While placing the notion of transnationalism within the broader study of globalization, this book particularly addresses the emergence and impacts of migrant transnational practices. Each chapter demonstrates ways in which new and contemporary transnational activities of migrants are fundamentally transforming social, religious, political and economic structures within their 'homelands' and places of settlement.
This book explores what the privatization of global rule-making means for democracy. It reconstructs three prominent rule-making processes in the field of global sustainability politics and argues that, if designed properly, private transnational rule-making can be as democratic as intergovernmental rule-making.
National borders and transnational forces have been central in defining the meaning of race in the Americas. Race and Transnationalism in the Americas examines the ways that race and its categorization have functioned as organizing frameworks for cultural, political, and social inclusion—and exclusion—in the Americas. Because racial categories are invariably generated through reference to the “other,” the national community has been a point of departure for understanding race as a concept. Yet this book argues that transnational forces have fundamentally shaped visions of racial difference and ideas of race and national belonging throughout the Americas, from the late nineteenth century to the present. Examining immigration exclusion, indigenous efforts toward decolonization, government efforts to colonize, sport, drugs, music, populism, and film, the authors examine the power and limits of the transnational flow of ideas, people, and capital. Spanning North America, Central America, South America, and the Caribbean, the volume seeks to engage in broad debates about race, citizenship, and national belonging in the Americas.
This book offers new perspectives on transnational activism with a focus on Asia. The chapters and case studies examine macro and micro aspects of power and how cross-border activities of civil society groups relate to problems of democracy.
This book deals with transnationalism and captures its singularity as a generalized phenomenon. The profusion of transnational communities is a factor of fluidity in social orders and represents confrontations between contingencies and basic socio-cultural drives. It has created a new era different from the past at essential respects. This is an age of enriching cultural diversity fraught with threatening risks inextricably linked to contemporary globalization. National sovereignty is eroded from above by global processes, from below by aspirations of sub-national groups, and from the sides - by transnational allegiances. This is the backdrop against which this book delves into the fundamental issues relating to the nature, scope and overall significance of transnationalism.
During the last two decades Europe has experienced a rise in transnational contention. Citizens are crossing borders to advance alternative visions of Europe. They spread protest concepts and tactics and explore new ways of organizing dissent. Far from being a recent phenomenon, transnational protest is obviously more salient in a world of international corporations and global political interaction, compounded by electronic communication and cheap travel. The transnational condition permeates all aspects of protest organization and dynamics - from individual biographies to activist networks to cycles of contention. The contributors offer insight into this multifaceted condition by combining rich empirical evidence with reflections on the problems of transnational research.
As an intervention in conversations on transnationalism, film culture and genre theory, this book theorises transnational genre hybridity – combining tropes from foreign and domestic genres – as a way to think about films through a global and local framework. Taking the British horror resurgence of the 2000s as case study, genre studies are here combined with close formal analysis to argue that embracing transnational genre hybridity enabled the boom; starting in 2002, the resurgence saw British horror film production outpace the golden age of British horror. Yet, resurgence films like 28 Days Later and Shaun of the Dead had to reckon with horror’s vilified status in the UK, a continuation of attitudes perpetuated by middle-brow film critics who coded horror as dangerous and Americanised. Moving beyond British cinema studies’ focus on the national, this book also presents a fresh take on long-standing issues in British cinema, including genre and film culture.
This book analyzes Islam as a form of 'travelling theory' in the context of contemporary global transformations such as diasporic communities, transnational social movements, global cities and information technologies. Peter Mandaville examines how 'globalization' is manifested as lived experience through a discussion of debates over the meaning of Muslim identity, political community and the emergence of a 'critical Islam'. This radical book argues that translocal forces are leading the emergence of a wider Muslim public sphere. Now available in paperback, it contains a new preface setting the debates in the context of September 11th.