An engrossing A-Z of over 60 gory years of slasher and splatter movies, from Danny Boyle's 28 Days Later to Lucio Fulci's Zombie Flesh Eaters. Here you will find the low-down on over 250 movies with entries from 23 different countries. The index, which includes every movie mentioned in the A-Z and accompanying notes, runs to 540 movies. The book includes the list of video nasties which the UK government attempted to ban.
Bringing together the finest names in comic book horror, this volume features nearly 50 comics that caused a furor in the US and sparked legislation to crack down on explicit horror—from the 1940s to the 21st century. Includes names like Steve Niles, Pete Von Sholly, Michael Kaluta, Mike Ploog, Rudy Palais, Rand Holmes, Vincent Locke, Frank Brunner, and many more. Reproduced in black and white for this brand-new collection.
An engrossing A-Z of over 60 gory years of slasher and splatter movies, from Danny Boyle's 28 Days Later to Lucio Fulci's Zombie Flesh Eaters. Here you will find the low-down on over 250 movies with entries from 23 different countries. The index, which includes every movie mentioned in the A-Z and accompanying notes, runs to 540 movies. The book includes the list of video nasties which the UK government attempted to ban.
This book is a comprehensive history of the most successful straight-to-video horror franchise of all time: Puppet Master. It provides an in-depth exploration of all 14 films to date--including a made-for-TV crossover and a theatrical reboot--and the action figures, comics, and other merchandise that have helped to keep the brand alive for the past 30 years. Puppet Master was the first film for independent producer extraordinaire Charles Band's Full Moon Entertainment, launching a franchise and a micro-budget studio that have both continued to this day. What led to the film's success? How did a little movie about killer puppets, designed to cater to the then-booming video market, wind up surviving video stores themselves? How did a series that had never even had a theatrical entry wind up with an unusually successful toy series? All of these questions are answered within these pages. Featuring new interviews with some of the biggest creative minds behind the franchise, as well as dozens of behind-the-scenes photos, this book is the ultimate guide to horror's most murderous marionettes.
The Highway Horror Film argues that 'Highway Horror' is a hither-to overlooked sub-genre of the American horror movie. In these films, the American landscape is by its very accessibility rendered terrifyingly hostile, and encounters with other travellers almost always have sinister outcomes.
The A-List of Horror Films and Monster Movies 320 pages * with 122 photos from * 110 films covered in * 101 essays by * 78 horror fans from * 12 different countries Bringing a refreshingly egalitarian approach to the subject, Horror 101 collects musings on our favorite chillers not by the expected assortment of critics and filmmakers, but the audience... the fans themselves. Young and old, male and female, located all over the globe. From Alien through The Wicker Man, each entry brings a breath of fresh air to the consideration of seminal movies many of us thought had been analyzed to death. As editor Aaron Christensen puts it, "Keep America strong! Watch more monster movies!-- Joe Dante, director, The Howling, Piranha, Gremlins These are not just fanboys that like their gore and monsters; rather they are passionate folks who give great insight to all things horror and the macabre. --Tiffany Shepis, scream queen, Tromeo & Juliet, The Hazing, Nightmare Man I LOVE this book!! -- Elaine Lamkin, bloody-disgusting.com ...a book of enthusiasm. It reminds us why we love horror movies... -- Michael W. Mayo, author, VideoHound's Horror Show Horror 101 is the primer every sci-fi and horror student needs for a compelling and intellectual glimpse into the classroom of genre movies. After digesting this, you will never again get an "F" -- unless it stands for "Film-lover." -- John Stanley, author, Creature Features and I Was a TV Horror Hos
Welcome to the wild world of Awful Awesome cinema. In over 100 reviews, this book explores Horror genre films released from the 1980's to today that are so bad, they're good. These are films that are hilariously terrible and make for a great night of movie watching with friends. Monsters, slashers, mutants, sharks, witches, and werewolves await you as you explore the often ignored world of low budget, direct to video, trash films made with lots of heart but not a lot of money. Films include Rock N Roll Nightmare, Shark Attack 3, and Suburban Sasquatch and films from studios like The Asylum, AGFA, and New Horizons. So stock up on crosses, load up the silver bullets, put on your running shoes, and get out of the water, because this is going to be a wild ride!
From reviews of the third edition: “Film Genre Reader III lives up to the high expectations set by its predecessors, providing an accessible and relatively comprehensive look at genre studies. The anthology’s consideration of the advantages and challenges of genre studies, as well as its inclusion of various film genres and methodological approaches, presents a pedagogically useful overview.” —Scope Since 1986, Film Genre Reader has been the standard reference and classroom text for the study of genre in film, with more than 25,000 copies sold. Barry Keith Grant has again revised and updated the book to reflect the most recent developments in genre study. This fourth edition adds new essays on genre definition and cycles, action movies, science fiction, and heritage films, along with a comprehensive and updated bibliography. The volume includes more than thirty essays by some of film’s most distinguished critics and scholars of popular cinema, including Charles Ramírez Berg, John G. Cawelti, Celestino Deleyto, David Desser, Thomas Elsaesser, Steve Neale, Thomas Schatz, Paul Schrader, Vivian Sobchack, Janet Staiger, Linda Williams, and Robin Wood.
THE NATIONAL AND INTERNATIONAL BESTSELLER - WINNER OF THE 2018 INTERNATIONAL THRILLER WRITERS AWARD FOR BEST HARDCOVER NOVEL "The first great thriller of 2017 is here: Final Girls, by Riley Sager. If you liked Gone Girl, you'll like this."--Stephen King Ten years ago, college student Quincy Carpenter went on vacation with five friends and came back alone, the only survivor of a horror movie-scale massacre. In an instant, she became a member of a club no one wants to belong to--a group of similar survivors known in the press as the Final Girls: Lisa, who lost nine sorority sisters to a college dropout's knife; Sam, who went up against the Sack Man during her shift at the Nightlight Inn; and now Quincy, who ran bleeding through the woods to escape Pine Cottage and the man she refers to only as Him. The three girls are all attempting to put their nightmares behind them and, with that, one another. Despite the media's attempts, they never meet. Now, Quincy is doing well--maybe even great, thanks to her Xanax prescription. She has a caring almost-fianc , Jeff; a popular baking blog; a beautiful apartment; and a therapeutic presence in Coop, the police officer who saved her life all those years ago. Her memory won't even allow her to recall the events of that night; the past is in the past. That is until Lisa, the first Final Girl, is found dead in her bathtub, wrists slit; and Sam, the second Final Girl, appears on Quincy's doorstep. Blowing through Quincy's life like a whirlwind, Sam seems intent on making Quincy relive the past, with increasingly dire consequences, all of which makes Quincy question why Sam is really seeking her out. And when new details about Lisa's death come to light, Quincy's life becomes a race against time as she tries to unravel Sam's truths from her lies, evade the police and hungry reporters, and, most crucially, remember what really happened at Pine Cottage, before what was started ten years ago is finished.
In MEG: Generations, Steve Alten New York Times bestselling author continues his terrifying series. MEG: GENERATIONS opens where MEG: NIGHTSTALKERS left off. The Liopleurodon offspring has been moved to a holding tank aboard the Dubai-Land transport ship, Tonga for its journey to the Middle East. While the Crown Prince’s investors gawk at the creature, below deck in the tanker’s hold, another captured beast is awakened from its drug-induced state and goes on a rampage. The vessel sinks, the Lio escapes At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
