From the great popularizer of alternative medicine, here is a collection of essays about his travels to South America in the early 1970s in search of information on altered states of consciousness, drug use in other cultures, and other matters having to do with the complementarity of mind and body. Andrew Weil's experiences during this time laid the foundation for his mission to restore the connection between medicine and nature. In The Marriage of the Sun and Moon, now updated with a new preface by the author, the esteemed Dr. Weil attempts to empower patients to take fuller charge of their destinies.
Poetry. "The poems in Sunni Wilkinson's THE MARRIAGE OF THE MOON AND THE FIELD show us history, affection, private struggle, and the common life with a kind of grave, irony-tinged happiness that is rare in the poetry of our time. Her poems turn away from complaint, as though she had set out to reveal instead the domestic life of intelligence in all its color, warmth, and depth. This is a very fine debut volume, worth treasuring; and more are sure to follow."�Christopher Howell "There is much of wonder in a first book of poems: a new voice, a freshness, other ways of being and believing. And so it is with Sunni Brown Wilkinson's THE MARRIAGE OF THE MOON AND THE FIELD. There are marvelous poems here, poems that range through the world: Vienna, Juarez, Andalusia, Mozambique, Venice. The poet tells us 'I've looked into the world and found / my own life reassembled and given back to me / with broken glass and a birdsong.' There are poems of family (parents, children, grandparents), our primal world, and there are poems of immigrants, asylum seekers, the displaced. And weaving through all of them there is a sweet charity, a belief in grace, and a tenderness toward existence. There is as well a recognition that tragedy and loss make up a part of our lives, but in Wilkinson's vision these can be redeemed since 'we're verses with a space in between / for our own small hallelujah.' These are poems that 'you can ride...into tomorrow.' Sunni Wilkinson is a welcome new poet for our times."�Joseph Stroud "Sunni Brown Wilkinson's poems sustain a compelling tension between the macro and micro worlds. Scientific facts of the physical realm collide with intimate interiorities. She turns a steely eye and a tender heart toward the experience of living fully in the rush of the NOW and the flickering echoes of what came before. These are lushly rendered poems to savor and/or to devour."�Nance Van Winckel
From the New York Times bestselling author of Six Crimson Cranes comes a fantasy filled with courtly intrigue, deceitful demons, and breathtaking gowns ... the stakes are higher than ever in this thrilling sequel to Spin the Dawn! Maia Tamarin's journey to sew the dresses of the sun, the moon, and the stars has taken a grievous toll. She returns to a kingdom on the brink of war. Edan, the boy she loves, is gone--perhaps forever--and no sooner does she set foot in the Autumn Palace than she is forced to don the dress of the sun and assume the place of the emperor's bride-to-be to keep the peace. When the emperor's rivals learn of her deception, there is hell to pay, but the war raging around Maia is nothing compared to the battle within. Ever since she was touched by the demon Bandur, she has been changing . . . glancing in the mirror to see her own eyes glowing red; losing control of her magic, her body, her mind. It's only a matter of time before Maia loses herself completely, and in the meantime she will stop at nothing to find Edan, protect her family, and bring lasting peace to her country.
On August 26, 1835, a fledgling newspaper called theSunbrought to New York the first accounts of remarkable lunar discoveries. A series of six articles reported the existence of life on the moon—including unicorns, beavers that walked on their hind legs, and four-foot-tall flying man-bats. In a matter of weeks it was the most broadly circulated newspaper story of the era, and theSun, a working-class upstart, became the most widely read paper in the world.An exhilarating narrative history of a divided city on the cusp of greatness, and tale of a crew of writers, editors, and charlatans who stumbled on a new kind of journalism,The Sun and the Moontells the surprisingly true story of the penny papers that made America a nation of newspaper readers.
The best seats Lisa Kohn ever had at Madison Square Garden were at her mother's mass wedding, and the best cocaine she ever had was from her father's friend, the judge. Born to hippie parents and raised in New York City's East Village in the 1970s, Lisa's early years were a mixture of encounter groups, primal screams, macrobiotic diets, communes, Indian ashrams, Jefferson Airplane concerts in Central Park, and watching naked actors on off-Broadway stages during the musical HAIR. By the time her older brother was ten, Lisa's father had him smoking pot. By the time Lisa was ten, Lisa's mother had them pledging their lives to the Unification Church (the "Moonies") and self-appointed Messiah, Reverend Sun Myung Moon. As a child Lisa knew the ecstatic comfort of inclusion in a cult and as a teenager the torment of rebelling against it. As an adult, Lisa struggled to break free from the hold of abuse and the scars in her heart, mind, and psyche--battling her own addictions and inner demons and searching her soul for a sense of self-worth. Told in spirited candor, to the moon and back reveals how one can leave behind absurdity and horror and create a life of intention and joy. This is the fascinating tale of a story rarely told in its full complexity.
The first book in the New York Times bestselling epic fantasy trilogy by award-winning author Laini Taylor Around the world, black handprints are appearing on doorways, scorched there by winged strangers who have crept through a slit in the sky. In a dark and dusty shop, a devil's supply of human teeth grown dangerously low. And in the tangled lanes of Prague, a young art student is about to be caught up in a brutal otherworldly war. Meet Karou. She fills her sketchbooks with monsters that may or may not be real; she's prone to disappearing on mysterious "errands"; she speaks many languages--not all of them human; and her bright blue hair actually grows out of her head that color. Who is she? That is the question that haunts her, and she's about to find out. When one of the strangers--beautiful, haunted Akiva--fixes his fire-colored eyes on her in an alley in Marrakesh, the result is blood and starlight, secrets unveiled, and a star-crossed love whose roots drink deep of a violent past. But will Karou live to regret learning the truth about herself?
The New York Times bestselling author of the Tradd Street novels delivers a gripping tale of family, fate, and forgiveness. When Piper Mills was twelve, she helped her grandfather bury a box that belonged to her grandmother in the backyard. For twelve years, it remained untouched. Now a near fatal riding accident has shattered Piper’s dreams of Olympic glory. After her grandfather’s death, she inherits the house and all its secrets, including a key to a room that doesn’t exist—or does it? And after her grandmother is sent away to a nursing home, she remembers the box buried in the backyard. In it are torn pages from a scrapbook, a charm necklace—and a newspaper article from 1939 about the body of an infant found floating in the Savannah River. The necklace’s charms tell the story of three friends during the 1930s— each charm added during the three months each friend had the necklace and recorded her life in the scrapbook. Piper always dismissed her grandmother as not having had a story to tell. And now, too late, Piper finds she might have been wrong.
