Supports in Roman Marble Sculpture
Supports in Roman Marble Sculpture

Author: Anna Anguissola

Publisher: Cambridge University Press

Published: 2018-02-15

Total Pages: 282

ISBN-13: 1108307922

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Figural and non-figural supports are a ubiquitous feature of Roman marble sculpture; they appear in sculptures ranging in size from miniature to colossal and of all levels of quality. At odds with modern ideas about beauty, completeness, and visual congruence, these elements, especially non-figural struts, have been dismissed by scholars as mere safeguards for production and transport. However, close examination of these features reveals the tastes and expectations of those who commissioned, bought, and displayed marble sculptures throughout the Mediterranean in the Hellenistic and Roman periods. Drawing on a large body of examples, Greek and Latin literary sources, and modern theories of visual culture, this study constitutes the first comprehensive investigation of non-figural supports in Roman sculpture. The book overturns previous conceptions of Roman visual values and traditions and challenges our understanding of the Roman reception of Greek art.

From Marble to Flesh
From Marble to Flesh

Author: Arnold Victor Coonin

Publisher: Florentine Press

Published: 2014

Total Pages: 272

ISBN-13: 9788897696025

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About the author. A. Victor Coonin is James F. Ruffin Chair of Art at Rhodes College. He has received fellowships and grants from the Mellon, Kress, and Fullbright foundations and has served on committees for the Fullbright, National Endowment for the Humanities, and College Art Association. Author of numerous articles and editor of 2 books, this is his first monograph. -- Publisher's website.

The Young Michelangelo
The Young Michelangelo

Author: Michael Hirst

Publisher: National Gallery Publications Limited

Published: 1994

Total Pages: 144

ISBN-13: 9780300061352

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Michael Hirst's chapters are followed by Jill Dunkerton's survey of Michelangelo's technique as a painter on panel, using both egg tempera and oil paint, based on the investigation of his paintings in the National Gallery. Included in the discussion is Michelangelo's slightly later Doni Tondo in the Uffizi, Florence, his only completed panel painting and one of the most perfect of his works. Dunkerton also looks back to the paintings by Ghirlandaio and his workshop in which Michelangelo was trained. Her illuminating text helps us to understand how Michelangelo executed these two familiar but relatively little-studied paintings and also to envisage the startling finished appearance probably conceived by the artist.

Literary Folios and Ideas of the Book in Early Modern England
Literary Folios and Ideas of the Book in Early Modern England

Author: F. Connor

Publisher: Springer

Published: 2014-08-20

Total Pages: 389

ISBN-13: 1137438363

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This monograph makes clear how the format of the literary folio played a fundamental role in book history by encapsulating the unstable negotiation between commerce, cultural prestige, and the fundamental nature of the printed book.

Phantasms of Matter in Gogol (and Gombrowicz)
Phantasms of Matter in Gogol (and Gombrowicz)

Author: Michal Oklot

Publisher: Dalkey Archive Press

Published: 2009

Total Pages: 434

ISBN-13: 1564784940

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An investigation into the problem of writing about matter in Nikolai Gogol's work and, indirectly, into the entire Neoplatonic tradition in Russian literature, this book is not intended to be an exhaustive historical survey of the concept of matter, but rather an effort to enumerate the images of matter in Gogol's texts and to specify the rules of their construction. The trajectory of the book is directed by movement from Gogol to Gogol. Its major assumption is that Gogol successfully develops a language for grasping the Neoplatonic concept of matter and subsequently rejects it, abandoning literature. Since then, the Gogolian form [sic!] of the image of a sheer negation of form has recurred frequently in Russian literature. Yet the direction of the movement is always towards Gogol. Somewhere at the margin of this circular trajectory, one can inscribe a Polish writer, Witold Gombrowicz, who established, one hundred years later, a similar rhythm governing Polish literature: from Gombrowicz to Gombrowicz.