The Movies That Changed Us
The Movies That Changed Us

Author: Nick Clooney

Publisher: Simon and Schuster

Published: 2010-05-11

Total Pages: 340

ISBN-13: 0743424506

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Nick Clooney, one of America's most respected film critics and historians, presents a distinctive catalog of movies that have influenced and altered not only the world of cinema, but also the world in which we live. Since the advent of moving pictures, there have been films that exist as more than just entertainment. These rare movies have touched the collective soul of the public with such passion and artistic skill that they have actually changed the way we view life, history, and ourselves. Some have transformed the way movies are made and viewed -- and some have actually transformed us. In The Movies That Changed Us, Clooney explores, explains, and theorizes upon twenty films -- reaching from 1998 back to 1915 -- that forever shifted our perceptions about race, religion, sex, politics, and the very definition of humanity. From the ambitiously epic -- though manifestly racist -- Birth of a Nation, to the controversial violence of Taxi Driver, to the mythic idealism and visual cornucopia of 2001:A Space Odyssey and Star Wars, Clooney relates the stories behind the camera in an informative, engaging, and personal chronicle of cinema and society.

Profoundly Disturbing
Profoundly Disturbing

Author: Joe Bob Briggs

Publisher: Universe Publishing(NY)

Published: 2003

Total Pages: 260

ISBN-13: 9780789308443

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What the critics are saying: "Beyond the bounds of depravity!"–London Evening Standard "Despicable . . . ugly and obscene . . . a degrading, senseless misuse of film and time." –The Los Angeles Times "People are right to be shocked." –The New Yorker From the murky depths can come the most extraordinary things. . . . Profoundly Disturbing examines the underground cult movies that have–unexpectedly and unintentionally–revolutionized the way that all movies would be made. Called "exploitation films" because they often exploit our most primal fears and desires, these overlooked movies pioneered new cinematographic techniques, subversive narrative structuring, and guerrilla marketing strategies that would eventually trickle up into mainstream cinema. In this book Joe Bob Briggs uncovers the most seminal cult movies of the twentieth century and reveals the fascinating untold stories behind their making. Briggs is best known as the cowboy-hat wearing, Texas-drawling host of Joe Bob's Drive-in Theater and Monstervision, which ran for fourteen years on cable TV. His goofy, disarming take offers a refreshingly different perspective on movies and film making. He will make you laugh out loud but then surprise you with some truly insightful analysis. And, with more than three decades of immersion in the cult movie business, Briggs has a wealth of behind-the-scenes knowledge about the people who starred in, and made these movies. There is no one better qualified or more engaging to write about this subject. All the subgenres in cult cinema are covered, with essays centering around twenty movies including Triumph of the Will (1938), Mudhoney (1965), Night of the Living Dead (1967), Deep Throat (1973), The Texas Chain Saw Massacre (1974), Drunken Master (1978), and Crash (1996). Accompanying the text are dozens of capsule reviews providing ideas for related films to discover, as well as kitschy and fun archival film stills. An essential reference and guide to this overlooked side of cinema, Profoundly Disturbing should be in the home of every movie fan, especially those who think they've seen everything.

The Rhapsodes
The Rhapsodes

Author: David Bordwell

Publisher: University of Chicago Press

Published: 2016-04-04

Total Pages: 183

ISBN-13: 022635220X

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Pauline Kael, Andrew Sarris, and Roger Ebert were three of America's most revered and widely read film critics, more famous than many of the movies they wrote about. But their remarkable contributions to the burgeoning American film criticism of the 1960s and beyond were deeply influenced by four earlier critics: Otis Ferguson, James Agee, Manny Farber, and Parker Tyler. Film scholar and critic David Bordwell restores to a wider audience the work of Ferguson, Agee, Farber, and Tyler, critics he calls the 'Rhapsodes' for the passionate and deliberately offbeat nature of their vernacular prose.

Reinventing Hollywood
Reinventing Hollywood

Author: David Bordwell

Publisher: University of Chicago Press

Published: 2017-10-02

Total Pages: 583

ISBN-13: 022648775X

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Introduction: the way Hollywood told it -- The frenzy of five fat years; Interlude: Spring 1940: lessons from our town

Movies Change Lives
Movies Change Lives

Author: Tony Kashani

Publisher: Minding the Media

Published: 2016

Total Pages: 0

ISBN-13: 9781433127748

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Movies Change Lives is a rigorous interdisciplinary examination of cinema as a vehicle for personal and social transformation. Tony Kashani builds a theory of humanistic transformation by discussing many movies while engaging the works of Erich Fromm, Stuart Hall, Henry Giroux, Hannah Arendt, Edgar Morin, Carl Jung, among others.

