In this simple tale, the novel's hero is the talented heir to a notable family in Lisbon. He aspires to serve his fellow man in his chosen profession of medicine, in the arts, and in politics. But he enters a society affected by powerful international influences--French intellectual developments, English trading practices--that trouble and frustrate him. In the end he is reduced to a kind of spiritual helplessness and his good intentions are reduced to dilettantism. His passionate love affair begins to suffer a devastating constraint.
Carlos, heir to a great fortune, becomes a doctor and drifts along spending time at the theater, reading, and having affairs, until he falls deeply in love but has to hide a terrible secret.
A compassionate tale of marriage, manners, and betrayal, from the Portuguese master José Maria Eça de Queirós, the first great modern Portuguese novelist, wrote The Yellow Sofa with (in his own words) “no digressions, no rhetoric,” creating a book where “everything is interesting and dramatic and quickly narrated.” The story, a terse and seamless spoof of Victorian bourgeois morals, concerns a successful businessman who returns home to find his wife “on the yellow damask sofa, leaning in abandon on the shoulder of a man.” The man is none other than his best friend and business partner. While struggling with the need to defend his honor, he fights a stronger inner desire for domestic tranquility and forgiveness. The Yellow Sofa firmly establishes Eça de Queirós in the literary pantheon that includes Dickens, Flaubert, Balzac, and Tolstoy.
Sold into slavery to the dealer Lalloc by her mother when her stepfather seduces her, the beautiful 15-year-old Maia is almost raped by Genshed, one of Lalloc's employees but is saved by Occula, a black slave girl. With no-one but Occula at her side, Maia must summon all her courage, strength and intelligence as she navigates the seedy side of the Beklan empire.
At the height of Tim Maia's soaring fame, he joined a radical, extraterrestrial-obsessed cult and created two plus albums of some of Brazil's-and the globe's-best funk and soul music. This book explores the career of the man often hailed as the James Brown or Barry White of Brazil, and the time of his radical transformation from a musician notorious for hedonistic living to a devoted follower of Manoel Jacinto Coelho's Rational Culture. After suddenly joining Coelho's cult in 1974 (which started first as an offshoot of the mystical Afro-Brazilian religion Umbanda), Maia gave up drugs and alcohol, threw away his material possessions, and released Racional Vols. 1 & 2 in the attempt to convert the entirety of Brazil and the world to the revelation of Rational Culture. Thayer explores this strange, brief, yet incredibly prolific period of Maia's life wherein the reigning soul and funk artist of Brazil produced two albums, an EP, and a recently unearthed tape containing almost another full album of funky jams laced with spiritual content and scripture. For just as quickly as Maia became entranced with Coelho did he become disillusioned with the cult, disavowing and destroying everything having to do with that experience and refusing to speak of it for the rest of his life. 33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-based books and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.
From “one of the bravest, smartest writers about addiction anywhere” (Johann Hari, New York Times bestselling author)—the untold story of harm reduction, a surprisingly simple idea with enormous power Drug overdoses now kill more Americans annually than guns, cars or breast cancer. But we have tried to solve this national crisis with policies that only made matters worse. In the name of “sending the right message,” we have maximized the spread of infectious disease, torn families apart, incarcerated millions of mostly Black and Brown people—and utterly failed to either prevent addiction or make effective treatment for it widely available. There is another way, one that is proven to work. However, it runs counter to much of the received wisdom of our criminal and medical industrial complexes. It is called harm reduction. Developed and championed by an outcast group of people who use drugs and by former users and public health geeks, harm reduction offers guidance on how to save lives and improve health. And it provides a way of understanding behavior and culture that has relevance far beyond drugs. In a spellbinding narrative rooted in an urgent call to action, Undoing Drugs tells the story of how a small group of committed people changed the world, illuminating the power of a great idea. It illustrates how hard it can be to take on widely accepted conventional wisdom—and what is necessary to overcome this resistance. It is also about how personal, direct human connection and kindness can inspire profound transformation. Ultimately, Undoing Drugs offers a path forward—revolutionizing not only the treatment of addiction, but also our treatment of behavioral and societal issues.
"Short stories (fiction) by the great nineteenth-century Portuguese author Jose Maria Eca de Queiros; a variety of themes characterize the stories: love, greed, obsession, country life; patriotism"--
From the New York Times bestselling author of Six Crimson Cranes comes a fantasy filled with courtly intrigue, deceitful demons, and breathtaking gowns ... the stakes are higher than ever in this thrilling sequel to Spin the Dawn! Maia Tamarin's journey to sew the dresses of the sun, the moon, and the stars has taken a grievous toll. She returns to a kingdom on the brink of war. Edan, the boy she loves, is gone--perhaps forever--and no sooner does she set foot in the Autumn Palace than she is forced to don the dress of the sun and assume the place of the emperor's bride-to-be to keep the peace. When the emperor's rivals learn of her deception, there is hell to pay, but the war raging around Maia is nothing compared to the battle within. Ever since she was touched by the demon Bandur, she has been changing . . . glancing in the mirror to see her own eyes glowing red; losing control of her magic, her body, her mind. It's only a matter of time before Maia loses herself completely, and in the meantime she will stop at nothing to find Edan, protect her family, and bring lasting peace to her country.
As so often with Eca de Queiros, the plot is simple; the fascination of the novel lies in the characters, the incidents and, above all, the warm humanity and mordant wit of this acute observer of the human condition.
