An Introduction to Greek Tragedy
An Introduction to Greek Tragedy

Author: Ruth Scodel

Publisher: Cambridge University Press

Published: 2010-08-16

Total Pages:

ISBN-13: 1139493493

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This book provides an accessible introduction for students and anyone interested in increasing their enjoyment of Greek tragic plays. Whether readers are studying Greek culture, performing a Greek tragedy, or simply interested in reading a Greek play, this book will help them to understand and enjoy this challenging and rewarding genre. An Introduction to Greek Tragedy provides background information, helps readers appreciate, enjoy and engage with the plays themselves, and gives them an idea of the important questions in current scholarship on tragedy. Ruth Scodel seeks to dispel misleading assumptions about tragedy, stressing how open the plays are to different interpretations and reactions. In addition to general background, the book also includes chapters on specific plays, both the most familiar titles and some lesser-known plays - Persians, Helen and Orestes - in order to convey the variety that the tragedies offer readers.

Greek Tragic Style
Greek Tragic Style

Author: R. B. Rutherford

Publisher: Cambridge University Press

Published: 2012-05-10

Total Pages: 493

ISBN-13: 0521848903

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An exploration of the poetic qualities of the Greek tragic dramatists Aeschylus, Sophocles and Euripides highlighting their similarities and differences.

The Origin of Tragedy
The Origin of Tragedy

Author: William Ridgeway

Publisher: Legare Street Press

Published: 2023-07-18

Total Pages: 0

ISBN-13: 9781019584026

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This book explores the origins of Greek tragedy and its evolution into a powerful art form. The author examines the works of Aeschylus, Sophocles, and Euripides, tracing their influence on modern literature and drama. The book is an essential read for anyone studying ancient Greek literature or interested in the history of theater. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Greek Tragedy
Greek Tragedy

Author: H. D. F. Kitto

Publisher: Routledge

Published: 2013-11-19

Total Pages: 412

ISBN-13: 1317761456

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This classic work not only records developments in the form and style of Greek drama, it also analyses the reasons for these changes. It provides illuminating answers to questions that have confronted generations of students, such as: * why did Aeschylus introduce the second actor? * why did Sophocles develop character drawing? * why are some of Euripides' plots so bad and others so good? Greek Tragedy is neither a history nor a handbook, but a penetrating work of criticism which all students of literature will find suggestive and stimulating.

A Cultural History of Theatre in Antiquity
A Cultural History of Theatre in Antiquity

Author: Martin Revermann

Publisher: Bloomsbury Publishing

Published: 2019-08-08

Total Pages: 272

ISBN-13: 1350135305

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Theatre was at the very heart of culture in Graeco-Roman civilizations and its influence permeated across social and class boundaries. The theatrical genres of tragedy, comedy, satyr play, mime and pantomime operate in Antiquity alongside the conception of theatre as both an entertainment for the masses and a vehicle for intellectual, political and artistic expression. Drawing together contributions from scholars in Classics and Theatre Studies, this volume uniquely examines the Greek and Roman cultural spheres in conjunction with one another rather than in isolation. Each chapter takes a different theme as its focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.