The Works of Maria Edgeworth, Part I Vol 5

The Works of Maria Edgeworth, Part I Vol 5

Author: Marilyn Butler

Publisher: Routledge

Published: 2019-09-25

Total Pages: 539

ISBN-13: 1000749444

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This book is a collection of novels The Absentee, Madame de Fleury, and Emilie de Coulanges by Maria Edgeworth that address issues of nationalism in an Anglo-Irish context and that will be of much use to scholars, students and general readers interested in fictional works. MARIA EDGEWORTH was born in 1768. Her first novel, Castle Rackrent (1800) was also her first Irish tale. The next such tale was Ennui (1809), after which came The Absentee, which began life as an unstaged play and was then published (in prose) in Tales of Fashionable Life (1812), as were several of her other stories. They were followed in 1817 by the last of her Irish tales, Ormond. Maria Edgeworth died in 1849. Edited with an introduction and notes by Marilyn Butler.


The Works of Maria Edgeworth

The Works of Maria Edgeworth

Author: Marilyn Butler

Publisher: Routledge

Published: 2021-01-14

Total Pages: 4899

ISBN-13: 1000123006

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This collected edition makes available all of Maria Edgeworth's major fiction for adults, much of her juvenile fiction, and also a selection of her educational and occasional writings. A dual pagination system indicates original page numbers for scholars.


The Works of Maria Edgeworth, Part I Vol 4

The Works of Maria Edgeworth, Part I Vol 4

Author: Marilyn Butler

Publisher: Routledge

Published: 2019-09-25

Total Pages: 3276

ISBN-13: 1000743055

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This book presents a selection of the educational and occasional writings of Maria Edgeworth. It shows how Maria Edgeworth familiarised herself with the remarkably acute, closely-observed treatises and essays of the true Renaissance man, Francis Bacon. MARIA EDGEWORTH was born in 1768. Her first novel, Castle Rackrent (1800) was also her first Irish tale. The next such tale was Ennui (1809), after which came The Absentee, which began life as an unstaged play and was then published (in prose) in Tales of Fashionable Life (1812), as were several of her other stories. They were followed in 1817 by the last of her Irish tales, Ormond. Maria Edgeworth died in 1849. Edited with an introduction and notes by Marilyn Butler.


The Works of Maria Edgeworth, Part I Vol 1

The Works of Maria Edgeworth, Part I Vol 1

Author: Marilyn Butler

Publisher: Routledge

Published: 2019-09-25

Total Pages: 3276

ISBN-13: 1000743020

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This book is a collection of novels Castle Rackrent, Irish Bulls, and Ennui by Maria Edgeworth that will be of much use to scholars, students and general readers interested in family fiction. Maria Edgeworth (1 January 1768 – 22 May 1849) was a prolific Anglo-Irish writer of adults' and children's literature. She was one of the first realist writers in children's literature and was a significant figure in the evolution of the novel in Europe.[2] She held advanced views, for a woman of her time, on estate management, politics and education, and corresponded with some of the leading literary and economic writers, including Sir Walter Scott and David Ricardo.


The Portrait in Fiction of the Romantic Period

The Portrait in Fiction of the Romantic Period

Author: Joe Bray

Publisher: Routledge

Published: 2016-05-26

Total Pages: 204

ISBN-13: 1317019784

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Beginning with the premise that the portrait was undergoing a shift in both form and function during the Romantic age, Joe Bray examines how these changes are reflected in the fiction of writers such as Maria Edgeworth, Jane Austen, Sir Walter Scott, Elizabeth Hamilton and Amelia Opie. Bray considers portraiture in a broad sense as encompassing caricature and the miniature, as well as the classic portraits of Sir Joshua Reynolds and others. He argues that the portrait in fiction often functions not as a transparent index to character or as a means of producing a straightforward likeness, but rather as a cue for misreading and a sign of the slipperiness and subjectivity of interpretation. The book is concerned with more than simply the appearance of portraits in Romantic fiction, however. More broadly, The Portrait in Fiction of the Romantic Period investigates how the language of portraiture pervades the novel in this period and how the two art forms exert mutual stylistic influence on each other.


Wollstonecraft's Ghost

Wollstonecraft's Ghost

Author: Andrew McInnes

Publisher: Routledge

Published: 2016-08-12

Total Pages: 238

ISBN-13: 1315523159

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Focusing on the ways in which women writers from across the political spectrum engage with and adapt Wollstonecraft's political philosophy in order to advocate feminist reform, Andrew McInnes explores the aftermath of Wollstonecraft's death, the controversial publication of William Godwin's memoir of his wife, and Wollstonecraft's reception in the early nineteenth century. McInnes positions Wollstonecraft within the context of the eighteenth-century female philosopher figure as a literary archetype used in plays, poetry, polemic and especially novels, to represent the thinking woman and address anxieties about political, religious, and sexual heterodoxy. He provides detailed analyses of the ways in which women writers such as Mary Hays, Elizabeth Hamilton, Amelia Opie, and Maria Edgeworth negotiate Wollstonecraft's reputation as personal, political, and sexual pariah to reformulate her radical politics for a post-revolutionary Britain in urgent need of reform. Frances Burney's The Wanderer and Jane Austen's Mansfield Park, McInnes suggests, work as state-of-the-nation novels, drawing on Wollstonecraft's ideas to explore a changing England. McInnes concludes with an examination of Mary Shelley's engagement with her mother throughout her career as a novelist, arguing that Shelley gradually overcomes her anxiety over her mother's stature to address Wollstonecraft's ideas with increasing confidence.