Music from the late eighteenth and early nineteenth century is a central part of the singer's repertoire today, but until now no book has addressed the principles which governed song performance at the time this music was written. Robert Toft describes these principles in detail and places them in a broad cultural perspective. He shows that singing in the period was closely allied with speaking, drawing on many of the same performance techniques, including emphasis, accent, tone of voice, pauses, and gestures. He also shows how modern singers can use this historical background to move and delight modern audiences.
Volumes three and four of this monumental work include full entries for all such illustrious names as those of the Cibbers--Colley, Theophilus, and Susanna Maria--Kitty Clive, and Charlotte Charke, George Colman, the Elder, and the Younger, William Davenant, and De Loutherboug. But here also are full entries for dozens of important secondary figures and of minor ones whose stories have never been told, as well as a census (and at least a few recoverable facts) for even the most inconsiderable performers and servants of the theatres. As in the previous volumes in this distinguished series, the accompanying illustrations include at least one picture of each subject for whom a portrait exists.