Excerpt from The Milestone, 1929, Vol. 8: Eastern Kentucky State Teachers College About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
"Telling as much a social, educational, and cultural story as institutional history, this detailed account chronicles the ideological patterns, internal and countrywide conflicts, and student experiences at the University of Melbourne from 1850 to 1939. The daily life of staff, professors, and students are recounted during times of turmoil and peace in Australia, including the depression of the 1890s and World War I. The account offers a window into the pedagogical conflicts and research achievements of one of Australia's oldest continuing educational institutions."
This Third Edition is the first English-language edition of the award-winning Meilensteine der Rechentechnik; illustrated in full color throughout in two volumes. The Third Edition is devoted to both analog and digital computing devices, as well as the world's most magnificient historical automatons and select scientific instruments (employed in astronomy, surveying, time measurement, etc.). It also features detailed instructions for analog and digital mechanical calculating machines and instruments, and is the only such historical book with comprehensive technical glossaries of terms not found in print or in online dictionaries. The book also includes a very extensive bibliography based on the literature of numerous countries around the world. Meticulously researched, the author conducted a worldwide survey of science, technology and art museums with their main holdings of analog and digital calculating and computing machines and devices, historical automatons and selected scientific instruments in order to describe a broad range of masterful technical achievements. Also covering the history of mathematics and computer science, this work documents the cultural heritage of technology as well.
Through a series of close readings of two major figures of the modern movement, Adolf Loos and Le Corbusier, Beatriz Colomina argues that architecture only becomes modern in its engagement with the mass media, and that in so doing it radically displaces the traditional sense of space and subjectivity. Privacy and Publicity boldly questions certain ideological assumptions underlying the received view of modern architecture and reconsiders the methodology of architectural criticism itself. Where conventional criticism portrays modern architecture as a high artistic practice in opposition to mass culture, Colomina sees the emerging systems of communication that have come to define twentieth-century culture—the mass media—as the true site within which modern architecture was produced. She considers architectural discourse as the intersection of a number of systems of representation such as drawings, models, photographs, books, films, and advertisements. This does not mean abandoning the architectural object, the building, but rather looking at it in a different way. The building is understood here in the same way as all the media that frame it, as a mechanism of representation in its own right. With modernity, the site of architectural production literally moved from the street into photographs, films, publications, and exhibitions—a displacement that presupposes a new sense of space, one defined by images rather than walls. This age of publicity corresponds to a transformation in the status of the private, Colomina argues; modernity is actually the publicity of the private. Modern architecture renegotiates the traditional relationship between public and private in a way that profoundly alters the experience of space. In a fascinating intellectual journey, Colomina tracks this shift through the modern incarnations of the archive, the city, fashion, war, sexuality, advertising, the window, and the museum, finally concentrating on the domestic interior that constructs the modern subject it appears merely to house.
Routledge Library Editions: Feminist Theory brings together as one set, or individual volumes, a series of previously out-of-print classics from a variety of academic imprints. With titles ranging from The Liberation of Women to Feminists and State Welfare, from Married to the Job to Julia Kristeva, this set provides in one place a wealth of important reference sources from the diverse field of gender studies.
Designed for students of social policy and women’s studies, this text gives a readable account of the wide range of feminist ideas about women and welfare. The authors draw on feminist theory, research and analysis to explore women’s experiences of welfare, and the debates within feminism on how and why the welfare state oppresses women. In an original contribution they discuss women’s impact on the development of the welfare state both as feminist campaigners and as pioneers of new welfare professions. The book concludes by reviewing contemporary feminist strategies to transform the welfare state to meet women’s needs. Whilst the authors put forward their own evaluation of these different feminist approaches, they aim to leave readers with plenty of scope to make up their own minds on the issues.
O.D. Skelton: The Work of the World, 1923-1941 is a lively and compelling trip through the letters, diary entries, and official memoranda of O.D. Skelton, one of the most important and influential civil servants in twentieth-century Canada. Skelton was a towering foreign policy advisor to Canada's prime ministers and a lonely advocate for the country's independence from Great Britain. His accounts detail his work as he co-operated and clashed with William Lyon Mackenzie King and R.B. Bennett over Canada's participation in the international arena. Norman Hillmer's selection and assessment of Skelton's writings offer a behind-the-scenes look at the inner workings of the federal government as Skelton systematically built up the Department of External Affairs and the Canadian diplomatic service as instruments of the national interest, confronted the Manchurian, Ethiopian, and Czech crises of the 1930s, aligned himself with senior francophone politicians such as Ernest Lapointe and Raoul Dandurand, and watched in despair as Europe and Asia descended into war. Providing avenues into a time when Canada was struggling to define itself, this collection shows the ways in which O.D. Skelton pushed the country onto the global stage.
