This compact and engaging text provides unique insights into the issues of ‘dharma’ in the Indian epic the Mahābhārata. The word ‘dharma’ is untranslatable and usually mistaken to mean religion. However, as argued here, it is evident through the tales of the epic that the word ‘dharma’ is an umbrella term for all the deeds one does in one’s life. Each chapter of this book is expository, as well as explanatory, providing examples through the tales of the Mahābhārata. The book will be of great interest to research scholars, Indologists and commentators, through its use of tales, narratives, parables, and fables as evidence for understanding the issues of dharma embedded in the Mahābhārata.
An esteemed scholar of Hinduism presents a groundbreaking interpretation of ancient Indian texts and their historic influence on subversive resistance Ancient Hindu texts speak of the three aims of human life: dharma,artha, and kama. Translated, these might be called religion, politics, and pleasure, and each is held to be an essential requirement of a full life. Balance among the three is a goal not always met, however, and dharma has historically taken precedence over the other two qualities in Hindu life. Here, historian of religions Wendy Doniger offers a spirited and close reading of ancient Indian writings, unpacking a long but unrecognized history of opposition against dharma. Doniger argues that scientific disciplines (shastras) have offered lively and continuous criticism of dharma, or religion, over many centuries. She chronicles the tradition of veiled subversion, uncovers connections to key moments of resistance and voices of dissent throughout Indian history, and offers insights into the Indian theocracy’s subversion of science by religion today.
Between 300 BCE and 200 CE, concepts and practices of dharma attained literary prominence throughout India. Both Buddhist and Brahmanical authors sought to clarify and classify their central concerns, and dharma proved a means of thinking through and articulating those concerns. Alf Hiltebeitel shows the different ways in which dharma was interpreted during that formative period: from the grand cosmic chronometries of kalpas and yugas to narratives about divine plans, gendered nuances of genealogical time, royal biography (even autobiography, in the case of the emperor Asoka), and guidelines for daily life, including meditation. He reveals the vital role dharma has played across political, religious, legal, literary, ethical, and philosophical domains and discourses about what holds life together. Through dharma, these traditions have articulated their distinct visions of the good and well-rewarded life. This insightful study explores the diverse and changing significance of dharma in classical India in nine major dharma texts, as well some shorter ones. Dharma proves to be a term by which to make a fresh cut through these texts, and to reconsider their own chronology, their import, and their relation to each other.
Argument and Design features fifteen essays by leading scholars of the Sanskrit epics, the Mahābhārata and the Rāmāyaṇa, discussing the Mahābhārata’s upākhyānas, subtales that branch off from the central storyline and provide vantage points for reflecting on it. Contributors include: Vishwa Adluri, Joydeep Bagchee, Greg Bailey, Adam Bowles, Simon Brodbeck, Nicolas Dejenne, Sally J. Sutherland Goldman, Robert P. Goldman, Alf Hiltebeitel, Thennilapuram Mahadevan, Adheesh Sathaye, Bruce M. Sullivan, and Fernando Wulff Alonso.
The Hindu tradition has held conflicting views on womanhood from its earliest texts—holding women aloft as goddesses to be worshipped on the one hand and remaining deeply suspicious about women's sexuality on the other. In Woman as Fire, Woman as Sage, Arti Dhand examines the religious premises upon which Hindu ideas of sexuality and women are constructed. The work focuses on the great Hindu epic, the Mahābhārata, a text that not only reflects the cogitations of a momentous period in Hindu history, but also was critical in shaping the future of Hinduism. Dhand proposes that the epic's understanding of womanhood cannot be isolated from the broader religious questions that were debated at the time, and that the formation of a sexual ideology is one element in crafting a coherent religious framework for Hinduism.
Why should we be good? How should we be good? And how might we more deeply understand the moral and ethical failings--splashed across today's headlines--that have not only destroyed individual lives but caused widespread calamity as well, bringing communities, nations, and indeed the global economy to the brink of collapse? In The Difficulty of Being Good, Gurcharan Das seeks answers to these questions in an unlikely source: the 2,000 year-old Sanskrit epic, Mahabharata. A sprawling, witty, ironic, and delightful poem, the Mahabharata is obsessed with the elusive notion of dharma--in essence, doing the right thing. When a hero does something wrong in a Greek epic, he wastes little time on self-reflection; when a hero falters in the Mahabharata, the action stops and everyone weighs in with a different and often contradictory take on dharma. Each major character in the epic embodies a significant moral failing or virtue, and their struggles mirror with uncanny precision our own familiar emotions of anxiety, courage, despair, remorse, envy, compassion, vengefulness, and duty. Das explores the Mahabharata from many perspectives and compares the successes and failures of the poem's characters to those of contemporary individuals, many of them highly visible players in the world of economics, business, and politics. In every case, he finds striking parallels that carry lessons for everyone faced with ethical and moral dilemmas in today's complex world. Written with the flair and seemingly effortless erudition that have made Gurcharan Das a bestselling author around the world--and enlivened by Das's forthright discussion of his own personal search for a more meaningful life--The Difficulty of Being Good shines the light of an ancient poem on the most challenging moral ambiguities of modern life.
Gautam has here laid out the first serious reading of Michel Foucault in relation to key Sanskrit texts, and--what may be a surprise to many--he has written the first book-length work in English on the nature and origin of the Kamasutra. Gautam also takes up the Natyasastra (the Kamasutra's twin), locating in the first the themes of sexual-erotic pleasure, and locating in the second the classical Indian view of theater, music, dance, and aesthetic pleasure. The book shows how closely intertwined the history of erotics in ancient Indian culture is with the history of theater-aesthetics. Foucault provides a framework for opening up the intellectual horizon of Indian thought; it is his distinction between ars erotics (erotic arts) and scientia sexualis (science of sexuality) that fuels Gautam's exploration of the courtesan as symbol of both erotic and aesthetic pleasure, particularly in her role as a wife to her patron, which entails the morphing of erotics into a form of theater. The scope broadens ambitiously, to an inquiry on the nature of knowledge formation, erotics, theater, and gender relations in premodern Indian society and culture--as they converged on the historical figures of the courtesan and her male counterpart, the dandy. Gautam's twining of aims and subjects--Foucault's western philosophy of pleasure and India's classic text on eros (anchored in art and aesthetics)--transforms both the modern and the ancient texts with new understandings, and as new forms of investigating erotics and subjectivity itself.
The first volume of Mahabharata Unravelled covered the itihasa of our ancestors true to the narration of Rishi Veda Vyasa. But the Mahabharata is more than a story of the past. It has extensive discourses on ethics, personal and social interaction, administration, jurisprudence and related topics, in the form of conversations. For instance, the Shanti Parva, the largest of the 18 parvas, is a treatise on Raja Dharma. Advice on the responsibilities and duties of leaders and administrators is imparted to Yudhishthira by Bhishma from his bed of arrows on the field of war. Then there is a profound dialogue between Dhritarashtra and the erudite Vidura that appears in Udyoga Parva, popularly known as Vidura Neeti. Likewise, there is a thought-provoking story narrated by Rishi Markandeya to the Pandavas of a meat-seller who teaches dharma to a Brahmin named Kaushika. In this book, Ami Ganatra highlights the most important lessons from the Dharma discourses found in the Mahabharata. Their teachings hold true even in current times, perhaps more so than ever.
