The Modern Bachateros

The Modern Bachateros

Author: Julie A. Sellers

Publisher: McFarland

Published: 2017-05-01

Total Pages: 241

ISBN-13: 1476627444

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The guitar-based music known as bachata was born in the Dominican Republic in the early 1960s. Brought to the U.S. by Dominican migrants, it has continually developed to reflect the changing tastes of fans and musicians. Bachata became increasingly popular among younger Dominican Americans in the 1990s and 2000s. This generation of artists reshaped the music, blending multiple genres with Spanish and English lyrics to reflect their multicultural reality. In this book, 27 artists share their personal and collective insights into how modern bachata provides an intimate representation of what it means to be Dominican, Latino, multicultural, and bilingual in a transnational setting.


Bachata and Dominican Identity / La bachata y la identidad dominicana

Bachata and Dominican Identity / La bachata y la identidad dominicana

Author: Julie A. Sellers

Publisher: McFarland

Published: 2014-09-24

Total Pages: 305

ISBN-13: 1476616388

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Bachata--a guitar-based romantic music that debuted in Santo Domingo's urban shantytowns in the 1960s--is today one of the hottest Latin genres. Still, fans and musicians have not forgotten the social stigma the genre carried for decades. This book interweaves bachata's history and development with the socio-political context of Dominican identity. The author argues that its early disfavor resulted from the political climate of its origins and ties between class and race, and proposes that its ultimate acceptance as a symbol of Dominican identity arose from its innovations, the growth of the lower class, and a devoted following among Dominican migrants. La bachata--una musica de guitarra que se estreno en los barrios populares de Santo Domingo en los anos 60--hoy, es uno de los generos latinos mas populares. No obstante, sus aficionados y sus exponentes recuerdan el estigma social asociado que conllevo por decadas. Este libro entreteje la historia y el desarrollo de la bachata con el contexto socio-politico de la identidad dominicana. La autora plantea que su desaprobacion temprana resulto del clima politico en que nacio y los vinculos entre raza y clase social. Propone que su aceptacion final como simbolo de identidad dominicana surge de sus innovaciones, el crecimiento de la clase baja y sus seguidores leales entre los migrantes dominicanos.


Bachata and Dominican Identity / La bachata y la identidad dominicana

Bachata and Dominican Identity / La bachata y la identidad dominicana

Author: Julie A. Sellers

Publisher: McFarland

Published: 2014-10-02

Total Pages: 305

ISBN-13: 0786476737

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Bachata--a guitar-based romantic music that debuted in Santo Domingo's urban shantytowns in the 1960s--is today one of the hottest Latin genres. Still, fans and musicians have not forgotten the social stigma the genre carried for decades. This book interweaves bachata's history and development with the socio-political context of Dominican identity. The author argues that its early disfavor resulted from the political climate of its origins and ties between class and race, and proposes that its ultimate acceptance as a symbol of Dominican identity arose from its innovations, the growth of the lower class, and a devoted following among Dominican migrants. La bachata--una musica de guitarra que se estreno en los barrios populares de Santo Domingo en los anos 60--hoy, es uno de los generos latinos mas populares. No obstante, sus aficionados y sus exponentes recuerdan el estigma social asociado que conllevo por decadas. Este libro entreteje la historia y el desarrollo de la bachata con el contexto socio-politico de la identidad dominicana. La autora plantea que su desaprobacion temprana resulto del clima politico en que nacio y los vinculos entre raza y clase social. Propone que su aceptacion final como simbolo de identidad dominicana surge de sus innovaciones, el crecimiento de la clase baja y sus seguidores leales entre los migrantes dominicanos.


