Medieval Visions of Heaven and Hell

Medieval Visions of Heaven and Hell

Author: Eileen Gardiner

Publisher: Routledge

Published: 2018-12-07

Total Pages: 298

ISBN-13: 1135754535

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First Published in 1993. The present volume covers the currently identified Christian visions of heaven and hell (excluding D ante’s Divine Comedy) from western Europe during the Middle Ages from the late sixth through the fourteenth century.


The Medieval Vision

The Medieval Vision

Author: Carolly Erickson

Publisher: New York : Oxford University Press

Published: 1976

Total Pages: 272

ISBN-13:

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This exceptionally readable book describes how medieval men and women perceived their world, and how their vision of it colored their ideas about natural and supernatural occurrences and their attitudes about land and property, government, the role of women, crime, lawlessness, andoutlaws.


Troubled Vision

Troubled Vision

Author: E. Campbell

Publisher: Springer

Published: 2016-04-30

Total Pages: 242

ISBN-13: 1137114517

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Troubled Vision is an interdisciplinary collection of essays that explores the interface between gender, sexuality and vision in medieval culture. The volume represents an exciting array of scholarship dealing with visual and textual cultures from the Eleventh to the Fifteenth centuries. Bringing together a range of theoretical approaches that address the troubling effects of vision on medieval texts and images, the book mediates between medieval and modern constructions of gender and sexuality. Troubled Vision focuses thematically on four central themes: Desire, looking, representation and reading. Topics include the gender of the gaze, the visibility of queer desires, troubled representations of gender and sexuality, spectacle and reader response, and the visual troubling of modern critical categories.


The Art of Vision

The Art of Vision

Author: Andrew James Johnston

Publisher:

Published: 2015

Total Pages: 307

ISBN-13: 9780814293997

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One of the most common ways of setting the arts in parallel, at least from the literary side, is through the popular rhetorical device of ekphrasis. The original meaning of this term is simply an extended and detailed, lively description, but it has been used most commonly in reference to painting or sculpture. In this lively collection of essays, Andrew James Johnston, Ethan Knapp, and Margitta Rouse offer a major contribution to the study of text-image relationships in medieval Europe. Resisting any rigid definition of ekphrasis, The Art of Vision is committed to reclaiming medieval ekphrasis, which has not only been criticized for its supposed aesthetic narcissism but has also frequently been depicted as belonging to an epoch when the distinctions between word and image were far less rigidly drawn. Examples studied range from the eleventh through the seventeenth centuries and include texts written in Medieval Latin, Medieval French, Middle English, Middle Scots, Middle High German, and Early Modern English. The essays in this volume highlight precisely the entanglements that ekphrasis suggests and/or rejects: not merely of word and image, but also of sign and thing, stasis and mobility, medieval and (early) modern, absence and presence, the rhetorical and the visual, thinking and feeling, knowledge and desire, and many more. The Art of Vision furthers our understanding of the complexities of medieval ekphrasis while also complicating later understandings of this device. As such, it offers a more diverse account of medieval ekphrasis than previous studies of medieval text-image relationships, which have normally focused on a single country, language, or even manuscript.


Visions in Late Medieval England

Visions in Late Medieval England

Author: Gwenfair Walters Adams

Publisher: BRILL

Published: 2007

Total Pages: 303

ISBN-13: 9004156062

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This volume is the first to explore the breadth of vision types in late medieval English lay spirituality. Analyzing 1000+ accounts, it proposes that visions buttressed five core dynamics (relating to purgatory, saints, demons, sacramental faith, and the Church's authority).


Sight and Embodiment in the Middle Ages

Sight and Embodiment in the Middle Ages

Author: S. Biernoff

Publisher: Springer

Published: 2002-07-01

Total Pages: 251

ISBN-13: 0230508359

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This book breaks new ground by bringing postmodern writings on vision and embodiment into dialogue with medieval texts and images: an interdisciplinary strategy that illuminates and complicates both cultures. This is an invaluable reference work for anyone interested in the history and theory of visuality, and it is essential reading for scholars of art, science or spirituality in the medieval period.


Seeing Through the Veil

Seeing Through the Veil

Author: Suzanne Conklin Akbari

Publisher: University of Toronto Press

Published: 2004-01-01

Total Pages: 365

ISBN-13: 0802036058

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During the later Middle Ages, new optical theories were introduced that located the power of sight not in the seeing subject, but in the passive object of vision. This shift had a powerful impact not only on medieval science but also on theories of knowledge, and this changing relationship of vision and knowledge was a crucial element in late medieval religious devotion. In Seeing through the Veil, Suzanne Conklin Akbari examines several late medieval allegories in the context of contemporary paradigm shifts in scientific and philosophical theories of vision. After a survey on the genre of allegory and an overview of medieval optical theories, Akbari delves into more detailed studies of several medieval literary works, including the Roman de la Rose, Dante's Vita Nuova, Convivio, and Commedia, and Chaucer's dream visions and Canterbury Tales. The final chapter, 'Division and Darkness, ' centres on the legacy of allegory in the fifteenth century. Offering a new interdisciplinary, synthetic approach to late medieval intellectual history and to major works within the medieval literary canon, Seeing through the Veil will be an essential resource to the study of medieval literature and culture, as well as philosophy, history of art, and history of science.


Dreams and Visions in the Early Middle Ages

Dreams and Visions in the Early Middle Ages

Author: Jesse Keskiaho

Publisher: Cambridge University Press

Published: 2015-02-19

Total Pages: 341

ISBN-13: 1107082137

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A comprehensive overview of ideas about dreams and visions in the Christian cultures of the early Middle Ages.


Medieval Art at the Intersection of Visuality and Material Culture

Medieval Art at the Intersection of Visuality and Material Culture

Author: Raphaèle Preisinger

Publisher:

Published: 2021-06-28

Total Pages: 275

ISBN-13: 9782503581538

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Over the last two decades the historiography of medieval art has been defined by two seemingly contradictory trends: a focus on questions of visuality, and more recently an emphasis on materiality. The latter, which has encouraged multi-sensorial approaches to medieval art, has come to be perceived as a counterpoint to the study of visuality as defined in ocularcentric terms. Bringing together specialists from different areas of art history, this book grapples with this dialectic and poses new avenues for reconciling these two opposing tendencies. The essays in this volume demonstrate the necessity of returning to questions of visuality, taking into account the insights gained from the 'material turn'. They highlight conceptions of vision that attribute a haptic quality to the act of seeing and draw on bodily perception to shed new light on visuality in the Middle Ages.