Across the Corrupting Sea: Post-Braudelian Approaches to the Ancient Eastern Mediterranean reframes current discussions of the Mediterranean world by rereading the past with new methodological approaches. The work asks readers to consider how future studies might write histories of the Mediterranean, moving from the larger pan-Mediterranean approaches of The Corrupting Sea towards locally-oriented case studies. Spanning from the Archaic period to the early Middle Ages, contributors engage the pioneering studies of the Mediterranean by Fernand Braudel through the use of critical theory, GIS network analysis, and postcolonial cultural inquiries. Scholars from several time periods and disciplines rethink the Mediterranean as a geographic and cultural space shaped by human connectivity and follow the flow of ideas, ships, trade goods and pilgrims along the roads and seascapes that connected the Mediterranean across time and space. The volume thus interrogates key concepts like cabotage, seascapes, deep time, social networks, and connectivity in the light of contemporary archaeological and theoretical advances in order to create new ways of writing more diverse histories of the ancient world that bring together local contexts, literary materials, and archaeological analysis.
An award-winning Oxford history professor “makes a forceful argument and tells a story with great verve” (The Wall Street Journal)—that the West is, and always has been, truly global. “Those archaic ‘Western Civ’ classes so many of us took in college should be updated, argues Quinn, [who] invites us to . . . revel in a richer, more polyglot inheritance.”—The Boston Globe A FINANCIAL TIMES AND ECONOMIST BEST BOOK OF THE YEAR (SO FAR) In How the World Made the West, Josephine Quinn poses perhaps the most significant challenge ever to the “civilizational thinking” regarding the origins of Western culture—that is, the idea that civilizations arose separately and distinctly from one another. Rather, she locates the roots of the modern West in everything from the law codes of Babylon, Assyrian irrigation, and the Phoenician art of sail to Indian literature, Arabic scholarship, and the metalworking riders of the Steppe, to name just a few examples. According to Quinn, reducing the backstory of the modern West to a narrative that focuses on Greece and Rome impoverishes our view of the past. This understanding of history would have made no sense to the ancient Greeks and Romans themselves, who understood and discussed their own connections to and borrowings from others. They consistently presented their own culture as the result of contact and exchange. Quinn builds on the writings they left behind with rich analyses of other ancient literary sources like the epic of Gilgamesh, holy texts, and newly discovered records revealing details of everyday life. A work of breathtaking scholarship, How the World Made the West also draws on the material culture of the times in art and artifacts as well as findings from the latest scientific advances in carbon dating and human genetics to thoroughly debunk the myth of the modern West as a self-made miracle. In lively prose and with bracing clarity, as well as through vivid maps and color illustrations, How the World Made the West challenges the stories the West continues to tell about itself. It redefines our understanding of the Western self and civilization in the cosmopolitan world of today.
The ancient Sahara has often been treated as a periphery or barrier, but this agenda-setting book – the final volume of the Trans-Saharan Archaeology Series – demonstrates that it was teeming with technological innovations, knowledge transfer, and trade from long before the Islamic period. In each chapter, expert authors present important syntheses, and new evidence for technologies from oasis farming and irrigation, animal husbandry and textile weaving, to pottery, glass and metal making by groups inhabiting the Sahara and contiguous zones. Scientific analysis is brought together with anthropology and archaeology. The resultant picture of transformations in technologies between the third millennium BC and the second millennium AD is rich and detailed, including analysis of the relationship between the different materials and techniques discussed, and demonstrating the significance of the Sahara both in its own right and in telling the stories of neighbouring regions.
