"The Mystery Fancier," Volume 9 Number 4 (September-October, 1987) contains: "A. E. Martin's Pell Pelham, Spruiker Detective," by William F. Deeck; "P. G. Wodehouse as Reader of Crime Stories," by W. A. S. Sarjeant; "Peter Rabe's Daniel Port," by George Tuttle; and "Mystery Mosts," by Jeff Banks.
The Mystery Fancier Volume 9 Number 6, November-December 1987, contains: "Cornell Woolrich, The Last Years (Conclusion)," by Francis M. Nevins Junior, "Further Gems from the Literature," by William F. Deeck, and "Mystery Mosts," by Jeff Banks.
For the fourth volume of this series, Robert Sampson has selected more than fifty magazine series characters to illustrate the development of the character of the detective. Included here are both the amateur and professional detective, female investigators, deducting doctors, brilliant amateurs, and equally brilliant professional police. There are private detectives reflecting Holmes and hard-boiled cops from the parallel traditions of realism and melodramatic fantasy. Characters include Brady and Riordan, Terry Trimble, Glamorous Nan Russell, J. G. Reeder, plus many others.
It has long been one of the most fundamental problems of philosophy, and it is now, John Searle writes, "the most important problem in the biological sciences": What is consciousness? Is my inner awareness of myself something separate from my body? In what began as a series of essays in The New York Review of Books, John Searle evaluates the positions on consciousness of such well-known scientists and philosophers as Francis Crick, Gerald Edelman, Roger Penrose, Daniel Dennett, David Chalmers, and Israel Rosenfield. He challenges claims that the mind works like a computer, and that brain functions can be reproduced by computer programs. With a sharp eye for confusion and contradiction, he points out which avenues of current research are most likely to come up with a biological examination of how conscious states are caused by the brain. Only when we understand how the brain works will we solve the mystery of consciousness, and only then will we begin to understand issues ranging from artificial intelligence to our very nature as human beings.
When United Airlines workers reported a UFO at O'Hare Airport in November 2006, it was met with the typical denials and hush-up that usually accompany such sightings. But when a related story broke the record for hits at the Chicago Tribune's website, it was clear that such unexplained objects continued to occupy the minds of fascinated readers. Why, wonders Thomas Bullard, don't such persistent sightings command more urgent attention from scientists, scholars, and mainstream journalists? The answer, in part, lies in Bullard's wide-ranging magisterial survey of the mysterious, frustrating, and ever-evolving phenomenon that refuses to go away and our collective efforts to understand it. In his trailblazing book, Bullard views those efforts through the lens of mythmaking, discovering what UFO accounts tell us about ourselves, our beliefs, and the possibility of visitors from beyond. Bullard shows how ongoing grassroots interest in UFOs stems both from actual personal experiences and from a cultural mythology that defines such encounters as somehow "alien"-and how it views relentless official denial as a part of conspiracy to hide the truth. He also describes how UFOs have catalyzed the evolution of a new but highly fractured belief system that borrows heavily from the human past and mythic themes and which UFO witnesses and researchers use to make sense of such phenomena and our place in the cosmos. Bullard's book takes in the whole spectrum of speculations on alien visitations and abductions, magically advanced technologies, governmental conspiracies, varieties of religious salvation, apocalyptic fears, and other paranormal experiences. Along the way, Bullard investigates how UFOs have inspired books, movies, and television series; blurred the boundaries between science, science fiction, and religion; and crowded the Internet with websites and discussion groups. From the patches of this crazy quilt, he posits evidence that a genuine phenomenon seems to exist outside the myth. Enormously erudite and endlessly engaging, Bullard's study is a sky watcher's guide to the studies, stories, and debates that this elusive subject has inspired. It shows that, despite all the competing interests and errors clouding the subject, there is substance beneath the clutter, a genuinely mysterious phenomenon that deserves attention as more than a myth.
There is increasing regulatory interdependence amongst Central, East and South East Asian, European and North American financial markets, and these markets account for over one-third of the world’s population and global financial markets. As Asian markets become more integral to global financial economy, more cohesive, compatible and integrated insolvency and restructuring laws are essential. This two-volume work reviews why we should internationalise current cross-border insolvency and how we could restructure laws to address inadequacies. The two volumes evaluate international regulatory reforms directed at detecting and managing cross-border insolvency and restructuring crises across the entire economy including financial markets. The authors call for schemes of arrangements and letters of comfort to be formally accepted as international legal tools. The work also assesses recent, but as yet largely unregulated developments in financial agreements, particularly the use of close-out netting provisions that serve as significant protective mechanisms prior to the declaration of an insolvency. It discusses international arbitration, data protection and artificial intelligence in crossborder insolvency and restructuring. Finally, the book seeks a meaningful balance between self-regulation through financial contracts and other party practices, and regulation imposed by governments and international financial regulators. This extensive work will be a useful reference for legal practitioners, policy makers and scholars working on financial regulation and international financial laws.
This 6-volume set of Bakers covers all musical genres, with entries written by a distinguished group of area specialists as well as the original articles of Nicolas Slonimsky. More than 15, 000 biographies span the medieval ages to the present.This work continues the tradition of offering the most comprehensive and authoritative information on the musicians, along with interesting and insightful evaluations of their contributions to the musical world. Bakers remains the most affordable, comprehensive and readable of all music reference works, providing everyone from the student to scholar a one-stop resource for all their music biographical needs. Some of the artists featured include: Louis Armstrong Johann Sebastian Bach The Beatles Ludwig van Beethoven James Brown John Cage Maria Callas Johnny Cash Miles Davis Claude Debussy Marvin Gaye Philip Glass George Frideric Handel Charlie Parker Luciano Pavarotti Arturo Toscanini Tom Waits And many more
It's a bird! It's a plane! It's a complete guide to over 50 years of superheroes on screen! This expanded and updated edition of the 2004 award-winning encyclopedia covers important developments in the popular genre; adds new shows such as Heroes and Zoom; includes the latest films featuring icons like Superman, Spiderman and Batman; and covers even more types of superheroes. Each entry includes a detailed history, cast and credits, episode and film descriptions, critical commentaries, and data on arch-villains, gadgets, comic-book origins and super powers, while placing each production into its historical context. Appendices list common superhero conventions and cliches; incarnations; memorable ad lines; and the best, worst, and most influential productions from 1951 to 2008.
Nature has perfected the art of deception. Thousands of creatures all over the world - including butterflies, moths, fish, birds, insects and snakes - have honed and practised camouflage over hundreds of millions of years. Imitating other animals or their surroundings, nature's fakers use mimicry to protect themselves, to attract and repel, to bluff and warn, to forage and to hide. The advantages of mimicry are obvious - but how does 'blind' nature do it? And how has humanity learnt to profit from nature's ploys? "Dazzled and Deceived" tells the unique and fascinating story of mimicry and camouflage in science, art, warfare and the natural world. Discovered in the 1850s by the young English naturalists Henry Walter Bates and Alfred Russel Wallace in the Amazonian rainforest, the phenomenon of mimicry was seized upon as the first independent validation of Darwin's theory of natural selection. But mimicry and camouflage also created a huge impact outside the laboratory walls. Peter Forbes' cultural history links mimicry and camouflage to art, literature, military tactics and medical cures across the twentieth century, and charts its intricate involvement with the dispute between evolution and creationism.