The Ninevah Court in the Crystal Palace

The Ninevah Court in the Crystal Palace

Author: Austen Henry Layard

Publisher: Franklin Classics

Published: 2018-10-07

Total Pages: 94

ISBN-13: 9780341723981

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


The Ninevah Court in the Crystal Palace (Classic Reprint)

The Ninevah Court in the Crystal Palace (Classic Reprint)

Author: Austen Henry Layard

Publisher: Forgotten Books

Published: 2017-10-26

Total Pages: 102

ISBN-13: 9781527758391

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Excerpt from The Ninevah Court in the Crystal Palace This entire disappearance of Nineveh, whilst the other great capitals of the ancient world had left some visible traces of their principal monuments, by which their site could be determined, is chiefly to be attributed to the materials of which it was constructed. The Assyrians did not, like the Egyptians, Greeks, and Romans, build their palaces and temples either of granite, precious marbles, or durable stone, but even their public edifices, as well as their humblest habitations, were of bricks made of clay mixed with chopmd straw, and merely dried in the sun. Without the chopped straw the clay would not have been bound together, or have had sufficient consistency for use hence the meaning of the passage in the book of Exodus (chap. V. Which describes the hardships of the Jews when the Egyptians refused to supply them with straw to make their bricks. Other materials, such as marble, alabaster, stone, and kiln-burnt bricks, generally painted or glazed, were used by the Assyrians in their principal edifices, but to a com putatively limited extent, and only by way of ornament. Hence, when the buildings were once deserted, the upper walls and stories soon fell in and buried the lower. The bricks of clay became earth again, and the ruins would assume the appearance of more natural heaps and mounds rising in the plain, upon which the grass grew and corn might be sown. And such have been the ruins of Nineveh for more than two thousand years. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


The Ninevah Court in the Crystal Palace

The Ninevah Court in the Crystal Palace

Author: Austen Henry Layard

Publisher: Andesite Press

Published: 2017-08-18

Total Pages: 96

ISBN-13: 9781375440653

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Palace of the People

Palace of the People

Author: Jan Piggott

Publisher: Univ of Wisconsin Press

Published: 2004

Total Pages: 248

ISBN-13: 9780299200947

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Built for the Great Exhibition of 1851, the Crystal Palace originally graced London's Hyde Park with Joseph Paxton's remarkable geometric design and groundbreaking use of glass elements, prefiguring the modern movement in architecture. After the exhibition a group of bankers, railway directors, and men of influence moved the structure to a new site in south London, rebuilt it to an even grander scale, and set about its promotion as a "palace for the multitude." Here were exhibitions, concerts, and spectaculars to fill a splendid day out for Londoners of all classes and interests. Filled with plaster casts of great art treasures, life-sized models of dinosaurs, waterworks, and gardens, the Crystal Palace became a center of both education and entertainment from the Victorian era through its destruction by fire in1936. Copublished with C. Hurst & Co., London Wisconsin edition for sale only in North and South America, U.S. territories and dependencies, and the Philippines.


From Archaeology to Spectacle in Victorian Britain

From Archaeology to Spectacle in Victorian Britain

Author: Shawn Malley

Publisher: Routledge

Published: 2016-04-15

Total Pages: 220

ISBN-13: 1317132521

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In his examination of the excavation of ancient Assyria by Austen Henry Layard, Shawn Malley reveals how, by whom, and for what reasons the stones of Assyria were deployed during a brief but remarkably intense period of archaeological activity in the mid-nineteenth century. His book encompasses the archaeological practices and representations that originated in Layard's excavations, radiated outward by way of the British Museum and Layard's best-selling Nineveh and Its Remains (1849), and were then dispersed into the public domain of popular amusements. That the stones of Assyria resonated in debates far beyond the interests of religious and scientific groups is apparent in the prevalence of poetry, exhibitions, plays, and dioramas inspired by the excavation. Of particular note, correspondence involving high-ranking diplomatic personnel and museum officials demonstrates that the 'treasures' brought home to fill the British Museum served not only as signs of symbolic conquest, but also as covert means for extending Britain's political and economic influence in the Near East. Malley takes up issues of class and influence to show how the middle-class Layard's celebrity status both advanced and threatened aristocratic values. Tellingly, the excavations prompted disturbing questions about the perils of imperial rule that framed discussions of the social and political conditions which brought England to the brink of revolution in 1848 and resurfaced with a vengeance during the Crimean crisis. In the provocative conclusion of this meticulously documented and suggestive book, Malley points toward the striking parallels between the history of Britain's imperial investment in Mesopotamia and the contemporary geopolitical uses and abuses of Assyrian antiquity in post-invasion Iraq.