Bestselling author Dominick Dunne, who chronicles the escapades, excesses, and eccentricities of high society for Vanity Fair, offers fifteen provocative portraits of some of the most luminous figures of the decade . . . profiles of the movie legend who remains the only divorced wife of a U.S. president; the pretty singing star who fell in love with a notorious mobster; the brilliant photographer who took Dunne's picture weeks before succumbing to AIDS . . . sketches that detail the lavish wedding-that-never-was between an heiress and a counterfeit prince; the incarceration of a high-flying financier; and the brutal slaying of a film mogul and his sife, allegedly by their own two sons. Filled with pathos and wit and the twenty-four-carat insight of a society insider, The Mansions of Limbo offers a peek into a rarified world there nothing is ever enough.
Dominick Dunne has met them all--stars and slugs, criminals and victims, the innocent and the hideously guilty--and now his two provocative collections of Vanity Fair portraits are in one irresistible volume. From posh Park Avenue duplexes to the extravagant mansions of Beverly Hills, from tasteful London town houses to the wild excesses of million-dollar European retreats, here are the movers and shakers--and the people who pretend to be. Among colorful profiles and revealing glimpses of Elizabeth Taylor, Claus von Bülow, Gloria Vanderbilt, and Aaron Spelling, discover who dumped an heiress the night before the wedding to run off with the best man . . . what happens when the ex-husband of a movie legend becomes president . . . why a beautiful singer fell in with the mob . . . and, in Dunne's most personal story, how a lying murderer and a limelight-loving judge denied justice to his family after his daughter's life was brutally destroyed. Filled with pathos and wit, insight and sass, this candid, controversial volume gives you an extraordinary peek into the rarefied world of the rich, the royal, and the ruined. For Dunne is the man who knows all their secrets--and now those secrets are out.
NEW YORK TIMES BESTSELLER • A “thoroughly absorbing” (Time) novel of love, rage, and ruin amidst the chaos in Los Angeles during the O.J. Simpson trial “Compulsively readable . . . deliciously wicked.”—Vogue Gus Bailey, journalist to high society, knows the sordid secrets of the very rich. Now he turns his penetrating gaze to a courtroom in Los Angeles, witnessing the trial of the century unfold before his startled eyes. By day, Gus is at the courthouse, the confidant of the Goldman and Simpson families, the lawyers, the journalists, the hangers-on, even the judge; at night he is the honored guest at the most dazzling gatherings in town as the movers and shakers of Los Angeles—from Kirk Douglas to Heidi Fleiss, from Elizabeth Taylor to Nancy Reagan—delight in the latest news from the corridors of the courthouse. As they share their own theories of the crime, Bailey bears witness to the ultimate perversion of principle and the most amazing gossip machine in Hollywood. A vivid, revealing achievement, Another City, Not My Own illuminates the meaning of guilt and innocence in America today.
Dominick Dunne has met them all--stars and slugs, criminals and victims, the innocent and the hideously guilty--and now his two provocative collections of Vanity Fair portraits are in one irresistible volume. From posh Park Avenue duplexes to the extravagant mansions of Beverly Hills, from tasteful London town houses to the wild excesses of million-dollar European retreats, here are the movers and shakers--and the people who pretend to be. Among colorful profiles and revealing glimpses of Elizabeth Taylor, Claus von Bülow, Gloria Vanderbilt, and Aaron Spelling, discover who dumped an heiress the night before the wedding to run off with the best man . . . what happens when the ex-husband of a movie legend becomes president . . . why a beautiful singer fell in with the mob . . . and, in Dunne's most personal story, how a lying murderer and a limelight-loving judge denied justice to his family after his daughter's life was brutally destroyed. Filled with pathos and wit, insight and sass, this candid, controversial volume gives you an extraordinary peek into the rarefied world of the rich, the royal, and the ruined. For Dunne is the man who knows all their secrets--and now those secrets are out.
NEW YORK TIMES BESTSELLER • “Good unclean fun . . . [a] convoluted, scandal-greased, exposed-backsides-of-the-rich-and-famous story . . . told in a confiding, breathless undertone.”—Entertainment Weekly Jules Mendelson is wealthy. Astronomically so. He and his wife lead the kind of charity-giving, art-filled, high-society life for which each has been carefully groomed. Until Jules falls in love with Flo March, a beautiful actress/waitress. What Flo discovers about the superrich is not a pretty sight. And in the end, she wants no more than what she was promised. But when Flo begins to share the true story of her life among the Mendelsons, not everyone is in a listening mood. And some cold shoulders have very sharp edges. . . .
The last two years have been monstrously unpleasant for high-society journalist Gus Bailey. When he falls for a fake story and implicates a powerful congressman in some rather nasty business on a radio program, Gus becomes embroiled in a slander suit. The stress makes it difficult for him to focus on his next novel, which is based on the suspicious death of billionaire Konstantin Zacharias. The convicted murderer is behind bars, but Gus is not convinced that justice was served. There are too many unanswered questions, and Konstantin’s hot-tempered widow will do anything to conceal the truth. Featuring favorite characters and the affluent world Dunne first introduced in People Like Us, Too Much Money is a mischievous, compulsively readable tale by the most brilliant society chronicler of our time—the man who knew all the secrets and wasn’t afraid to share them.
