The New Jerusalem By G. K. Chesterton The New Jerusalem is a 1920 book by the English author and journalist G. K. Chesterton. Dale Ahlquist calls it a "philosophical travelogue" of Chesterton's journey across Europe to Palestine. It was in the season of Christmas that I came out of my little garden in that "field of the beeches" between the Chilterns and the Thames, and began to walk backwards through history to the place from which Christmas came. For it is often necessary to walk backwards, as a man on the wrong road goes back to a sign-post to find the right road. The modern man is more like a traveller who has forgotten the name of his destination, and has to go back whence he came, even to find out where he is going. That the world has lost its way few will now deny; and it did seem to me that I found at last a sort of sign-post, of a singular and significant shape, and saw for a moment in my mind the true map of the modern wanderings; but whether I shall be able to say anything of what I saw, this story must show. The New Jerusalem By G. K. Chesterton
"The New Jerusalem" by G. K. Chesterton is a "philosophical travelogue" of Chesterton's journey across Europe to Palestine. Chesterton's wit and elegance cut through his controversial thoughts on religion. Coming from a secular perspective, he acts as a sort of observer studying those around him. He discusses the cultures and the way the city has changed and evolved through the eyes of an English man.
Orthodoxy G. K. Chesterton - Orthodoxy (1908) is a book by G. K. Chesterton that has become a classic of Christian apologetics. Chesterton considered this book a companion to his other work, Heretics. In the book's preface Chesterton states the purpose is to "attempt an explanation, not of whether the Christian faith can be believed, but of how he personally has come to believe it." In it, Chesterton presents an original view of Christian religion. He sees it as the answer to natural human needs, the "answer to a riddle" in his own words, and not simply as an arbitrary truth received from somewhere outside the boundaries of human experience.
G. K. Chesterton was a journalist and prolific author of poems, novels, short stories, travel books and social criticism. Prior to the twentieth century, Chesterton expressed sympathy for Jews and hostility towards antisemitism. He was agitated by Russian pogroms and felt sympathy for Captain Dreyfus. However, early into the twentieth century, he developed an irrational fear about the presence of Jews in Christian society. He started to argue that it was the Jews who oppressed the Russians rather than the Russians who oppressed the Jews, and he suggested that Dreyfus was not as innocent as the English newspapers claimed. His caricatures of Jews were often that of grotesque creatures masquerading as English people. His fictional and his journalistic works repeated anti-Jewish stereotypes of Jewish greed and usury, bolshevism, cowardice, disloyalty and secrecy. This concise book (125 pages) provides a focused yet easily-accessible examination of these stereotypes and caricatures in Chesterton’s discourse. It also examines Chesterton’s discussion of the so-called “Jewish Problem”, his belief that “every Jew” should be made to wear distinctive clothing, the claim that Chesterton could not have been antisemitic because Israel Zangwill was his friend, and the claim that the Wiener Library defended him from the charge of antisemitism.
This study examines a selection of Chesterton’s novels, poetry, and literary criticism and outlines the distinctive philosophy of history that emerges from these writings. Looking at Chesteron's relationship with and influence upon authors including William Cobbett, Sir Walter Scott, Belloc, Shaw, H.G. Wells, Christopher Dawson, Evelyn Waugh, and Marshall McLuhan, McCleary contends that Chesterton’s recurring use of the themes of locality, patriotism, and nationalism embodies a distinctive understanding of what gives history its coherence. The study concludes that Chesterton’s emphasis on locality is the hallmark of his historical philosophy in that it blends the concepts of free will, specificity, and creatureliness which he uses to make sense of history.
"Gilbert Keith Chesterton has been the subject of several biographies, but none as comprehensive as The Outline of Sanity, A Biography of G. K. Chesterton by Alzina Stone Dale." -THE WALL STREET JOURNAL "A biography in which the imaginative and intellectual stature of the man is seen in its full measure." -SUNDAY TIMES (UK)
Some of the topics of the 130 columns in the volume include "The Fashion of Psychoanalysts", "Doubts about Darwinism", "Liberty and Self Government", "Errors About Detective Stories", "The Settling of America", "Popular Literature and Popular Science", "Marxism and History", "The Threat of Novelty", "The Infinite Variety of Woman", "The Soul of the Modern Peasant", "Gilbert and the Jingoists", "Socialist Order and Democracy". Volumes 27 through 37 are collected columns from The Illustrated London News Most of the weekly articles Chesterton wrote for The Illustrated London News have never been printed in book form until Ignatius Press undertook to do the collected works. These volumes contain all of Chesterton's columns in The Illustrated London News, beginning in 1905. The great majority have never appeared in book form. Chesterton lovers will be delighted to find this treasure filled with jewels quite the match of his best writing.
"A Year with G.K.Chesterton will be a treasure, both for those who are coming to his wit andwisdom as a fresh discovery, and for those who have known and loved his workfor years. . . . Chesterton's talent for paradox, and his ability to embodyprofound truth in simple images, makes him as compelling now as he was ahundred years ago. . . . He was a prophet in his own time and a prophet forours, speaking out against insidious evils and kindling us all again to acommon love of the common good." --The Reverend Dr. Malcolm Guite, chaplain of Girton College, Cambridge University "This world of ours has some purpose; and if there is apurpose, there is a Person. I had always felt life first as a story: and ifthere is a story, there is a Storyteller." --G. K. Chesterton A Year with G. K. Chesterton daily brings this truth to life. And we areheir to the winsome, arresting, utterly original outpouring of Chesterton'sreasons for hope. During his lifetime, a host of perspectives clamored for hisattention, but he saw nothing as vital and alive as Christianity. Readers ofthis book will find their faith strengthened and enriched, even as they see themany reasons why George Bernard Shaw called Chesterton "a colossal genius." A true anthology, the best of Chesterton's many works are presented in concise, memorableselections. From New Year's Day to New Year's Eve, each page contains a passageof Scripture and myriad moments for reflection, appreciation, and laughter. "Chesterton once aday? Well, that's a start. It is good to see that someone is finallyrecognizing the need for a daily minimum requirement of mirth and meditationfrom GKC." --Dale Ahlquist, President, AmericanChesterton Society "Kevin Belmonte writes in the preface to this excellent bookthat his editing of it has been a gift. As an author who has written regularlyon Chesterton I can understand his sense of gratitude at having been able tospend so much time with a genius as genial as the great GKC. Thanks toBelmonte's labor of love we can all spend a few moments of every day of the yearin Chesterton's inimitable company. All admirers of Chesterton and theChristian truth he explicates so sublimely will be grateful to Kevin Belmontefor this gem of a gift." --Joseph Pearce, author of Wisdom and Innocence: A Life of G. K.Chesterton "Who could not be grateful for a year spent with GKC?The great subverter of everything taken for granted, he stretches and deepensus with his insights, shakes us with his startling paradoxes and delights uswith his wit. Thank God there is no getting to the end of Chesterton." --Os Guinness, author of A Free People's Suicide
Light-hearted work introduces Innocent Smith, a bubbly, eccentric gentleman of questionable character, into the lives of a group of young disillusioned people -- and the result is inspired, high-spirited nonsense.
