This book examines the phenomenon of the Russian intelligentsia as a cultural story or myth; it focuses on one of the most important and influential groups of Russian intellectuals – the 1960s generation or ‘Sixtiers’ – who devoted their lives to defending ‘socialism with a human face’, authored Perestroika, and were subsequently demonized when the reforms failed.
Russia is one of the few countries in the world where intellectuals existed as a social group and shared a unique social identity. This book focuses on one of the most important and influential groups of Russian intellectuals - the 1960s generation of shestidesyatniki - often considered the last embodiment of the classical tradition of the intelligentsia. They devoted their lives to defending 'socialism with a human face', authored Perestroika, and were subsequently demonised when the reforms failed. It investigates how these intellectuals were affected by the transition to the new post-Soviet Russia, and how they responded to the criticism. Unlike other studies on this subject, which view the Russian intelligentsia as simply an objectively existing group, this book portrays the intelligentsia as a cultural story or myth, revealing that the intelligentsia's existence is a function of the intellectuals' abilities to construct moral arguments. Drawing from extensive original empirical research, including life-story interviews with the Russian intellectuals, it shows how the shestidesyatniki creatively mobilised the myth as they attempted to repair their damaged public image.
Russian Intelligentsia in Search of an Identity considers the problem of the Russian intelligentsia's self-identification in its historic-philosophical and historic-cultural aspects. The monograph traces the rise of the intelligentsia, from the 18th century to the present day, problematizing its central ideas and themes. In this historical context, it proceeds to investigate the distinctive intellectual, spiritual and biographical opposition of Dostoevsky and Tolstoy in relation to the character and fate of the Russian intelligentsia, with its patterns of thought, ideology, fundamental values and behavioral models. Special attention is given to the binary patterns of the intelligentsia's consciousness, as opposed to dialogical and holistic modes of apprehension.
"Joanna Hubbs has found the trace of Baba Yaga and the rusalki and Moist Mother Earth and other fascinating feminine myths in Russian culture, and has added richly to the growing interest in popular culture." -- New York Times Book Review "... brave... fascinating... immensely enjoyable... " -- Times Higher Education Supplement "... a stimulating and original study... vivid and readable." -- Russian Review "An immensely stimulating, beautifully written work of scholarship." -- Francine du Plessix Gray "Joanna Hubbs has provided scholars... with a wealth of significant interpretive material to inform if not reform views of both Russian and women's cultures." -- Journal of American Folklore A ground-breaking interpretation of Russian culture from prehistory to the present, dealing with the feminine myth as a central cultural force.
The Nazis' use and misuse of Nietzsche is well known. In this pioneering book, Bernice Glatzer Rosenthal excavates the trail of long-obscured Nietzschean ideas that took root in late Imperial Russia, intertwining with other elements in the culture to become a vital ingredient of Bolshevism and Stalinism.
Examines metamorphoses in the works of prominent representatives of the divided Russian intelligentsia: the Symbolists; the most famous emigre writer, Nabokov; Olesha, the 'fellow traveller' attempting to find his place in the Soviet state; the enthusiastic poet of the Bolshevik movement, Mayakovsky; and finally, Russia's greatest film director, Sergei Eisenstein. It is futile to try to understand Russian civilisation let alone predict its future without considering the intellectual, social and emotional reasons why it is not at rest with itself. It is to this end that this volume hopes to make a contribution.
How have the fall of the USSR and the long dominance of Putin reshaped Russian politics and culture? Ilya Budraitskis, one of the country's most prominent leftist political commentators, explores the strange fusion of free-market ideology and postmodern nationalism that now prevails in Russia, and describes the post-Soviet evolution of its left. He incisively describes the twists and contradictions of the Kremlin's geopolitical fantasies, which blend up-to-date references to "information wars" with nostalgic celebrations of the tsars of Muscovy. Despite the revival of aggressive Cold War rhetoric, he argues, the Putin regime takes its bearings not from any Soviet inheritance, but from reactionary thinkers such as the White émigré Ivan Ilyin. Budraitskis makes an invaluable contribution by reconstructing the forgotten history of the USSR's dissident left, mapping an entire alternative tradition of heterodox Marxist and socialist thought from Khrushchev's Thaw to Gorbachev's perestroika. Doubly outsiders, within an intelligentsia dominated by liberal humanists, they offer a potential way out of the impasse between condemnations of the entire Soviet era and blanket nostalgia for Communist Party rule--suggesting new paths for the left to explore.
Intelligentsia assumes the right to speak in the name of the entire nation and to extrapolate its own tastes, values and choices to it. Therefore, intelligentsia's voices have been in many ways decisive in the discussions about Ukrainian national identity, which gained momentum in the post-Soviet Ukrainian society. The historical and cultural cityscape of L'viv is an especially apt site for investigation of the nexus intelligentsia-nation not only in the Ukrainian, but in the East-Central European context. This borderline city, while not being a remarkable industrial, administrative or political centre, has acquired the reputation of a site of unique cultural production and a principal center of the Ukrainian nationalist movement throughout the twentieth century. Here the popular conceptions of intelligentsia have been elaborated at the intersection of various cultural, historical and political traditions. This study addresses Ukrainian-speaking intelligentsia and intellectuals in L'viv both as a discursive phenomenon and as the social category of cultural producers who in the new circumstances both articulate the nation and are articulated by it.
On the 100th anniversary of the Russian Revolution, the epic story of an enormous apartment building where Communist true believers lived before their destruction The House of Government is unlike any other book about the Russian Revolution and the Soviet experiment. Written in the tradition of Tolstoy's War and Peace, Grossman’s Life and Fate, and Solzhenitsyn’s The Gulag Archipelago, Yuri Slezkine’s gripping narrative tells the true story of the residents of an enormous Moscow apartment building where top Communist officials and their families lived before they were destroyed in Stalin’s purges. A vivid account of the personal and public lives of Bolshevik true believers, the book begins with their conversion to Communism and ends with their children’s loss of faith and the fall of the Soviet Union. Completed in 1931, the House of Government, later known as the House on the Embankment, was located across the Moscow River from the Kremlin. The largest residential building in Europe, it combined 505 furnished apartments with public spaces that included everything from a movie theater and a library to a tennis court and a shooting range. Slezkine tells the chilling story of how the building’s residents lived in their apartments and ruled the Soviet state until some eight hundred of them were evicted from the House and led, one by one, to prison or their deaths. Drawing on letters, diaries, and interviews, and featuring hundreds of rare photographs, The House of Government weaves together biography, literary criticism, architectural history, and fascinating new theories of revolutions, millennial prophecies, and reigns of terror. The result is an unforgettable human saga of a building that, like the Soviet Union itself, became a haunted house, forever disturbed by the ghosts of the disappeared.
Since the nineteenth century, the great Russian writer Alexander Pushkin has been a cultural myth, a figure absolutely central to Russian culture, even to "Russianness" itself. In this volume distinguished American Slavists address Pushkin's writings from a multiplicity of contemporary literary perspectives and investigate some of the most puzzling issues in the poet's life and work.
