Lal Ded, Habba Khatun, Rupa Bhavani, Arnimal: these four women poets, dating from different periods in the history of Kashmir, are household names in the valley and are claimed by all, no matter what religious, ethnic or other group they belong to. In this beautiful volume, Neerja Mattoo brings their work together for the first time, placing it in two traditions, the mystic and the lyric. Fine and nuanced translations of their poems are accompanied by brief introductions to their work that place the women in a historical context and deal with both the facts and the beliefs about their work.
Jalal al-Din Rumi, a towering figure in the Persian-speaking world, is currently the most widely published poet in English translation. Yet despite the popularity of his verse, the majority of scholarship on his work focuses not on Rumi's poetry but on his contributions as a mystic. Fatemeh Keshavarz's pioneering study is the first extensive critical examination of this vast, dynamic body of literature. Through close readings of the Divan, his collection of more than 35,000 lyric verses, she explores Rumi's extraordinary popular and critical literary success.
For the first time in English, this collection presents a compilation of seven centuries of the mystic hymns of Turkey's rebellious Sufi poets, the popular folk counterparts to Rumi whose poems are characterised by a passionate and unorthodox commitment to Truth. At the time Rumi was writing in ancient Anatolia, many other great mystics in the region were also composing wild, ecstatic and controversial poems which were circulated among the people as spiritual songs (called 'nefes' and 'illahis') still played and sung today in sacred dervish ceremonies and gatherings. These poems were meant to swiftly and easily penetrate the heart of the spiritual aspirant whether educated or uneducated, and awaken the human heart to its divine inheritance. These poems present a spiritual tradition from the Islamic world which bravely challenged orthodox religion and emphasised universal mystic love and tolerance.
From the author of the New York Times Notable Book, The Translator: a novel of the “rich and complex world of a Sudanese patriarch in the 1950s” (Sarah Blake, author of The Postmistress). Lyrics Alley is the evocative story of an affluent Sudanese family shaken by the shifting powers in their country and the near-tragedy that threatens the legacy they’ve built for decades. In 1950s Sudan, the powerful Abuzeid dynasty has amassed a fortune through their trading firm. With Mahmoud Bey at its helm, they can do no wrong. But when Mahmoud’s son, Nur, the brilliant, handsome heir to the business empire, suffers a debilitating accident, the family stands divided in the face of an uncertain future. As British rule nears its end, the country is torn between modernizing influences and the call of traditions past—a conflict reflected in the growing tensions between Mahmoud’s two wives: the younger, Nabilah, longs to return to Egypt and escape “backward-looking” Sudan; while Waheeba lives traditionally behind veils and closed doors. It’s not until Nur asserts himself outside the cultural limits of his parents that his own spirit and the frayed bonds of his family begin to mend. Moving from Sudanese alleys to cosmopolitan Cairo and a decimated postcolonial Britain, this sweeping tale of desire, loss, despair, and reconciliation is one of the most accomplished portraits ever written about Sudanese society at the time of independence. “Highly recommended for readers who enjoy family sagas set against a political backdrop, such as Chinua Achebe’s Things Fall Apart and Chimamanda Ngozi Adichie’s Half a Yellow Sun.” —Library Journal, starred review
The Oxford Handbook of Mystical Theology provides a guide to the mystical element of Christianity as a theological phenomenon. It differs not only from psychological and anthropological studies of mysticism, but from other theological studies, such as more practical or pastorally-oriented works that examine the patterns of spiritual progress and offer counsel for deeper understanding and spiritual development. It also differs from more explicitly historical studies tracing the theological and philosophical contexts and ideas of various key figures and schools, as well as from literary studies of the linguistic tropes and expressive forms in mystical texts. None of these perspectives is absent, but the method here is more deliberately theological, working from within the fundamental interests of Christian mystical writers to the articulation of those interests in distinctively theological forms, in order, finally, to permit a critical theological engagement with them for today. Divided into four parts, the first section introduces the approach to mystical theology and offers a historical overview. Part two attends to the concrete context of sources and practices of mystical theology. Part three moves to the fundamental conceptualities of mystical thought. The final section ends with the central contributions of mystical teaching to theology and metaphysics. Students and scholars with a variety of interests will find different pathways through the Handbook.
Lit Up Inside contains the lyrics of about one third of the songs that Van Morrison has written over his 50 year career. In this representative selection from the work of one of the most innovative and enduring songwriters of the last century, the reader will find examples of all the features of the world that Van has created through his work: the back streets and mystic avenues; memories of childhood wonder and of adult work; the chime of church bells and the playing of the radio; the generous naming of other artists and the joy of solitude; love and sharp dealing; consolation and grace.
"Love is a stranger and speaks a strange language," wrote Rumi, one of the world's most beloved mystical poets. His poems of spiritual love still speak directly to our hearts after more than seven hundred years. These classic selections contemplate separation and longing, intoxication and bliss, union and transcendence.
Inheritance is a black sensorium, a chapel of color and sound that speaks to spaciousness, surveillance, identity, desire, and transcendence. Influenced by everyday moments of Washington, DC living, the poems live outside of the outside and beyond the language of categorical difference, inviting anyone listening to listen a bit closer. Inheritance is about the self’s struggle with definition and assumption.
The poems of the fourteenth-century Kashmiri mystic Lal Ded, popularly known as Lalla, strike us like brief and blinding bursts of light. Emotionally rich yet philosophically precise, sumptuously enigmatic yet crisply structured, these poems are as sensuously evocative as they are charged with an ecstatic devotion. Stripping away a century of Victorian-inflected translations and paraphrases, and restoring the jagged, colloquial power of Lalla's voice, in Ranjit Hoskote's new translation these poems are glorious manifestos of illumination.
