In unrivalled poetic language, the Song of Songs explores the whole range of emotions experienced by its two lovers as they work out their commitment to each other, consummated in marriage. The Song's powerful and unabashed affirmation of love, loyalty and earthy sexuality is urgently relevant today, when commercialised eroticism is in, and permanency in relationships is out. Tom Gledhill argues that beauty, intimacy and sexual consummation are to be celebrated, but not as ends in themselves. Rather, the point to another world, another dimension, only occasionally and dimly perceived. God has chose the love of a man and a woman as an image of his own love of his people.
Whether you consider yourself a songwriter, song poet, lyricist or librettist, you are on a stellar path through which you can make a real difference. Your job is more than just finding the right word which fits, it is to inspire 'hope and courage' to face challenges of constantly changing environment. This book shows you the strategy and step by step methodology for writing important and powerful songs. It also contains case studies and successful lyrical examples for your inspiration.
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In this BST volume, Tom Gledhill explores the unique biblical interlude of Song of Songs. He incorporates themes raised by the Song, such as human nature, mortality, and social and cultural conditioning, while staying focused on the text as an extended love poem, both beautiful and mysterious.
The definitive guide to the meaning of today’s most popular praise and worship songs. Few things influence Christians’ understanding of the faith more than the songs they sing in worship. The explosion of praise and worship music in the last fifteen years has profoundly affected our experience of God. So what are those songs telling us about who God is? In what ways have they made us more faithful disciples of Jesus Christ? In what ways have they failed to embody the full message of the gospel? Working with the lists of the most frequently sung praise and worship songs from recent years, the authors of this book offer an objective but supportive assessment of the meaning and contribution of the Christian music that has been so important in the lives of contemporary believers.
An illuminating history of the song for every kind of music lover Often today, the word ‘song’ is used to describe all music. A free-jazz improvisation, a Hindustani raga, a movement from a Beethoven symphony: apparently, they’re all songs. But they’re not. From Sia to Springsteen, Archie Roach to Amy Winehouse, a song is a specific musical form. It’s not so much that they all have verses and choruses – though most of them do – but that they are all relatively short and self-contained; they have beginnings, middles and ends; they often have a single point of view, message or story; and, crucially, they unite words and music. Thus, a Schubert song has more in common with a track by Joni Mitchell or Rihanna than with one of Schubert’s own symphonies. The Song Remains the Same traces these connections through seventy-five songs from different cultures and times: love songs, anthems, protest songs, lullabies, folk songs, jazz standards, lieder and pop hits; ‘When You Wish Upon a Star’ to ‘We Will Rock You’, ‘Jerusalem’ to ‘Jolene’. Unpicking their inner workings makes familiar songs strange again, explaining and restoring the wonder, joy (or possibly loathing) the reader experienced on first hearing. ‘As much about singing, musicianship and recording as it is about songwriting, this eclectic ride through a unique choice of songs (everyone will argue for alternatives) is cleverly curated and littered with intriguing details about the creators and their times, filled with loving cross-references to other songs and deft musical analysis. I defy anyone not to leap online to listen to the unfamiliar, or re-listen to old favourites in light of new detail. One of the best games in this book is figuring out why one song follows the other: there’s always an intelligent, often very funny, link.’ —Robyn Archer
