The new lodger in her father's bed and breakfast has sixteen-year-old Tiffany Hunter wondering what kind of sinister happenings are going on in the woods around Otter Lake.
When Henry Cooper inherits property in Thunder Point, Oregon, the fate of the entire small town rests on whether he decides to stay there or move on, a decision that is influenced by his growing attraction for Sarah Dupree.
Society of Illustrators, Dilys Evans Founder's Award Winner A New York Times Best Book of 2020 A Wall Street Journal Best Book of 2020 PRAISE "Electrifying. Extraordinary. Enigmatic and gorgeous." —The Wall Street Journal "An epic dream captured in superbly meticulous detail." —Shaun Tan "Danger, magic, surprise and awe abound in this masterly, wordless debut." —The New York Times "I love Van den Ende's passion." —Brian Selznick, New York Times Book Review STARRED REVIEWS ★ "Marvelously engrossing—a triumph." —Kirkus Reviews, starred review ★ "Remarkable. Absolutely sui generis." —Booklist, starred review Without a word, The Wanderer presents one little paper boat's journey across the ocean, past reefs and between icebergs, through schools of fish, swaying water plants, and terrifying sea monsters. The little boat is all alone, and while its aloneness gives it the chance to wonder at the fairy-tale world above and below the waves, that also means it must save itself when it storms. And so it does. Readers young and old will find the strength and inspiration in this quietly powerful story about growing, learning, and life's ups and downs.
A story of magic, family, a mysterious stranger . . . and a band of marauding raccoons. Otter Lake is a sleepy Anishnawbe community where little happens. Until the day a handsome stranger pulls up astride a 1953 Indian Chief motorcycle – and turns Otter Lake completely upside down. Maggie, the Reserve’s chief, is swept off her feet, but Virgil, her teenage son, is less than enchanted. Suspicious of the stranger’s intentions, he teams up with his uncle Wayne – a master of aboriginal martial arts – to drive the stranger from the Reserve. And it turns out that the raccoons are willing to lend a hand.
A forgotten Haudenosaunee social song beams into the cosmos like a homing beacon for interstellar visitors. A computer learns to feel sadness and grief from the history of atrocities committed against First Nations. A young Native man discovers the secret to time travel in ancient petroglyphs. Drawing inspiration from science fiction legends like Arthur C. Clarke, Isaac Asimov and Ray Bradbury, Drew Hayden Taylor frames classic science-fiction tropes in an Aboriginal perspective. The nine stories in this collection span all traditional topics of science fiction--from peaceful aliens to hostile invaders; from space travel to time travel; from government conspiracies to connections across generations. Yet Taylor's First Nations perspective draws fresh parallels, likening the cultural implications of alien contact to those of the arrival of Europeans in the Americas, or highlighting the impossibility of remaining a "good Native" in such an unnatural situation as a space mission. Infused with Native stories and variously mysterious, magical and humorous, Take Us to Your Chief is the perfect mesh of nostalgically 1950s-esque science fiction with modern First Nations discourse.
After obscure author of strange stories, Simon Peterkin, vanishes in bizarre circumstances, a typescript, of a text entitled, 'The Wanderer', is found in his flat. 'The Wanderer' is a weird document. On a dying Earth, in the far-flung future, a man, an immortal, types the tale of his aeon-long life as prey, as a hunted man; he tells of his quitting the Himalayas, his sanctuary for thousands of years, to return to his birthplace, London, to write the memoirs; and writes, also, of the night he learned he was cursed with life without cease, an evening in a pub in that city, early in the twenty-first century, a gathering to tell of eldritch experiences undergone. Is 'The Wanderer' a fiction, perhaps Peterkin's last novel, or something far stranger? Perhaps more 'account' than 'story'?
A stunning, sad and darkly funny story about intense female friendship, from award-winning author, C. J. Flood. It all started with a poo in a flowerbed. Rosie and Titania are as close as sisters - closer, in fact. While Rosie is shy, red-faced and passive, Ti is big, tough and daring. They shouldn't be friends, but they are. Creeping out at night, the girls love to secretly wander through their coastal town, exploring empty streets and sharing their frustrations about school and their different, but equally difficult, families. But when Rosie betrays Ti, the two girls run in different directions - making decisions that could do irreparable damage to both of their lives. As Rosie confronts harsh truths, she must find a way back to Ti, and to herself. Whenever I heard the word kindred, I thought of me and Ti. ‘Flood has a talent for contemporary detail, voice and atmosphere’ The Sunday Times 'Emotionally powerful' Guardian ‘Brilliantly evocative…sharp and funny’ The Scotsman ? Praise for Infinite Sky: 'Extraordinarily powerful . . . brilliantly visual and full of feeling' Guardian 'Every character is drawn with sympathy, economy and assurance' Amanda Craig, The Times 'Loved by young adult journalists, CJ Flood's debut novel is also a burgeoning hit among adult readers' Stylist 'A beautiful, delicate debut' Nathan Filer, author of The Shock of the Fall 'Infinite Sky is terrific - moving, original and heartfelt. I loved it.' Terence Blacker 'A beautifully written, poignant account of first love, so full of delightfully recognisable moments, it will have grown-ups welling up too' Irish Times magazine 'Strong debut . . . one to watch' The Bookseller
Humor has always been an essential part of North American aboriginal culture. This fact remained unnoticed by most settlers, however, since non-aboriginals just didn’t get the joke. For most of written history, a stern, unyielding profile of “the Indian” dominated the popular mainstream imagination. Indians, it was believed, never laughed. But Indians themselves always knew better. As an award-winning playwright, columnist, and comedy-sketch creator, Drew Hayden Taylor has spent 15 years writing and researching aboriginal humor. For Me Funny, he asked a noted cast of writers from a variety of fields — including such celebrated wordsmiths as Thomas King, Allan J. Ryan, Mirjam Hirch, and Tomson Highway — to take a look at what makes aboriginal humor tick. Their hilarious, enlightening contributions playfully examine the use of humor in areas as diverse as stand-up comedy, fiction, visual art, drama, performance, poetry, traditional storytelling, and education.
Wanderer Springs is a dying town in Northwest Texas, one of that string of dusty towns left to wither away when the highway from Fort Worth to Amarillo bypassed them. For travelers on that highway, the harsh and unforgiving countryside passes as no more than a blur. For Will Callaghan, that country and the town of Wanderer Springs are carved into memory, indelible in their clarity. Called home from San Antonio by a funeral, Will begins a journey, both physical and imaginative, that crosses not only geographic and cultural boundaries but darts back and forth in time, mixing stories of the town's frontier past with episodes of Will's high school days. In sometimes hilarious and sometimes painful detail, Will relives the football game where he dropped the pass that lost the championship for Wanderer Springs forever, the time he got his gum stuck in his girlfriend's hair, the strangely distant but close relationship of a motherless boy and his taciturn father. Equally clear are the tales from the past--the Turrill family's desperate wagon ride to find a doctor for their daughter, dying of appendicitus, or Lulu Byars who danced and danced in town and caught pneumonia riding back to her dugout in a norther. Wanderer Springs said she died of frivolity. Through it all, the clear voice of Will Callaghan, a good old boy grown into an intellectual, gives meaning to the chaos, seeks sense out of the past, recognizes our inextricable link to the past. Wanderer Springs is a wonderfully witty, sensitive novel that will stand out as one of the more serious, thoughtful, and memorable novels to come out of recent Texas writing.