There once was a man with very small hands and he was SAD. Find out what happens to his tiny hands in this tiny action packed adventure! This children's book provides parents a great opportunity to teach their children about the consequences of behaving badly. Follow the journey of the Man with Small Hands as he struggles to manage a big world with tiny hands. Did he always have small hands? Will his hands ever grow back to normal size? Read the book to find out! A portion of the proceeds will go towards funding autism research (something that the Man with Small Hands would probably not do). "This is the best book I've read" - Abraham Lincoln
Kids love magic. They love to see it, and they love to do it. Enter Joshua Jay, who started doing magic when he was 7 and was named champion at the World Magic Seminar (the Olympics of magic) by the time he was 16. His Big Magic for Little Hands is packed with 25 astonishing illusions for kids ages 7 and up. In other words, it’s sleight of hand for the small of hand. These are tricks that require little prep time and dexterity yet are guaranteed to deliver a big payoff. The large format, oversized ext, and black-and-white vintage-style illustrations make Big Magic particularly easy to follow and kid-friendly. Here’s how to levitate your sibling several feet off a bed. Escape Houdini-like from tightly bound ropes. There are also impromptu effects that can be performed anytime, anywhere, like Spook-Key, in which an antique key mysteriously rotates in your hand. Each easy-to-perform feat is clearly illustrated with step-by-step drawings and accompanied by insider tips. Joshua Jay is a master who guides his apprentices through every aspect of the magician’s art, from the first step—taking the Magician’s Oath—to how to minimize nervousness (Rule #1: Rehearse. A lot).
Art Workshop for Children is not just another book of straightforward art projects. The book's unique child-led approach provides a framework for cultivating creative thinking and encourages the wonder that comes when children are allowed to freely explore the creative process and their materials. As children work through these open-ended workshops, adults are guided on how to be facilitators who provide questions, encourage deep thinking, and help spark an excitement for discovery. Children explore basic materials and workshops that use minimal supplies, and then gradually add new materials to fill the art cabinets as well as new skills and more complex workshops. Most workshops are suitable to preschool-aged children, and each contains ideas for explorations and new twists to engage older or more experienced artists. Interspersed throughout are sidebar essays that introduce perspectives on mess-making, imperfection, the role of adult, collaborative art, and thoughts on the Reggio Emilia method, a self-guided teaching philosophy. These pieces underscore the value of art-making with children, and support the parent/teacher/care-giver on how to successfully lead, question, and navigate their children through the workshops to result in the fullest experiences.
In bestselling author Christopher Golden's supernatural thriller Red Hands, sometimes a story is a warning. Sometimes the warning comes too late When a mysterious and devastating bioweapon causes its victims to develop Red Hands, the touch of death, weird science expert Ben Walker is called to investigate. A car plows through the crowd at a July 4th parade. The driver climbs out, sick and stumbling, reaching out...and everyone he touches drops dead within seconds. Maeve Sinclair watches in horror as people she loves begin to die and she knows she must take action. But in the aftermath of this terror, it’s Maeve who possesses that killing touch. Fleeing into the mountains, struggling with her own grief and confusion, Maeve faces the dawning realization that she will never be able to touch another human being again. "Weird s**t expert” Ben Walker is surprised to get a call from Alena Boudreau, director of the newly restructured Global Science Research Coalition. There’s an upheaval in the organization and she needs to send someone she can trust to Jericho Falls. Whoever finds Maeve Sinclair first will unravel the mystery of her death touch, and many are willing to kill her for that secret. Walker’s assignment is to get her off the mountain alive. But as Maeve searches for a hiding place, hunted and growing sicker by the moment, she begins to hear an insidious voice in her head, and the yearning, the need... the hunger to touch another human being continues to grow. When Walker and Maeve meet at last, they will unravel a stunning legacy of death and betrayal, and a malignant secret as old as history.
The darkest, most twisted novel yet from the author of Timoleon Vieta Come Home. In a room above a bizarre German museum, and far from the prying eyes of strangers, lives in Old Man. Caretaker by day, by night he enjoys the sound of silence, broken only by the occasional crunch of a spider between his teeth. Little Hands Clapping brings the Old Man together with the respectable Doctor Ernst Frohlicher, his dog Hans and a cast of grotesque and hilarious townsfolk who find themselves involved in a crime so outrageous it will shock the world. From its sinister opening to its explosive denouement, Little Hands Clapping blends lavishly entertaining storytelling with Rhodes's macabre imagination, entrancing originality and magical touch.
In the spiritual life, we need a central idea: something so basic and comprehensive that it encompasses everything else. According to Carmelite Father Wilfrid Stinissen, surrender to God, abandonment to the One who loves us completely, is that central reality. The life of Jesus shows us the centrality of abandonment, for it is truly the beginning and the end of his mission on earth. In this simple but profound book, Father Stinissen distinguishes three degrees or stages in abandonment. The first stage consists of accepting and assenting to God's will as it manifests itself in all circumstances of life. The second is actively doing God's will at every moment of one's life. In the third stage, abandonment to God is so complete that one has become a tool in God's hands. At this stage it is no longer I who do God's will, but God who accomplishes his will through me.
Roger Angell, the acclaimed New Yorker writer and editor, steps up with a selection of writings that celebrate a view from the tenth decade of an engaged, vibrant life. Whether it’s a Fourth of July in rural Maine, the opening game of the 2015 World Series, editorial exchanges with John Updike, a letter to a son, or his award-winning essay on aging, “This Old Man,” what links the pieces is Angell’s unique perceptions and humor, his utter absence of self-pity, and his appreciation of friends and colleagues encountered over a fruitful career unlike any other.