This volume details how new theories and methods have recently advanced the archaeological study of initial human colonization of islands around the world, including in the southwest Pacific, the Mediterranean, the Caribbean, and Southeast Asia. This global perspective brings into comparison the wide variety of approaches used to study these early migrations and illuminates current debates in island archaeology. Evidence of island colonization is often difficult to find, especially in areas impacted by sea-level rise, and these essays demonstrate how researchers have tackled this and other issues. Contributors show the potential of computer simulations of voyaging in determining the range of timing and origin points that were possible in the past. They discuss how Bayesian modeling helps address uncertainties and controversies surrounding radiocarbon dating. Additionally, advances in biomolecular techniques such as ancient DNA (aDNA), paleoproteomics, analysis of human microbiota, and improved resolution in isotopic analyses are providing more refined information on the homelands of initial settlers, on individual life courses, and on population-level migrations. Islands offer rich opportunities to examine the exploratory nature of the human species, providing insights into the evolution of watercraft technologies and wayfinding, the impact of humans on their new environments, and the motivations for their journeys. The Archaeology of Island Colonization represents the innovative ways today’s archaeologists are reconstructing these unique paleolandscapes. Contributors: Nasullah Aziz | David Ball | Todd J. Braje | Richard Callaghan | John F. Cherry | Ethan Cochrane | Robert J. DiNapoli | Andrew Dugmore | Jon M. Erlandson | Scott M. Fitzpatrick | Amy E. Gusick | Derek Hamilton | Terry L. Hunt | Thomas P. Leppard | Carl P. Lipo | Jillian Maloney | Matthew F. Napolitano | Anthony Newton | Maria A. Nieves-Colón | Rintaro Ono | Adhi Agus Oktaviana | Timothy Rieth | Curtis Runnels | Magdalena M.E. Schmid | Alexander J. Smith | Harry Octavianus Sofian | Sriwigati | Jessica H. Stone | Orri Vésteinsson A volume in the series Society and Ecology in Island and Coastal Archaeology, edited by Victor D. Thompson
Presents a thematic collection of papers dealing with the Stone Age and Bronze Age archaeology of the Ionian Sea, situated off the south western Balkan peninsula. It is based on an international conference held in Athens, Greece in January 2020. The eastern Ionian occupies a geographically complex area, which since the Pleistocene has undergone significant alterations due to tectonic activity and sea-level fluctuations. This dynamic environment, where islands, mainland, and sea intertwined to present different landscapes and seascapes to the human communities exploring the region at different times in the past, provides an ideal setting for their study from a diachronic perspective. This book deals thematically with the processes of circulation of people, materials, artefacts and ideas by examining patterns of settlement, burial and multi-layered interconnections between the different communities via land and sea. It investigates aspects of regional and interregional communication, isolation, collective memory and the creation of distinct identities within and between different cultural and social groups. It focuses on the islands of the Central Ionian Sea, offering new data from excavations and surveys on Zakynthos, Kefalonia, Ithaki and the smaller islands of the Inner Ionian Archipelago between Lefkada and Akarnania. The cultural interchange between the islands and the continental coasts is reflected in the volume with the addition of chapters dealing with contemporary sites in west Greece and southeast Italy. The Ionian, often regarded as 'at the fringes' of the Aegean, the Balkan and the central Mediterranean archaeological discourse, has lately offered new and exciting data that not only enrich but also alter our perceptions of mobility, settlement and interaction. The collection of papers in this book enhances theoretical discussions by offering a geographically and culturally comparative approach, ranging from the earliest Palaeolithic evidence of human presence in the region to the end of the Bronze Age.
This volume explores the myriad ways in which pottery was created, utilized, and experienced in the prehistoric Aegean, across a period of more than 4000 years between the Middle Neolithic and the Early Iron Age transition.
Of Odysseys and Oddities is about scales and modes of interaction in prehistory, specifically between societies on both sides of the Aegean and with their nearest neighbors overland to the north and east. The 17 contributions reflect on tensions at the core of how we consider interaction in archaeology, particularly the motivations and mechanisms leading to social and material encounters or displacements. Linked to this are the ways we conceptualize spatial and social entities in past societies (scales) and how we learn about who was actively engaged in interaction and how and why they were (modes). The papers provide a broad chronological, spatial and material range but, taken together, they critically address many of the ways that scales and modes of interaction are considered in archaeological discourse. Ultimately, the intention is to foreground material culture analysis in the development of the arguments presented within this volume, informed, but not driven, by theoretical positions.