The Music of Britten and Tippett

The Music of Britten and Tippett

Author: Arnold Whittall

Publisher: Cambridge University Press

Published: 1990-08-31

Total Pages: 336

ISBN-13: 9780521386685

DOWNLOAD EBOOK

A unique double portrait of the two leading composers of their generation.


The Cambridge Companion to Michael Tippett

The Cambridge Companion to Michael Tippett

Author: Kenneth Gloag

Publisher: Cambridge University Press

Published: 2013-01-17

Total Pages: 335

ISBN-13: 1107470331

DOWNLOAD EBOOK

Sir Michael Tippett is widely considered to be one of the most individual composers of the twentieth century, whose music continues to be performed to critical acclaim throughout the world. Written by a team of international scholars, this Companion provides a wide ranging and accessible study of Tippett and his works. It discusses the contexts and concepts of modernism, tradition, politics, sexuality and creativity that shaped Tippett's music and ideas, engaging with archive materials, relevant literature and models of interpretation. Chapters explore the genres in which Tippett composed, including opera, symphony, string quartet, concerto and piano sonata, to shed new light on his major works and draw attention to those that have not yet received the attention they deserve. Directing knowledge and expertise towards a wide readership, this book will enrich the listening experience and broaden understanding of the music of this endlessly fascinating and challenging composer.


Tippett on Music

Tippett on Music

Author: Michael Tippett

Publisher: Oxford University Press

Published: 1995

Total Pages: 340

ISBN-13: 9780198165422

DOWNLOAD EBOOK

Sir Michael Tippett was born in 1905 and thus celebrated his 90th birthday in 1995. To mark this occasion, Oxford University Press published Tippett on Music, a new and up-to-date compilation of his essays drawing on his two published collections Moving into Aquarius and Music of the Angels but also including much new material.


Michael Tippett

Michael Tippett

Author: Oliver Soden

Publisher: Weidenfeld & Nicolson

Published: 2019-04-18

Total Pages: 768

ISBN-13: 1474606040

DOWNLOAD EBOOK

'A delight to read' Philip Pullman 'Essential reading ... a genuine landmark publication' Tom Service A BBC Radio 4 'Book of the Week' The music of the British composer Michael Tippett - including the oratorio A Child of Our Time, five operas, and four symphonies - is among the most visionary of the twentieth century. But little has been written about his extraordinary life. In this long-awaited first biography, Oliver Soden weaves a century-spanning narrative of epic scope and penetrating insight. Soden has discovered troves of unpublished letters and manuscripts, and recorded moving interviews with Tippett's friends and colleagues. He paints a portrait of a powerful intellect and infectious personality: charming, stubborn, and great fun. But he also uncovers the sorrows and secrets that Tippett stowed away beneath his cheerfulness, not least the darker reaches of some tempestuous and often tragic love affairs. Soden's achievement is to have enriched our understanding not only of Tippett but of his times. Figures such as T.S. Eliot, E.M. Forster, Barbara Hepworth, and W.H. Auden jostle in the cast list. An Edwardian world of gaslight and empire cedes to turmoil and warfare; one startling revelation is the extent of Tippett's involvement in the fiery left-wing politics of the 1930s. The narrative roves from the mining villages of the north, blighted by unemployment, to a cell at Wormwood Scrubs, where Tippett was imprisoned as a conscientious objector. Later chapters uncover his operas' game-changing attitudes to gay and civil rights, against a backdrop of the Cold War and the Space Race. And singing from the page comes the music, through which Soden charts an exquisitely written course, offering lucid readings of Tippett's most famous works while resuscitating forgotten masterpieces. The result is a landmark in the study of twentieth-century culture, simultaneously an astonishing feat of scholarship and a story as enthralling as in any great novel.


Tippett: A Child of Our Time

Tippett: A Child of Our Time

Author: Kenneth Gloag

Publisher: Cambridge University Press

Published: 1999-10-28

Total Pages: 112

ISBN-13: 9780521597531

DOWNLOAD EBOOK

This is a guide to Tippett's widely known wartime oratorio, A Child of our Time.


Tippett Studies

Tippett Studies

Author: David Clarke

Publisher: Cambridge University Press

Published: 1999-02-04

Total Pages: 254

ISBN-13: 9780521592055

DOWNLOAD EBOOK

This book covers all of Tippett's style-periods and many of the key genres within his oeuvre.


The Orchestral Music of Michael Tippett

The Orchestral Music of Michael Tippett

Author: Thomas Schuttenhelm

Publisher: Cambridge University Press

Published: 2014-02-06

Total Pages: 341

ISBN-13: 1107000246

DOWNLOAD EBOOK

Thomas Schuttenhelm's book presents an investigation into Michael Tippett's creative process and a comprehensive critical commentary on his orchestral music.


The Cambridge Companion to Michael Tippett

The Cambridge Companion to Michael Tippett

Author: Kenneth Gloag

Publisher: Cambridge University Press

Published: 2013-01-17

Total Pages: 335

ISBN-13: 1107021979

DOWNLOAD EBOOK

This Companion provides a wide ranging and accessible study of one of the most individual composers of the twentieth century. A team of international scholars shed new light on Tippett's major works and draw attention to those that have not yet received the attention they deserve.


On Music

On Music

Author: Benjamin Britten

Publisher: Oxford University Press, USA

Published: 2003

Total Pages: 480

ISBN-13: 9780198167143

DOWNLOAD EBOOK

Benjamin Britten was a most reluctant public speaker. Yet his contributions were without doubt a major factor in the transformation during his lifetime of the structure of the art-music industry. This book, by bringing together all his published articles, unpublished speeches, drafts, and transcriptions of numerous radio interviews, explores the paradox of a reluctant yet influential cultural commentator, artist, and humanist. Whether talking about his own music, about the role of the artist in society, about music criticism, or wading into a debate on Soviet ideology at the height of the cold war, Britten always gave a performance which reinforced the notion of a private man who nonetheless saw the importance of public disclosure.