These two volumes list late-and mid-Victorian poets, with brief biographical information and bibliographical details of published works. The major strength of the works is the 'discovery' of very many minor poets and their work, unrecorded elsewhere.
Following her meditations for year A, which was highly recommended by Anglican World, Nancy Roth gives us another volume of historical vignettes and thoughtful meditations on hymns for each week in Year B. The reader will want to have a copy of Poems of Grace: Texts of The Hymnal 1982 nearby to refer to the hymn text. Besides being a personal resource for spiritual exercises, these meditations provide stimulating material for preparing bulletin notes, newsletter articles, or sermons. (260 pp)
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
In the third volume of his bestselling series, Pastor Robert Morgan expands his material to include the great history of worship, the first biblical hymns, biographical sketches of the most interesting composers, and almost 60 generations of hymn singing. In 2003, Robert Morgan released what would become a future classic for over a million readers: a unique book entitled Then Sings My Soul. This collection of the world’s greatest hymns and the stories behind them stirred an entire generation to better understand the heritage of our faith through song. Now, in the third volume of this series, Morgan expands his material to include: The fascinating history of worship from ancient times to contemporary praise Almost 60 generations of hymn singing Biographical sketches of the most interesting composers Hymn index for easy reference Then Sings My Soul: Book 3 also includes a collection of the greatest hymns you’ve never heard, with lead-sheets included. All of this is in addition to even more standard hymns and the stories of the composers behind them. Morgan’s conclusion guides the reader into enjoying all of God’s music, blending the old and the new into a symphony of praise that keeps the worship alive for a new generation.
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
Excerpt from The Name of Jesus, and Other Poems: For the Sick and Lonely These verses were printed in their rough, unfin ished state, just as they were written down at the dictation Of one who is incapacitated by weakness for the task Of revision and correction. As they have met with unusual acceptance from many Of those for whom they were intended, they are again. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Women in the Victorian period were acknowledged to be the "religious sex," but their relationship to the doctrines, practices, and hierarchies of Christianity was both highly circumscribed, which has been well documented, and complexly creative, which has not. Gray visits the importance of the literature of Christian devotion to women's creative lives through an examination of the varied ways in which Victorian women reproduced and recreated traditional Christian texts in their own poetic texts. Investigating how women poets redeployed the discourse of Christianity to uncover the multiple voices of the scriptures, to expand identity and gender constructions, and to question traditional narratives and processes of authorization, Gray contends that women found in religious poetry unexpected, liberating possibilities. Taking into account multiple voices, from the best-known female poets of the day to some of the most obscure, this study provides a comprehensive account of Victorian women's religious poetic creativity, and argues that this body of work helped shape the development of the lyric in the Victorian period.