of comics on the basis of its history, rather than presenting the history of the form on the basis of its present state. This study remaps the history of this influential art form.


D.J

D.J

Author: William Thomas Lowndes

Publisher:

Published: 1834

Total Pages: 1066

ISBN-13:

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