The Making of Textual Culture

The Making of Textual Culture

Author: Martin Irvine

Publisher: Cambridge University Press

Published: 1994-04-28

Total Pages: 636

ISBN-13: 9780521414470

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This is the a major study of the cultural work performed by grammatica, the central discipline concerned with literacy, language, interpretation and literature in medieval society. Grammatica was, with all aspects of Latin literary text, its language, meaning and value. Martin Irvine demonstrates that grammatica, though the first of the liberal arts, was not simply one discipline among many: it had an essentially constitutive function, defining language, meaning and texts for other medieval disciplines. Martin Irvine draws together several aspects of medieval culture - literary theory, the nature of literacy, education, biblical interpretation, the literary canon and linguistic thought - in order to disclose the more far-reaching social effect of grammatica, chief of which was the making of textual culture in the medieval West.


The Making of Textual Culture

The Making of Textual Culture

Author: Martin Irvine

Publisher: Cambridge University Press

Published: 2006-11-02

Total Pages: 628

ISBN-13: 9780521031998

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This is the first major study of the cultural role of grammatica, the central discipline concerned with literacy, language, and literature in early medieval society. Martin Irvine draws together several aspects of medieval culture--literary theory, the nature of literacy, education, Biblical interpretation, linguistic thought--in order to reveal the more far-reaching social effects of grammatica in medieval culture. The book is based on new and previously neglected sources, many of which have been edited from medieval manuscripts for the first time.


Vehicles of Transmission, Translation, and Transformation in Medieval Textual Culture

Vehicles of Transmission, Translation, and Transformation in Medieval Textual Culture

Author: Robert Wisnovsky

Publisher: Brepols Publishers

Published: 2011

Total Pages: 0

ISBN-13: 9782503534527

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In this volume the McGill University Research Group on Transmission, Translation, and Transformation in Medieval Cultures and their collaborators initiate a new reflection on the dynamics involved in receiving texts and ideas from antiquity or from other contemporary cultures. For all their historic specificity, the western European, Arab/Islamic and Jewish civilizations of the Middle Ages were nonetheless co-participants in a complex web of cultural transmission that operated via translation and inevitably involved the transformation of what had been received. This three-fold process is what defines medieval intellectual history. Every act of transmission presumes the existence of some 'efficient cause' - a translation, a commentary, a book, a library, etc. Such vehicles of transmission, however, are not passive containers in which cultural products are transported. On the contrary: the vehicles themselves select, shape, and transform the material transmitted, making ancient or alien cultural products usable and attractive in another milieu. The case studies contained in this volume attempt to bring these larger processes into the foreground.They lay the groundwork for a new intellectual history of medieval civilizations in all their variety, based on the core premise that these shared not only a cultural heritage from antiquity but, more importantly, a broadly comparable 'operating system' for engaging with that heritage.Each was a culture of transmission, claiming ownership over the prestigious knowledge inherited from the past. Each depended on translation. Finally, each transformed what it appropriated.


Talk and Textual Production in Medieval England

Talk and Textual Production in Medieval England

Author: Marisa Libbon

Publisher: Mad Creek Books

Published: 2021-04-08

Total Pages:

ISBN-13: 9780814214701

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Uses the life of Richard I to argue that medieval England's public talk was essential to the production of texts and was a fundamental part of the transmission and reception of literature.


The Medieval Manuscript Book

The Medieval Manuscript Book

Author: Michael Johnston

Publisher: Cambridge University Press

Published: 2015-08-10

Total Pages: 319

ISBN-13: 1107066190

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This book situates the medieval manuscript within its cultural contexts, with chapters by experts in bibliographical and theoretical approaches to manuscript study.


Imagining the Book

Imagining the Book

Author: Stephen Kelly

Publisher: Brepols Publishers

Published: 2005

Total Pages: 280

ISBN-13:

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Contributors discuss early printed books and manuscripts between the 14th and 16th centuries under the section headings of: 'Imagined compilers and editors', 'Imagined patrons and collectors', Imagined readings and readers' and 'Beyond the book: verbal and visual cultures'.


Context in Literary and Cultural Studies

Context in Literary and Cultural Studies

Author: Jakob Ladegaard

Publisher: UCL Press

Published: 2019-06-24

Total Pages: 230

ISBN-13: 1787356248

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Context in Literary and Cultural Studies is an interdisciplinary volume that deals with the challenges of studying works of art and literature in their historical context today. The relationship between artworks and context has long been a central concern for aesthetic and cultural disciplines, and the question of context has been asked anew in all eras. Developments in contemporary culture and technology, as well as new theoretical and methodological orientations in the humanities, once again prompt us to rethink context in literary and cultural studies. This volume takes up that challenge. Introducing readers to new developments in literary and cultural theory, Context in Literary and Cultural Studies connects all disciplines related to these areas to provide an interdisciplinary overview of the challenges different scholarly fields today meet in their studies of artworks in context. Spanning a number of countries, and covering subjects from nineteenth-century novels to rave culture, the chapters together constitute an informed, diverse and wide-ranging discussion. The volume is written for scholarly readers at all levels in the fields of Literary Studies, Comparative Literature, Cultural Studies, Art History, Film, Theatre Studies and Digital Humanities.