Photographs by a team of photographers who traveled across the United States documenting America's experience of the Great Depression and World War II.
Farah's Guide 12th printing has 556 pages, lists 2745 printings of Nancy Drew between 1930 and 1979, including prices on each book and dust jacket. It contains more than 135 photos of the authors and illustrators, models used for the covers, Nancy Drew collectibles and the oddest items associated with the series. For example, the Guide includes a photo of the ledger page used by Mildred Benson to record her sale of the first Nancy Drew story, a copy of the contract between Benson and the Syndicate for Volume #5, copies of letters between Harriet Adams and Mildred Benson, and between Walter Karig and Mildred Benson, and reproduces the earliest known published article mentioning the series (from 1931), among other great Drewobilia. The Guide includes biographies of Drew writers Mildred Wirt Benson, Walter Karig, Nancy Axelrad, Charles Strong, Margaret Scherf, Alma Sasse, George Waller, illustrators Bill Gillies and Rudy Nappi, and more. The front cover is, well shall we say modestly, a masterpiece.
Over the last few decades, a rich and increasingly diverse practice has emerged in the art world that invites the public to touch, enter, and experience the work, whether it is in a gallery, on city streets, or in the landscape. Like architecture, many of these temporary artworks aspire to alter viewers' experience of the environment. An installation is usually the end product for an artist, but for architects it can also be a preliminary step in an ongoing design process. Like paper projects designed in the absence of "real" architecture, installations offer architects another way to engage in issues critical to their practice. Direct experimentation with architecture's material and social dimensions engages the public around issues in the built environment that concern them and expands the ways that architecture can participate in and impact people's everyday lives. The first survey of its kind, Installations by Architects features fifty of the most significant projects from the last twenty-five years by today's most exciting architects, including Anderson Anderson, Philip Beesley, Diller + Scofidio, John Hejduk, Dan Hoffman, and Kuth/Ranieri Architects. Projects are grouped in critical areas of discussion under the themes of tectonics, body, nature, memory, and public space. Each project is supplemented by interviews with the project architects and the discussions of critics and theorists situated within a larger intellectual context. There is no doubt that installations will continue to play a critical role in the practice of architecture. Installations by Architects aims to contribute to the role of installations in sharpening our understanding of the built environment.
“The novel that foreshadowed Donald Trump’s authoritarian appeal.”—Salon It Can’t Happen Here is the only one of Sinclair Lewis’s later novels to match the power of Main Street, Babbitt, and Arrowsmith. A cautionary tale about the fragility of democracy, it is an alarming, eerily timeless look at how fascism could take hold in America. Written during the Great Depression, when the country was largely oblivious to Hitler’s aggression, it juxtaposes sharp political satire with the chillingly realistic rise of a president who becomes a dictator to save the nation from welfare cheats, sex, crime, and a liberal press. Called “a message to thinking Americans” by the Springfield Republican when it was published in 1935, It Can’t Happen Here is a shockingly prescient novel that remains as fresh and contemporary as today’s news. Includes an Introduction by Michael Meyer and an Afterword by Gary Scharnhorst
Two ten year old boys, Waino and Ivar, returned from hunting one cold winter's day and skied back to the livery stable where Ivar's father boarded horses and mules. As Waino pinged his air rifle at a fence he dreamed about the moose he could have shot. All at once there was a very sad sound. It went "Haawwnnk -- hawnk -- hawnk -- haawwnnkk!" The two boys dropped everything. "What do you think that is?" Ivar asked. "Maybe it was a moose," Waino replied softly. And it was a moose -- though it was a while before Ivar's father or Mr. Ryan, the policeman, or the Mayor or any of the townspeople believed it. But what do you do with a moose? What can you do with a moose? Honk was hungry. He ate about a ton of Ivar's father's expensive hay. Then he went to sleep. Something had to be done, but Honk was naturally such a sad moose, you couldn't help feeling sorry for him. With perfect humor and understanding -- of small boys and a problem moose -- the author and artist have created a favorite children's classic. Honk the Moose won distinction as a Newbery Honors Book in 1936, the Lewis Carol Shelf Award in 1970, and was listed in Cattermole's 100 Best Children's Books of the 20th Century.
"It's all the money I have in the world—" Josy Sykes despairs as a fox runs off with her one thousand dollar bill. Louise and Jean help the handcapped orphan by having her first come to Starhurst and then to a friend's during Christmas vacation. Josy's luck changes when a hunter finds her lost money, but when he accidentally humiliates Josy, she runs away. The mystery surrounding Josy deepens when they learn the name of the man who sent the thousand dollar bill is Joseph Sykes...