From Ushuaia, the southernmost town in the world to the edges of the great Paraná river, and from the city of Buenos Aires to its fertile plains and the estuaries of northern Argentina, The Oberon Anthology of Contemporary Argentinian Plays provides a unique insight into the preoccupations and the creative responses of one of the major theatre-producing countries in Latin America. Includes the plays: La vida extraordinaria (Extraordinary Life) by Mariano Tenconi Blanco, translated by Catherine Boyle Pato verde (Green Duck) by Fabián Miguel Díaz, translated by Gwen MacKeith Fonavi by Leonel Giacometto, translated by Rosalind Harvey Nou Fiuter (No Future) by Franco Calluso, translated by William Gregory Poema ordinario (Poor Men's Poetry) by Juan Ignacio Fernández, translated by William Gregory Fuego de dragón sobre dragón de madera (Dragon Fire over Wood Dragon) by Candelaria Sabagh, translated by Kate Eaton
“He said, 'The day will come when they don't cut our heads off in front of people.' And I asked him, 'Why?' And he said, 'Because we'll cut them off ourselves.'” A lecturer in Chile. A study group in the USA. A guard in the desert. A hangman in Mexico. A woman who won't stop dancing in Peru. Pablo Manzi's darkly comic odyssey across the Americas explores whether violence brings us closer together and what it takes to make a community. A Fight Against... marks the English-language debut of one of Chile's most significant new voices. It was developed on a residency at the Royal Court Theatre, London, where it premiered in December 2021 in the Jerwood Theatre Upstairs.
A unique anthology bringing together stories of queer life from international playwrights, these seven plays showcase the dazzling multiplicity of queer narratives across the globe: the absurd, the challenging, and the joyful. From the legacy of colonialism in India to the farcical bureaucracy of marriage law in Kosovo; from a school counsellor in Taiwan coming out as HIV+, to coming of age in an Israel-Palestine coexistence camp, this is a genre-spanning collection of global writing. Contempt by Danish Sheikh (India) 55 Shades of Gay by Jeton Neziraj, translated by Alexandra Channer (Kosovo) No Matter Where I Go by Amahl Khouri (Jordan) Only the End of the World by Jean-Luc Lagarce, translated by Lucie Tiberghien (France) Taste of Love by Zhan Jie, translated by Jeremy Tiang (Taiwan) Peace Camp Org by Mariam Bazeed (Egypt) Winter Animals by Santiago Loza, translated by Samuel Buggeln and Ariel Gurevitch (Argentina) Originally selected and performed as part of the Arcola Queer Collective's Global Queer Plays call-out event.
THE STORY: Set in 1991, during the Pan American Games in Havana and while the Russians are pulling out of Cuba, this play portrays two sisters, Maria Celia, a novelist, and Sofia, a pianist, serving time under house arrest. Passion infiltrates poli
Two profane aliens have landed in the Southern town of Hillsbottom. Is God watching? Does he care? Is God a He? Mac Wellman addresses these and other questions in this Obie Award-winning play that skewers the social malignancy of ignorance. In 2003, The Village Voice gave a Lifetime Achievement Award to Mac Wellman: "... [he] has long situated himself on the frontier of new forms. He's not only an experimental dramatist of the first rank, but also an eloquent champion of the avant-garde ... Like Beckett's characters, the figures in his work inhabit both a purely theatrical world and a space that will not let you forget the social realities compounding the existential mystery." "In SINCERITY FOREVER, Mac Wellman's savage comedy about everyday lunacies in America, two adolescent girls in a dirt-poor Southern town calmly accept the order of the universe. God must have a plan, says one, or why else would He keep both of them 'ignorant forever in absolute sincerity.' Like everyone else in Hillsbottom, the two are wearing Ku Klux Klan costumes. They are blissful in their brainlessness, confessing they cannot tell good art from bad art and do not know why junk bonds are junky. The conversation dwells on important matters like boyfriends rather than on child abuse or the plutonium-poisoned water that is killing their community. Mr Wellman's view of contemporary society is dire but not doleful. In his headlong search for social and political commentary, he never neglects his comical instincts, starting with the fact that the play is dedicated to Jesse Helms ... The framework of the play is fantasy. A 'mystic furball' has infected Hillsbottom. What, you may ask, are furballs? They are foul-mouthed aliens that look like partly plucked chickens. The two who have landed (or have emerged from Hell) are played in full comic plumage ... Because of the play's graphic language and its approach to piety, some theatergoers may find SINCERITY FOREVER offensive, a fact that should please the playwright. Mr Wellman does not play anything safe as he does his danse macabre far out on the cutting edge." -Mel Gussow, The New York Times
How was American culture disseminated into Britain? Why did many British citizens embrace American customs? And what picture did they form of American society and politics? This engaging and wide-ranging history explores these and other questions about the U.S.'s cultural and political influence on British society in the post-World War II period.
Winning...A seductive story of clashing theatrical titans. Mr. Pendleton creates an engrossing picture of success, failure, betrayal, guilt, and ravening fear among a shifting constellation of stars of film and theater. --NY Times. In this highly entertai