Dominick Dunne has met them all--stars and slugs, criminals and victims, the innocent and the hideously guilty. From posh Park Avenue duplexes to the extravagant mansions of Beverly Hills, from tasteful London town houses to the wild excesses of million-dollar European retreats, here are the movers and shakers--and the people who pretend to be. Among colorful profiles and revealing glimpses of Elizabeth Taylor, Claus von Bülow, Gloria Vanderbilt, and Aaron Spelling, discover who dumped an heiress the night before the wedding to run off with the best man . . . what happens when the ex-husband of a movie legend becomes president . . . why a beautiful singer fell in with the mob . . . and, in Dunne's most personal story, how a lying murderer and a limelight-loving judge denied justice to his family after his daughter's life was brutally destroyed. Filled with pathos and wit, insight and sass, this candid, controversial volume gives you an extraordinary peek into the rarefied world of the rich, the royal, and the ruined. For Dunne is the man who knows all their secrets--and now those secrets are out.
(Limelight). From the femme fatale of the early cinema to her post-feminist rebirth, this lavishly illustrated book and comprehensive guide traces the history of these dangerously alluring, manipulative, and desperate lethal ladies. Femme Fatale surveys the history of the femme fatale in world cinema, with more than 300 photographs testifying to the power of these mysterious women. The book begins with the silent period and its vamps, like Theda Bara, Pola Negri, Clara Bow, and Bebe Daniels, then moves on to the Pre-Code sound period of American films, which, showing liberated attitudes toward sex and women, featured actresses like Jean Harlow, Marlene Dietrich, and Greta Garbo. The story continues with the noir 1940s, when the femme fatale became truly lethal including actresses like Ava Gardner, Rita Hayworth, and Barbara Stanwyck. In the repressive 1950s, the international femme fatale took the fore Brigitte Bardot, Maria Felix, Elizabeth Taylor, Anita Ekberg, etc. Finally, the authors turn to the revolutionary post-feminist modern period, with an array of lethal ladies from all over the world, like Pam Grier, Salma Hayek, Gong Li, Angelina Jolie, and Sharon Stone.
In Limbo, award-winning journalist Alfred Lubrano identifies and describes an overlooked cultural phenomenon: the internal conflict within individuals raised in blue-collar homes, now living white-collar lives. These people often find that the values of the working class are not sufficient guidance to navigate the white-collar world, where unspoken rules reflect primarily upper-class values. Torn between the world they were raised in and the life they aspire too, they hover between worlds, not quite accepted in either. Himself the son of a Brooklyn bricklayer, Lubrano informs his account with personal experience and interviews with other professionals living in limbo. For millions of Americans, these stories will serve as familiar reminders of the struggles of achieving the American Dream.
#1 NEW YORK TIMES BESTSELLER NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Janet Maslin, The New York Times • St. Louis Post-Dispatch When Pulitzer Prize–winning journalist Bill Dedman noticed in 2009 a grand home for sale, unoccupied for nearly sixty years, he stumbled through a surprising portal into American history. Empty Mansions is a rich mystery of wealth and loss, connecting the Gilded Age opulence of the nineteenth century with a twenty-first-century battle over a $300 million inheritance. At its heart is a reclusive heiress named Huguette Clark, a woman so secretive that, at the time of her death at age 104, no new photograph of her had been seen in decades. Though she owned palatial homes in California, New York, and Connecticut, why had she lived for twenty years in a simple hospital room, despite being in excellent health? Why were her valuables being sold off? Was she in control of her fortune, or controlled by those managing her money? Dedman has collaborated with Huguette Clark’s cousin, Paul Clark Newell, Jr., one of the few relatives to have frequent conversations with her. Dedman and Newell tell a fairy tale in reverse: the bright, talented daughter, born into a family of extreme wealth and privilege, who secrets herself away from the outside world. Huguette was the daughter of self-made copper industrialist W. A. Clark, nearly as rich as Rockefeller in his day, a controversial senator, railroad builder, and founder of Las Vegas. She grew up in the largest house in New York City, a remarkable dwelling with 121 rooms for a family of four. She owned paintings by Degas and Renoir, a world-renowned Stradivarius violin, a vast collection of antique dolls. But wanting more than treasures, she devoted her wealth to buying gifts for friends and strangers alike, to quietly pursuing her own work as an artist, and to guarding the privacy she valued above all else. The Clark family story spans nearly all of American history in three generations, from a log cabin in Pennsylvania to mining camps in the Montana gold rush, from backdoor politics in Washington to a distress call from an elegant Fifth Avenue apartment. The same Huguette who was touched by the terror attacks of 9/11 held a ticket nine decades earlier for a first-class stateroom on the second voyage of the Titanic. Empty Mansions reveals a complex portrait of the mysterious Huguette and her intimate circle. We meet her extravagant father, her publicity-shy mother, her star-crossed sister, her French boyfriend, her nurse who received more than $30 million in gifts, and the relatives fighting to inherit Huguette’s copper fortune. Richly illustrated with more than seventy photographs, Empty Mansions is an enthralling story of an eccentric of the highest order, a last jewel of the Gilded Age who lived life on her own terms. Praise for Empty Mansions “An amazing story of profligate wealth . . . an outsized tale of rags-to-riches prosperity.”—The New York Times “An evocative and rollicking read, part social history, part hothouse mystery, part grand guignol.”—The Daily Beast “Fascinating . . . [a] haunting true-life tale.”—People “One of those incredible stories that you didn’t even know existed. It filled a void.”—Jon Stewart, The Daily Show “Thrilling . . . deliciously scandalous.”—Publishers Weekly (starred review)
