The Polar Express meets The Night at the Museum in this fantastical picture-book adventure about the magic of books and libraries, perfect for book lovers of all ages! After a young boy goes to sleep upset that he's getting a book for his birthday, he's visited in the night by Patience and Fortitude, the two stone lions who guard the New York Public Library. Soon, he's magically whisked away from his cozy home in the Bronx, and the two mighty lions show him the wonder of the library. There, the inquisitive Latino boy discovers the power of books and their role not only in his own life, but also in the lives of the people he loves. Raul Colon's gorgeous, rich art creates an immersive world in this book about books, which is sure to capture the imaginations of kids and adults and inspire them to grab their library cards and dive into the worlds of stories.
A level 3 Oxford Bookworms Library graded reader. Written for Learners of English by William Shakespeare. There are broken hearts and kisses and then weddings, so this is a story about love. There are actors who are funny because they cannot act, so it is also a story that makes people laugh. And there are fairies, spirits of the night, so it is a story about mischief and magic too. What happens when love and laughter come together with magic in an Athenian forest? A Midsummer Night's Dream was written in about 1596 and is one of Shakespeare's most popular plays. It has been retold for Bookworms, not as a play, but as a story.
A level 3 Oxford Bookworms Library graded reader. This version includes an audio book: listen to the story as you read. Written for Learners of English by William Shakespeare. There are broken hearts and kisses and then weddings, so this is a story about love. There are actors who are funny because they cannot act, so it is also a story that makes people laugh. And there are fairies, spirits of the night, so it is a story about mischief and magic too. What happens when love and laughter come together with magic in an Athenian forest? A Midsummer Night's Dream was written in about 1596 and is one of Shakespeare's most popular plays. It has been retold for Bookworms, not as a play, but as a story.
In the tradition of A History of Reading, this book is an account of Manguel’s astonishment at the variety, beauty and persistence of our efforts to shape the world and our lives, most notably through something almost as old as reading itself: libraries. The Library at Night begins with the design and construction of Alberto Manguel’s own library at his house in western France – a process that raises puzzling questions about his past and his reading habits, as well as broader ones about the nature of categories, catalogues, architecture and identity. Thematically organized and beautifully illustrated, this book considers libraries as treasure troves and architectural spaces; it looks on them as autobiographies of their owners and as statements of national identity. It examines small personal libraries and libraries that started as philanthropic ventures, and analyzes the unending promise – and defects – of virtual ones. It compares different methods of categorization (and what they imply) and libraries that have built up by chance as opposed to by conscious direction. In part this is because this is about the library at night, not during the day: this book takes in what happens after the lights go out, when the world is sleeping, when books become the rightful owners of the library and the reader is the interloper. Then all daytime order is upended: one book calls to another across the shelves, and new alliances are created across time and space. And so, as well as the best design for a reading room and the makeup of Robinson Crusoe’s library, this book dwells on more "nocturnal" subjects: fictional libraries like those carried by Count Dracula and Frankenstein’s monster; shadow libraries of lost and censored books; imaginary libraries of books not yet written. The Library at Night is a fascinating voyage through the mind of one our most beloved men of letters. It is an invitation into his memory and vast knowledge of books and civilizations, and throughout – though mostly implicitly – it is also a passionate defence of literacy, of the unique pleasures of reading, of the importance of the book. As much as anything else, The Library at Night reminds us of what a library stands for: the possibility of illumination, of a better path for our society and for us as individuals. That hope too, at the close, is replaced by something that fits this personal and eclectic book even better: something more fragile, and evanescent than illumination, though just as important.
The genesis of the University Library lies in a compilation of "Little Masterpieces," the first of which were published more than twenty-five years ago. The material included in these volumes was selected by able editors and writers whose experience was great and whose taste was excellent. Out of the "Little Masterpieces" grew a course in liberal education which was known as the Pocket University, and out of the Pocket University grew, finally, the University Library. The publishers most gratefully acknowledge their debt to the editors who compiled the original volumes: Bliss Perry, Henry van Dyke, Hardin Craig, Thomas L. Masson, Asa Don Dickinson, the late Hamilton W. Mabie, George Iles, the late Dr. Lyman Abbott, and others. Some of the most important material contained in the Pocket University is, of course, included in the University Library but the sequence has been entirely changed and the scope of the work greatly broadened. Fully two thirds of the material is new and the literature of the world has been ransacked to find appropriate text to fit the basic educational needs of the modern public. - Publisher' s note
