Everything they grab burns. Everyone they touch dies. Everything they kill comes back from the dead. A secluded Mississippi River island is the perfect vacation getaway - until the space rocks land. A family is killed by searing radiation. The same cosmic force returns Dad, sis, and the two boys from the grave. But they're deteriorating quickly; melting away. And they want your flesh. Oh, look. Here come the tourists. A B-movie between book covers, The Melting Dead is a roller-coaster ride that will burst your heart with fear and make your sides ache with laughter.
The author of "Bodies from the Ash" and "Bodies from the Bog" takes readers on a captivating and creepy journey to learn about glaciers, hulking masses of moving ice that are now offering up many secrets of the past. Full color.
'Challenging and disturbing, The Melting is an incredibly cruel fable about friendship and adolescence . . . Spit knows no fear. It is we, the readers, that are left trembling.' - Leïla Slimani, author of Lullaby Eva can trace the route to Pim’s farm with her eyes closed, even though she has not been to Bovenmeer for many years. There she grew up among the rape fields and dairy farms. There lies also the root of all their grief. Eva was one of three children born in her small Flemish town in 1988. Growing up alongside the boys Laurens and Pim, Eva sought refuge from her loveless family life in the company of her two friends. But with adolescence came a growing awareness of their burgeoning sexuality. Driven by their newly found desires, the children begin a game that will have serious and violent consequences for them all. Thirteen years after the summer she’s tried for so long to forget, Eva is returning to her village. Everything fell apart that summer, but this time she’ll be prepared. She has a large block of ice in her car boot and she’s ready to settle the score . . . Part thriller, part coming-of-age novel, The Melting is an extraordinary and unsettling debut from Lize Spit, a reckoning with adolescent cruelty and the scars it leaves.
From the author of Pulitzer-nominated The Devil’s Highway and national bestseller The Hummingbird’s Daughter comes an exquisitely composed collection of poetry on life at the border. Weaving English and Spanish languages as fluidly as he blends cultures of the southwest, Luis Urrea offers a tour of Tijuana, spanning from Skid Row, to the suburbs of East Los Angeles, to the stunning yet deadly Mojave Desert, to Mexico and the border fence itself. Mixing lyricism and colloquial voices, mysticism and the daily grind, Urrea explores duality and the concept of blurring borders in a melting pot society.
A book of poetic essays written in English, Kahlil Gibran's The Prophet is full of religious inspirations. With the twelve illustrations drawn by the author himself, the book took more than eleven years to be formulated and perfected and is Gibran's best-known work. It represents the height of his literary career as he came to be noted as ‘the Bard of Washington Street.’ Captivating and vivified with feeling, The Prophet has been translated into forty languages throughout the world, and is considered the most widely read book of the twentieth century. Its first edition of 1300 copies sold out within a month.
Today's "extreme weather events" (record-breaking heat waves, droughts, and melting ice caps) foreshadow an increasingly unstable and dire future. Yet, despite all, the US government continues to reject the Kyoto Protocol, to deny the catastrophic consequences of oil dependency, and to define the politics of oil as the politics of U.S. unilateralism, domination, and war. Dead Heat argues that justice—not rhetoric and "aid" but real developmental justice for the people of developing world—is going to be necessary, and surprisingly soon. It argues, more particularly, that such a justice must involve a phased transition from the Kyoto Protocol to a new climate treaty based on equal human rights to emit greenhouse pollutants. Dead Heat makes the case for climate justice, but insists that justice and equity, for all their manifold ethical and humanitarian attractions, must also be seen as the most "realistic" of virtues. It insists, in other words, that our limited environmental space will itself show that it is the dream of a "business as usual" future that is naïve and utopian.
The author of Skipjack documents concerning evidence of adverse climate change in the Rocky Mountains, where climate scientist and ecologist Dan Fagre reveals how a rapid decline of alpine glaciers is threatening the mountain ecosystem.
“Another winner....Todd again excels at vivid atmosphere and the effects of war in this specific time and place. Grade: A.” —Cleveland Plain Dealer “Readers who can’t get enough of Maisie Dobbs, the intrepid World War I battlefield nurse in Jacqueline Winspear’s novels…are bound to be caught up in the adventures of Bess Crawford.” —New York Times Book Review Charles Todd, author of the resoundingly acclaimed Ian Rutledge crime novels (“One of the best historical series being written today” —Washington Post Book World) debuts an exceptional new protagonist, World War I nurse Bess Crawford, in A Duty to the Dead. A gripping tale of perilous obligations and dark family secrets in the shadows of a nightmarish time of global conflict, A Duty to the Dead is rich in suspense, surprise, and the impeccable period atmosphere that has become a Charles Todd trademark.
Most times left solely within the confine of plantation narratives, slavery was far from a land-based phenomenon. This book reveals for the first time how it took critical shape at sea. Expanding the gaze even more deeply, the book centers how the oceanic transport of human cargoes--infamously known as the Middle Passage--comprised a violently regulated process foundational to the institution of bondage. Sowande' Mustakeem's groundbreaking study goes inside the Atlantic slave trade to explore the social conditions and human costs embedded in the world of maritime slavery. Mining ship logs, records and personal documents, Mustakeem teases out the social histories produced between those on traveling ships: slaves, captains, sailors, and surgeons. As she shows, crewmen manufactured captives through enforced dependency, relentless cycles of physical, psychological terror, and pain that led to the the making--and unmaking--of enslaved Africans held and transported onboard slave ships. Mustakeem relates how this process, and related power struggles, played out not just for adult men, but also for women, children, teens, infants, nursing mothers, the elderly, diseased, ailing, and dying. Mustakeem offers provocative new insights into how gender, health, age, illness, and medical treatment intersected with trauma and violence transformed human beings into the world's most commercially sought commodity for over four centuries.
