Modernist poetry, in its fragmented form, continues to intrigue readers. In this sequel to A Flowering Word (Peter Lang, 2000), Noriko Takeda clarifies the modernist schism's meaningful role as a productive furnace for both interpretive humanness and its own solid concretization. The discussed main works are Stéphane Mallarmé's Hérodiade, T. S. Eliot's Old Possum's Book of Practical Cats, and shorter poems in foregrounded lyricality by these two writers.
Modernism is currently at the center of debate in intellectual history and throughout the humanities, a debate generated in part by the advent of postmodernism. While much has been written about the modernist movement in the arts at the turn of the century, this is the first book since H. Stuart Hughes's Consciousness and Society to examine modernism in the human sciences and adjacent areas of philosophy and natural science. It is also the first book to explore that history in light of the contemporary debate.
Modernist literature might well be accused of going to the dogs. From the strays wandering the streets of Dublin in James Joyce’s Ulysses to the highbred canine subject of Virginia Woolf’s Flush, dogs populate a range of modernist texts. In many ways, the dog in the late nineteenth and early twentieth centuries became a potent symbol of the modern condition—facing, like the human species, the problem of adapting to modernizing forces that relentlessly outpaced it. Yet the dog in literary modernism does not function as a stand-in for the human. In this book, Karalyn Kendall-Morwick examines the human-dog relationship in modernist works by Virginia Woolf, Jack London, Albert Payson Terhune, J. R. Ackerley, and Samuel Beckett, among others. Drawing from the evolutionary theories of Charles Darwin and the scientific, literary, and philosophical work of Donna Haraway, Temple Grandin, and Carrie Rohman, she makes a case for the dog as a coevolutionary and coadapting partner of humans. As our coevolutionary partners, dogs destabilize the human: not the autonomous, self-transparent subject of Western humanism, the human is instead contingent, shaped by its material interactions with other species. By demonstrating how modernist representations of dogs ultimately mongrelize the human, this book reveals dogs’ status both as instigators of the crisis of the modern subject and as partners uniquely positioned to help humans adapt to the turbulent forces of modernization. Accessibly written and convincingly argued, this study shows how dogs challenge the autonomy of the human subject and the humanistic underpinnings of traditional literary forms. It will find favor with students and scholars of modernist literature and animal studies.
A major debate in anthropology concerns the relationship between anatomically modern humans and earlier "archaic" humans including the Neandertals. What was the origin of modern humans? Did we arise as a new species in Africa 200,000 years ago and then replace archaic human populations outside of Africa, or are our origins part of a single evolving lineage extending back over the past two million years? In addition to fossil and archaeological evidence, anthropologists have increasingly turned to using genetic data on living populations to address this question. Patterns of genetic variation within and between living human populations are felt to contain clues as to our species' evolutionary history, and provide a reflection of the past. This book reviews the modern human origins debate focusing on the genetic evidence relating to our origins, including genetic variation in living humans and recent discoveries of ancient DNA from fossil specimens. Following a brief introduction to the problem and a review of evolutionary genetics, the book focuses on gene trees and the search for a common ancestor, genetic diversity within populations, genetic distances between populations, the use of genetic data to reconstruct ancient demography, and Neandertal DNA. The main point of the text is that although the genetic data are often compatible with a replacement model, they are also compatible with some multiregional models. The concluding chapter makes the case that modern human origins are mostly, but not exclusively, out of Africa.
How artists at the turn of the twentieth century broke with traditional ways of posing the bodies of human figures to reflect modern understandings of human consciousness. With this book, Emmelyn Butterfield-Rosen brings a new formal and conceptual rubric to the study of turn-of-the-century modernism, transforming our understanding of the era’s canonical works. Butterfield-Rosen analyzes a hitherto unexamined formal phenomenon in European art: how artists departed from conventions for posing the human figure that had long been standard. In the decades around 1900, artists working in different countries and across different media began to present human figures in strictly frontal, lateral, and dorsal postures. The effect, both archaic and modern, broke with the centuries-old tradition of rendering bodies in torsion, with poses designed to simulate the human being’s physical volume and capacity for autonomous thought and movement. This formal departure destabilized prevailing visual codes for signifying the existence of the inner life of the human subject. Exploring major works by Georges Seurat, Gustav Klimt, and the dancer and choreographer Vaslav Nijinsky— replete with new archival discoveries—Modern Art and the Remaking of Human Disposition combines intensive formal analysis with inquiries into the history of psychology and evolutionary biology. In doing so, it shows how modern understandings of human consciousness and the relation of mind to body were materialized in art through a new vocabulary of postures and poses.
The study of human evolution is advancing rapidly. New fossil evidence is adding ever more pieces to the puzzle of our past; the new science of ancient DNA is completely reshaping theories of early human populations and migrations. Bernard Wood traces the field of palaeoanthropology from its beginnings in the eighteenth century to the present.
All humans share certain components of tooth structure, but show variation in size and morphology around this shared pattern. This book presents a worldwide synthesis of the global variation in tooth morphology in recent populations. Research has advanced on many fronts since the publication of the first edition, which has become a seminal work on the subject. This revised and updated edition introduces new ideas in dental genetics and ontogeny and summarizes major historical problems addressed by dental morphology. The detailed descriptions of 29 dental variables are fully updated with current data and include details of a new web-based application for using crown and root morphology to evaluate ancestry in forensic cases. A new chapter describes what constitutes a modern human dentition in the context of the hominin fossil record.
Despite the obvious geographic importance of eastern Asia in human migration, its discussion in the context of the emergence and dispersal of modern humans has been rare. Emergence and Diversity of Modern Human Behavior in Paleolithic Asia focuses long-overdue scholarly attention on this under-studied area of the world. Arising from a 2011 symposium sponsored by the National Museum of Nature and Science in Tokyo, this book gathers the work of archaeologists from the Pacific Rim of Asia, Australia, and North America, to address the relative lack of attention given to the emergence of modern human behavior as manifested in Asia during the worldwide dispersal from Africa.