Merengue and Dominican Identity

Merengue and Dominican Identity

Author: Julie A. Sellers

Publisher: McFarland

Published: 2004-10-15

Total Pages: 244

ISBN-13: 9780786418152

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The merengue is internationally recognized as the Dominican Republic's national dance. It is an integral and unifying element of Dominican identity both within that nation and among emigrants abroad. Although Dominicans often make the claim that merengue has always been in their blood, the dance is relatively young, and its popularity among Dominicans of all social classes and ages is an even more recent occurrence. This book presents three convincing arguments about the merengue's longevity as a unifying symbol of Dominican identity: Dominican identity and the merengue have necessarily been extremely fluid in order to encompass the different cultural and ethnic groups present; historically, the merengue has become a stronger identity symbol when the nation is or is perceived to be threatened from outside; and the white, Catholic, Hispanic Dominican has long been held as the "true" Dominican identity, causing the dance to become progressively "whitened" in terms of performers and style to reflect this notion and gain wider appeal at home and abroad. A map of the Dominican Republic, related photographs of key figures of Dominican history and merengue artists across the decades, and a complete bibliography are included.


Barbaric Culture and Black Critique

Barbaric Culture and Black Critique

Author: Stefan M. Wheelock

Publisher: University of Virginia Press

Published: 2015-12-08

Total Pages: 285

ISBN-13: 0813938252

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In an interdisciplinary study of black intellectual history at the dawn of the nineteenth century, Stefan M. Wheelock shows how black antislavery writers were able to counteract ideologies of white supremacy while fostering a sense of racial community and identity. The major figures he discusses—Ottobah Cugoano, Olaudah Equiano, David Walker, and Maria Stewart—engaged the concepts of democracy, freedom, and equality as these ideas ripened within the context of racial terror and colonial hegemony. Wheelock highlights the ways in which religious and secular versions of collective political destiny both competed and cooperated to forge a vision for a more perfect and just society. By appealing to religious sensibilities and calling for emancipation, these writers addressed slavery and its cultural bearing on the Atlantic in varied, complex, and sometimes contradictory ways during a key period in the development of Western political identity and modernity.


Oye Como Va!

Oye Como Va!

Author: Deborah Pacini Hernandez

Publisher:

Published: 2010

Total Pages: 250

ISBN-13:

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Oye Como Va! provides an incisive historical and contemporary overview of all the major popular musical genres defined as ?Latin.? Pacini Hernandez presents an insightful, coherent, eloquent, and engaging analysis of the hybridity of Latino musical practices, carefully documenting the ?transnational? musical interactions between Latinos in the United States and in their countries of origin. --Amazon.


Bachata

Bachata

Author: Deborah Pacini Hernandez

Publisher: Temple University Press

Published: 1995

Total Pages: 304

ISBN-13: 9781566393003

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Defining Bachata -- Music and Dictatorship -- The Birth of Bachata -- Power, Representation, and Identity -- Love, Sex, and Gender -- From the Margins to the Mainstream -- Conclusions.


S-27

S-27

Author: Sarah Grochala

Publisher: Bloomsbury Publishing

Published: 2009-06-09

Total Pages: 72

ISBN-13: 184943879X

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May is an idealist. She’s fighting for a better world and has sacrificed more than most. So when the old regime is destroyed, she is rewarded with a job as a prison photographer.But as the enemy pass one by one before her unflinching lens - both strange and familiar faces - can they shake her belief in this world she helped to create? Inspired by the work of the photographer Nhem En, who photographed the inmates of the Tuol Sleng prison in Cambodia under the rule of the Khmer Rouge, and by painter Van Nath who painted Pol Pot and was one of the only seven survivors of Tuol Sleng, playwright Sarah Grochala draws on prison records and interviews with both prisoners and Khmer Rouge cadres to create a startling and affecting drama. S-27 won the first Protect The Human Playwriting Competition in 2007, run by iceandfire in conjunction with Amnesty International and Soho Theatre, and was in production at the Finborough Theatre in June 2009.


Colonial Phantoms

Colonial Phantoms

Author: Dixa Ramírez

Publisher: NYU Press

Published: 2018-04-24

Total Pages: 324

ISBN-13: 147986756X

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Using a blend of historical and literary analysis, Colonial Phantoms reveals how Western discourses have ghosted—miscategorized or erased—the Dominican Republic since the nineteenth century despite its central place in the architecture of the Americas. Through a variety of Dominican cultural texts, from literature to public monuments to musical performance, it illuminates the Dominican quest for legibility and resistance.