As an adult, Stan Laurel (1890-1965) lived in the United States. As a boy, he lived in north-east England, the son of a prominent local theatrical figure. This ground-breaking biography examines Laurel's family background, his formative years and his struggle to establish a show business career. Stan retained the emotional bonds forged in his youth throughout his life and visited his boyhood homes during his UK tours with Oliver Hardy. Describing Stan Laurel's key roles in making his films with his partner Oliver Hardy so successful internationally, the book analyzes how Stan's boyhood experiences are often echoed in those films. It also notes his influence on successive generations of comic actors who, to this day, still pay fulsome tribute to him. Included is a selection of photographs relevant to Laurel's boyhood, some related to themes in the Laurel and Hardy comedies.
A biography of Laurel and Hardy describes their original teaming in the 1927 short, "Duck Soup, " their considerable innovations, and their ongoing influence.
While comedy writers are responsible for creating clever scripts, comedic animators have a much more complicated problem to solve: What makes a physical character funny? Comedy for Animators breaks down the answer by exploring the techniques of those who have used their bodies to make others laugh. Drawing from traditions such as commedia dell’arte, pantomime, Vaudeville, the circus, and silent and modern film, animators will learn not only to create funny characters, but also how to execute gags, create a comic climate, and use environment as a character. Whether you’re creating a comic villain or a bumbling sidekick, this is the one and only guide you need to get your audience laughing! Explanation of comedic archetypes and devices will both inspire and inform your creative choices Exploration of various modes of storytelling allows you to give the right context for your story and characters Tips for creating worlds, scenarios, and casts for your characters to flourish in Companion website includes example videos and further resources to expand your skillset--check it out at www.comedyforanimators.com! Jonathan Lyons delivers simple, fun, illustrated lessons that teach readers to apply the principles of history’s greatest physical comedians to their animated characters. This isn’t stand-up comedy—it’s the falling down and jumping around sort!
Stan Laurel and Oliver Hardy are classic icons of film comedy. Jimmy Murphy was Stan Laurel's valet and close friend. His life is now documented in "Stan Laurel's Valet - The Jimmy Murphy Story". Photos from archives and other private collections, including Jimmy's own are used throughout the book. Having worked for Morton Downey, Tom Mix, Al Steele (husband to Joan Crawford) Burt Wheeler (of Wheeler and Woolsey) and Stan Laurel, Jimmy's life reads like a Hollywood publicity tale. His friends included President Ronald Reagan and King Edward VIII, and many other politicians, royalty, and stars. Special attention has been paid to the two major American theater tours of Laurel and Hardy. Complete dates and locations are published here for the first time. Amazing interviews with Jimmy Murphy, the crew, musicians and stars that worked with the team recreate these shows as if you were present.
John Connolly conjures the Golden Age of Hollywood in this moving, literary portrait of Laurel & Hardy--two men who found their true selves in a comedic partnership. "AMBITIOUS . . . EVOKES THE STYLE OF SAMUEL BECKETT." --NEW YORK TIMES "BRILLIANT." --SEATTLE BOOK REVIEW "EXTRAORDINARY." --LIBRARY JOURNAL (STARRED REVIEW) An unforgettable testament to the redemptive power of love, as experienced by one of the twentieth century's greatest performers. When Stan Laurel is paired with Oliver Hardy, affectionately known as Babe, the history of comedy--not to mention their personal and professional lives--is altered forever. Yet Laurel's simple screen persona masks a complex human being, one who endures rejection and intense loss; who struggles to build a character from the dying stages of vaudeville to the seedy and often volatile movie studios of Los Angeles in the early years of cinema; and who is haunted by the figure of another comic genius, the brilliant, driven, and cruel Charlie Chaplin. Eventually, Laurel becomes one of the greatest screen comedians the world has ever known: a man who enjoys both adoration and humiliation; who loves, and is loved in turn; who betrays, and is betrayed; who never seeks to cause pain to anyone else, yet leaves a trail of affairs and broken marriages in his wake. But Laurel's life is ultimately defined by one relationship of such astonishing tenderness and devotion that only death could sever this profound connection: his love for Babe.
For the first time, all 99 Laurel and Hardy comedies, from early two-reelers through classic shorts and great features, are fully documented with cast-lists, credits and plot outlines. 400 photos.
Once labeled the “lot that laugher built,” the Hal Roach Studios launched the comedic careers of such screen icons as Harold Lloyd, Our Gang, and Laurel and Hardy. With this stable of stars, the Roach enterprise operated for forty-six years on the fringes of the Hollywood studio system during a golden age of cinema and gained notoriety as a producer of short comedies, independent features, and weekly television series. Many of its productions are better remembered today than those by its larger contemporaries. In A History of the Hal Roach Studios, Richard Lewis Ward meticulously follows the timeline of the company’s existence from its humble inception in 1914 to its close in 1960 and, through both its obscure and famous productions, traces its resilience to larger trends in the entertainment business. In the first few decades of the twentieth century, the motion picture industry was controlled by an elite handful of powerful firms that allowed very little room for new competition outside of their established cartel. The few independents that garnered some measure of success despite their outsider status usually did so by specializing in underserved or ignored niche markets. Here, Ward chronicles how the Roach Studios, at the mercy of exclusive distribution practices, managed to repeatedly redefine itself in order to survive for nearly a half-century in a cutthroat environment. Hal Roach’s tactic was to nurture talent rather than exhaust it, and his star players spent the prime of their careers shooting productions on his lot. Even during periods of decline or misdirection, the Roach Studios turned out genuinely original material, such as the screwball classic Topper (1937), the brutally frank Of Mice and Men (1940), and the silent experiment One Million B.C. (1940). Ward’s exploration yields insight into the production and marketing strategies of an organization on the periphery of the theatrical film industry and calls attention to the interconnected nature of the studio system during the classic era. The volume also looks to the early days of television when the prolific Roach Studios embraced the new medium to become, for a time, the premier telefilm producer. Aided by a comprehensive filmography and twenty-seven illustrations, A History of the Hal Roach Studios recounts an overlooked chapter in American cinema, not only detailing the business operations of Roach’s productions but also exposing the intricate workings of Hollywood’s rivalrous moviemaking establishment.
Stan Laurel and Oliver Hardy improvised many of the scenes for their classic comedies while the cameras were rolling, which meant that some excellent material in their scripts was lost - until now. Twenty complete, original screenplays for their short subjects are presented here for the the very first time. They include a treasure trove of unused but hilarious comedy routines. Among them is the entire script for a proposed 1926 comedy, never filmed, which would have been the comedians' first film as a team. The scripts are illustrated with 150 rare photos; many of them vividly depict the process of making the films. Introductions for each entry detail the fascinating differences between the scripts and the movies made from them. Full cast and credit information is also included. This collection of fabulous rarities is essential for any admirer of Stan and Ollie.
