Showcases the work of hundreds of artists who have contributed to the magazine throughout its eighty-year history, in a richly illustrated volume containing 2,500 black-and-white cartoons by Peter Arno, Charles Addams, Jack Ziegler, Roz Chast, and other notables, along with essays on the evolution of the magazine's humor and style, and a fully searchable DVD-ROM. Reprint. 40,000 first printing.
The most sumptuous, fabulous, and hilarious collection of cartoons in the history of the world, this humongous hoard of devilish drawings captures the comic karma of an extraordinary epoch--many epochs, actually, from the Roaring Twenties right up through the Networking Nineties.
Whether whimsical, provocative, or laugh-out-loud funny, "The New Yorker"'s covers are always the talk of the town. This irresistible compendium presents not only the best of the magazine's covers--selected by art director Mouly--but also a behind-the-scenes peek at the sketches that lead up to them and a look at the controversy that sometimes follows in their wake. 370 illustrations, 350 in color.
#1 New York Times Bestseller 2014 NATIONAL BOOK AWARD FINALIST In her first memoir, New Yorker cartoonist Roz Chast brings her signature wit to the topic of aging parents. Spanning the last several years of their lives and told through four-color cartoons, family photos, and documents, and a narrative as rife with laughs as it is with tears, Chast's memoir is both comfort and comic relief for anyone experiencing the life-altering loss of elderly parents. When it came to her elderly mother and father, Roz held to the practices of denial, avoidance, and distraction. But when Elizabeth Chast climbed a ladder to locate an old souvenir from the “crazy closet”-with predictable results-the tools that had served Roz well through her parents' seventies, eighties, and into their early nineties could no longer be deployed. While the particulars are Chast-ian in their idiosyncrasies-an anxious father who had relied heavily on his wife for stability as he slipped into dementia and a former assistant principal mother whose overbearing personality had sidelined Roz for decades-the themes are universal: adult children accepting a parental role; aging and unstable parents leaving a family home for an institution; dealing with uncomfortable physical intimacies; managing logistics; and hiring strangers to provide the most personal care. An amazing portrait of two lives at their end and an only child coping as best she can, Can't We Talk about Something More Pleasant will show the full range of Roz Chast's talent as cartoonist and storyteller.
Critically acclaimed cartoonists including Addams, Steig, Arno, Shanahan, and Leo Cullum take pot shots at the legal profession in a collection of eighty-five cartoons from the pages of The New Yorker.
The art director of The New Yorker serves up“a delicious forbidden taste of the art that didn’t quite nail it, or nailed it a bit too hard” (The Marginalian). Françoise Mouly takes us behind the scenes at The New Yorker and reveals how the magazine creates its signature covers commenting on the most urgent political and cultural events of the day. She shows the shocking and hilarious sketches that didn’t make the cut and explains how these are essential stages in the evolution of a cover that stands the test of time but retains its edge. Her book captures contemporary history—from the farce of Monica Lewinsky to the adventures of Michelle and Barack to nuclear meltdown in Japan—in images that are as acute as they are outrageous. More than that, it shows how the magazine that exemplifies journalistic excellence in America also dares to cultivate a sense of humor when grappling with complex moral and political issues. “Interesting failures are the driving force behind Blown Covers . . . paging through this book is like standing in the corner of her office as she pins up rejected covers on the wall. Mouly has dozens of tales about images that failed for one reason or another. Now, presumably with the approval of her bosses at Condé Nast, she has created a tell-all (or tell-most) that even non–illustrators and designers will find enlightening.” —The New York Times Book Review “Yes, Blown Covers sometimes offends—and that’s the audacious joy of it.” —NPR.org “Offers some true delights.” —The Sacramento Bee “Reveals the shocking and hilarious sketches that didn’t make the cut.” —Patch
The perfect gift for an anniversary--or your divorce lawyer--All's Fair in Love and War will woo over hopeless romantics and cynical heartbreakers alike. Find wit and wisdom on love in all its varieties, from a first date to a third divorce. This curated collection features work by over forty of the best and brightest New Yorker cartoonists, including Roz Chast, Sam Gross, Liana Finck, Bob Mankoff, and Edward Steed. Many of the cartoons appear in print for the first time.
This eBook edition of " The Reluctant Dragon" has been formatted to the highest digital standards and adjusted for readability on all devices. A young boy discovers an erudite, poetry-loving dragon living in the Downs above his home. The two become friends, but soon afterwards the dragon is discovered by the townsfolk, who send for St George to rid them of it. The boy introduces St George to the dragon, and the two decide that it would be better for them not to fight. Eventually, they decide to stage a fake joust between the two combatants.
Celebrate the 75th anniversary of The Runaway Bunny, by beloved children’s book author Margaret Wise Brown and illustrator Clement Hurd. With foil stamping on the linen case cover and a commemorative foil sticker, this special edition is a must-have for collectors and children's book fans. The Runaway Bunny, first published in 1942 and never out of print, has indeed become a classic. This beautiful 75th anniversary edition includes the original picture book followed by a 32-page retrospective look with lively anecdotes, exclusive photographs, and archival material. Also features an essay by noted children’s book historian Leonard S. Marcus.