Why We Fought
Why We Fought

Author: Peter C. Rollins

Publisher: University Press of Kentucky

Published: 2008-07-25

Total Pages: 877

ISBN-13: 0813138744

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A “wide-ranging and sophisticated anthology” comparing theaters of war to wars in the movie theater (Dennis Showalter, author of Patton and Rommel). Why We Fought makes a powerful case that film can be as valuable a tool as primary documents for improving our understanding of the causes and consequences of war. A comprehensive look at war films, from depictions of the American Revolution to portrayals of September 11 and its aftermath, this volume contrasts recognized history and historical fiction with the versions appearing on the big screen. The text considers a selection of the pivotal war films of all time, including All Quiet on the Western Front, Sands of Iwo Jima, Apocalypse Now, Platoon, and Saving Private Ryan—revealing how film depictions of the country’s wars have shaped our values, politics, and culture, and offering a unique lens through which to view American history. Named as a Choice Outstanding Academic Title

Best. Movie. Year. Ever.
Best. Movie. Year. Ever.

Author: Brian Raftery

Publisher: Simon & Schuster

Published: 2020-03-31

Total Pages: 416

ISBN-13: 1501175394

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From a veteran culture writer and modern movie expert, a celebration and analysis of the movies of 1999—“a terrifically fun snapshot of American film culture on the brink of the Millennium….An absolute must for any movie-lover or pop-culture nut” (Gillian Flynn). In 1999, Hollywood as we know it exploded: Fight Club. The Matrix. Office Space. Election. The Blair Witch Project. The Sixth Sense. Being John Malkovich. Star Wars: The Phantom Menace. American Beauty. The Virgin Suicides. Boys Don’t Cry. The Best Man. Three Kings. Magnolia. Those are just some of the landmark titles released in a dizzying movie year, one in which a group of daring filmmakers and performers pushed cinema to new limits—and took audiences along for the ride. Freed from the restraints of budget, technology, or even taste, they produced a slew of classics that took on every topic imaginable, from sex to violence to the end of the world. The result was a highly unruly, deeply influential set of films that would not only change filmmaking, but also give us our first glimpse of the coming twenty-first century. It was a watershed moment that also produced The Sopranos; Apple’s AirPort; Wi-Fi; and Netflix’s unlimited DVD rentals. “A spirited celebration of the year’s movies” (Kirkus Reviews), Best. Movie. Year. Ever. is the story of not just how these movies were made, but how they re-made our own vision of the world. It features more than 130 new and exclusive interviews with such directors and actors as Reese Witherspoon, Edward Norton, Steven Soderbergh, Sofia Coppola, David Fincher, Nia Long, Matthew Broderick, Taye Diggs, M. Night Shyamalan, David O. Russell, James Van Der Beek, Kirsten Dunst, the Blair Witch kids, the Office Space dudes, the guy who played Jar-Jar Binks, and dozens more. It’s “the complete portrait of what it was like to spend a year inside a movie theater at the best possible moment in time” (Chuck Klosterman).

On the History of Film Style
On the History of Film Style

Author: David Bordwell

Publisher: Harvard University Press

Published: 1997

Total Pages: 338

ISBN-13: 9780674634299

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Bordwell scrutinizes the theories of style launched by various film historians and celebrates a century of cinema. The author examines the contributions of many directors and shows how film scholars have explained stylistic continuity and change.

This Changes Everything
This Changes Everything

Author: Naomi Klein

Publisher: Simon and Schuster

Published: 2014-09-16

Total Pages: 576

ISBN-13: 1451697384

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With strong first-hand reporting and an original, provocative thesis, Naomi Klein returns with this book on how the climate crisis must spur transformational political change

All Shook Up
All Shook Up

Author: Glenn C. Altschuler

Publisher: Oxford University Press

Published: 2003-08-07

Total Pages: 241

ISBN-13: 0198031912

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The birth of rock 'n roll ignited a firestorm of controversy--one critic called it "musical riots put to a switchblade beat"--but if it generated much sound and fury, what, if anything, did it signify? As Glenn Altschuler reveals in All Shook Up, the rise of rock 'n roll--and the outraged reception to it--in fact can tell us a lot about the values of the United States in the 1950s, a decade that saw a great struggle for the control of popular culture. Altschuler shows, in particular, how rock's "switchblade beat" opened up wide fissures in American society along the fault-lines of family, sexuality, and race. For instance, the birth of rock coincided with the Civil Rights movement and brought "race music" into many white homes for the first time. Elvis freely credited blacks with originating the music he sang and some of the great early rockers were African American, most notably, Little Richard and Chuck Berry. In addition, rock celebrated romance and sex, rattled the reticent by pushing sexuality into the public arena, and mocked deferred gratification and the obsession with work of men in gray flannel suits. And it delighted in the separate world of the teenager and deepened the divide between the generations, helping teenagers differentiate themselves from others. Altschuler includes vivid biographical sketches of the great rock 'n rollers, including Elvis Presley, Fats Domino, Chuck Berry, Little Richard, Jerry Lee Lewis, and Buddy Holly--plus their white-bread doppelgangers such as Pat Boone. Rock 'n roll seemed to be everywhere during the decade, exhilarating, influential, and an outrage to those Americans intent on wishing away all forms of dissent and conflict. As vibrant as the music itself, All Shook Up reveals how rock 'n roll challenged and changed American culture and laid the foundation for the social upheaval of the sixties.